Plustown A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

Sarita Rafferty There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Staci Frederick Blistering performances.

Perception_de_Ambiguity "Who knows their own story? Certainly, it makes no sense when we live in the midst of it. It's all just clamour and confusion. It only becomes a story when we tell it and retell it. Our small precious recollections that we speak again and again to ourselves or to others. First creating the narrative of our lives and then keeping the story from dissolving into darkness." Occupying a gray zone between documentary and autobiographical fiction film '20,000 Days on Earth' opens with a counter that, you guessed it, starts at zero and rapidly counts up to 20,000 in a mere 1 1/2 minutes all the while on a couple of screens we see Nick Cave in various stages of his life as well as TV footage that corresponds with the number of days (e.g. a boy smoking pot around day 5,000) or people that apparently were of significance to him around that particular time (so in the early days we for example see Johnny Cash, Elvis and of course Barbara Eden). It's a loud and chaotic montage that simultaneously serves as the opening credits. The first scene stands in stark contrast to it, through the storm of the past we have arrived in the present day. We see an alarm clock without a seconds hand giving the impression of time virtually standing still. Nick Cave lies in bed staring at his clock before it starts to ring to officially herald the start of day 20,000.The film that follows feels thorough, self-contained and complete.Thorough because it keeps returning to the same memories. First Nick Cave has a session with his psychoanalyst which feels as much like an interview with a journalist as it does like a couch session, for there is no couch but the "interviewer" asks more psychoanalyst type of questions that very often go back to Cave's childhood days. Questions like: "What's your earliest memory of a female body?" or "What's your earliest memory of your father?", each question being answered with a story. Later Cave exchanges memories about the Nina Simone concert that he earlier talked about to his psychiatrist with a colleague who was at the concert as well which of course transforms the same story, it becomes fuller, the atmosphere surrounding it changes, etc. Or at another point Nick Cave goes to the Nick Cave archive because of course when you are somebody like Nick Cave you don't keep your old junk in boxes, you get other people to do that for you...anyway. Objects from the stories he told his psycho-guy pop up again or rather he asks for them, like the copy of "Lo-li-ta" from which his father read to him one day and that made little Nick see a side of his father that he hadn't known before. Or a picture of Susie, who became his wife, which leads into a dazzling multimedia collage of sight, sound and spoken word about Nick Cave's erotic fantasies that climaxes where all good erotic fantasies climax, with Jackie Kennedy at JFK's funeral. Songs come back also, he writes a song, practices a song, records a song, records a background track with a children's choir, and finally performs it in the Sydney Opera House in front of a big audience.Self-contained it feels because there is a clear core theme which always is a challenge in an (auto)biographical film, because how can a human life be summed up to one idea? Here that idea is that Nick Cave basically lives as a vessel for his memories, to acquire them, to put them into a narrative in order not to forget them, and to use them to create songs. His greatest fear, he says, is losing his memory. "...in some way that's really what the process of songwriting is for me. It's the retelling of these stories and the mythologizing of these stories." The people in those stories become mere figures, figures that he, as he puts it, cannibalizes for his creations.Unsurprisingly, Cave in the film comes across as self-absorbed and to call the product navel-gazing I think would be a pretty fair assessment. For the sake of context it bears reminding that this film doesn't show much of Nick Cave the private person and instead is much more about Nick Cave the musician and the public person. No doubt his profession is what enables and I think at least to an extent also excuses his constant self-examination, after all he made a successful career out of it.And finally, complete it feels because the ending, a live-performance of a song we have seen and heard played several times throughout, is aided by footage of old live performances from the band history that often show him making the same movements on stage, reminding not only of the start of the film, but also that this performance that currently is the unfathomable now, will soon become a part of this man's memory turned life narrative. Put on film it shows one version of the event as it happened, something that will help Nick Cave keep the story from dissolving into darkness. But it also doesn't need a Nick Cave anymore to write a song about it, as a film it already is a mythologized narrative and it exists independent of any self-absorbed musicians that may happen to be the subject of '20,000 Days on Earth'.

justincward I know a few women who profess to like Nick Cave. I know no men who do. Maybe that's because on this evidence Nick is a bit of a Mummy's boy. He's also been a junkie and a university lecturer so obviously he KNOWS A LOT OF STUFF, and we mere mortals should listen because he HAS THE ELIXIR, IE he's read The Hero's Journey.Can't sing. Can't write anything meaningful. Plays the piano clumsily. He talks to his therapist, who asks, 'What is your first memory of the female body?' Nick proceeds to talk about when he was fifteen and didn't have sex. This is the man who remembers a 'happy childhood', but he has no memory of his mother's body - or any aunt - or any primary school classmate, sister or grandmother. That's why women like him; he really does miss his Mum and he's lonely.But beware - he draws lots of pictures of naked women. In between pretending to drive cars, writing terrible poetry and talking about himself to a coterie of employees, over and over and over and over and over and over again.I used to not really care about Nick Cave. Now I loathe him.

morrison-dylan-fan With Easter coming up,I started searching round for a music documentary that a friend could watch during the Easter holiday.Searching round on Amazon UK,I was surprised to find a doc on Nick Cave,which led to me picking up a bunch of bad seeds.The plot:Waking up on his 20,000th day alive,musician Nick Cave begins recording a new album with regular collaborator Warren Ellis.Along with recording a new album,Cave begins to talk to friends about why they do particular professions.Whilst making music & talking to friends,Cave begins reflecting on memories,and the meaning of his existence.View on the film:Opening with an atmospheric shot which has Nick Cave's life flash before the viewers eyes,co-writers/(along with Nick Cave)directors Iain Forsyth & Jane Pollard take a fascinating,partly-staged improvisation /partly- real approach to the movie,with Cave being kept driving in a car, (to a destination that is never revealed)whilst talking to friends who disappear like ghosts.Staging scenes of Cave talking to a shrink,Forsyth and Pollard use the fictional moments (such as Cave talking to a fan who is playing his shrink,and 2 archivists pretending to be working on a Nick Cave archive) to superbly emphasis the psychological connection that Cave makes with his audience in the thrilling concert footage.Appearing like a preacher in the concert footage,Nick Cave gives an excellent performance as himself,with Cave giving the movie strong mythical vibes during his car journeys.Cave also gives the movie a hauntingly deep melancholy streak,as Cave attempts to piece together fading memories with the film makers,on his 20,000th birthday party.

heidy-villafane I'll be the first to admit, other than the duet Nick Cave did with Kylie Minogue I've never really heard of him and after sitting through this film I hope never to hear of him again. This was such self indulgent vomit. "Hey I'm Nick Cave, I want attention, how about I invite all the famous people I know and get them to tell me how awesome I am and make a movie!". There were moments when he was jamming poetically that seemed to go on for days and his lyrics were laughable at times (probably not meant to be).I watched this at the Sydney Film Festival at the Opening night which I am still shaking my head as to why they would open with it. I was however with a friend who was a semi-fan and she quite enjoyed it. So I guess the demographic this movie aims at is solely Nick Cave fans, which I was not at the time and this movie just solidified that I would never be. Just let it go.