56 Up

2012 "In 1964 a group of seven year old children were interviewed for the documentary "Seven Up". They've been filmed every seven years since. Now they are 56."
7.9| 2h24m| en
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When a cross-section of seven-year-olds were interviewed for 7 Up in 1964 it was immediately evident that their social backgrounds influenced their attitudes towards life. While the upper class children were confident and self-assured, those from middle and working class backgrounds were resigned to a challenging life of hard work. This premise was put to the test every seven years when the same group were interviewed about the progression of their lives. 49 years in the making, the changes that occurred to the original 14 make for fascinating television and are in many ways the stories of all our lives. From success and disappointment, marriage and childbirth, to poverty and illness, nearly every facet of life has been captured on film. Now, at the age of 56, the group are once more brought together and, with the benefit of hindsight, assess whether their lives have been ruled by circumstance or self-determination.

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Also starring Peter Davies

Reviews

Konterr Brilliant and touching
Numerootno A story that's too fascinating to pass by...
Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one
Catherina If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.
SnoopyStyle The gang is back under the directions of Michael Apted. They are now closing in on old age. Everybody is looking back rather than looking forward. Sure they look forward for their kids, but not anymore for themselves. Peter has finally return to the series, but it's only a taste. He's only giving the highlights but mostly he wants to promote his band. He still isn't completely open especially about his first marriage. That is still better than Charles who is still absent.The question is starting to creep in on what will happen to this series if one of them pass or maybe if Michael Apted pass. This raises the question of what the future episode will look like. It will probably feel like talking to my parents and the older generations about their aches and pains. Everybody will be comparing their medical health. The part I want to see now is Michael Apted on camera. He's getting up there in age and it would be nice to see the group talk to him as an equal before it's too late.
Roland E. Zwick The "Up" documentary series comprises what is surely the most impressive longitudinal study ever committed to film. It is an obvious labor of love for director Michael Apted, who has remained faithful to the project - and to its participants - for close to fifty years now. It all began in 1964, when producers at Britain's Granada Television gathered together a group of seven-year-olds from all walks of life and interviewed them for a TV documentary entitled "7Up," focused on the hopes and aspirations of these youngsters as they embarked on a long but uncertain journey into the future. Every seven years since, like clockwork, Apted has gone back to these individuals to take a peek into their lives, examining the paths they've taken and juxtaposing those youthful aspirations expressed in the original film with the realities of their lives as they've played themselves out. (The stunning contrast between the grainy black-and-white imagery of the first film and the hi- def clarity of the current interviews underlines the extraordinary length of time the series has already covered).In "56Up," the eighth installment in the series, its subjects are leaving the confidence and security and general good health of middle age and just beginning to confront the realities of impending old age and contemplating an array of end-of-life issues (if not for themselves yet, at least for their parents). And it is for this reason that "56Up" is one of the most poignant and insightful entries in the series (and one imagines it will only get more poignant and insightful with each successive edition). All the major issues of marriage/divorce, career and parenthood seem to have long ago been settled for most of them, as they now concentrate on their roles as grandparents and life guides for their own adult children as they embark on their own lives and families. There's less naïve hope expressed in this film and more of an acceptance of how life has turned out for the participants, though there is a marked lack of cynicism and pessimism in the way they speak about their lives. Of course, they're still young enough at this point to be physically active and fully engaged in their careers and their communities, but there's no denying that the prospect of that fast- approaching downward slope of life is weighing, at least to some degree, on these people's minds. Yet, even those who haven't yet achieved their "ideal" lives still haven't given up hope that they will one day find what it is they're looking for. For obvious reasons, it is this installment that most comprehensively captures the range of a lifetime, at least until "63Up," "70Up," etc., arrive on the scene in the lead-up to the foreordained conclusion of the series.It's clear from watching this jumble of clips from eight distinct periods of time that each stage of life contains a set of joys and concerns unique unto itself, a universal truth that this series, by its very nature, seems singularly equipped to illustrate. It's a bit like thumbing through - an admittedly disorganized - family photo album, but with insightful commentary from the individuals involved inserted along the way.One, perhaps unforeseen, thread that runs through this film involves the self-reflection on the part of some of the participants about their appearance in the series - the sometimes unwelcome notoriety it has brought to them and their lives, with at least one of them pulling out of the project for a time only to reconnect with it at this stage, after having come to terms with himself and grown confident in his own skin. A few even question the very value of the series itself, feeling that these brief glimpses into their lives every seven years fail to create anything close to a true portrait of their lives and of themselves as people - a concern that Apted deserves much credit for including in his final product. After all, these people, at seven years of age, did not exactly ask to become a part of this much-viewed series, and why SHOULD they want to be defined and represented by it? On the other hand, as one of the participants points out, the series really isn't about these particular individuals as much as it is about how, collectively, they serve as a sort of mirror in which the rest of us can see our own lives reflected.Yet, something indefinable and intangible keeps many of them coming back every seven years to open up and share at least a small part of their lives with us. And for that the world shall be eternally grateful. Now onto the next installment.
TxMike When you are a 56-yr-old single woman, yes a man with a pulse is a good start! And it helps to keep your sense of humor.I have been a fan of Apted's "UP" series ever since I discovered it and saw the first several over a short time period a few years ago. Since then I have found myself anticipating the next 7 years to see how the participants are doing and how their lives are changing. And to reflect on my own life, how it has been changing.This all started about 50 years ago when Apted was a young man and was given the suggestion to do something with 7-yr-old British kids, but in a totally different concept. Somewhere along the line, he came upon the idea of filming them every 7 years and that has turned out to be a great theme. Some have dropped out, at least one drop-out has re-joined, and in his honesty says it was to gain additional publicity for his band which seems to be gaining in popularity. Plus participants are paid, although Apted has not yet stated how much. Still I feel certain it is a nice sum, and who wouldn't welcome that every few years.One of the big events since "49 UP" was the global recession, and several of the participants discuss its effect on them. Plus in general there are several comments criticizing the direction politicians are taking the country.It is refreshing, though, to see so many of them aging gracefully, being happy in their advancing ages, avoiding dwelling on what might have been if they had made different choices. Pretty much what you would expect from any slice of society.There was a brief conversation with Tony, the one who as a young boy wanted to be a jockey but ended up being a London cab driver, that caught my attention. Tony was complaining about all the foreigners that have moved into his East London over the years, "They never asked any of us our opinions." When Apted suggested Tony's views might be considered "racist" Tony objected loudly. But consider, Tony and his family have a vacation home in Spain, they are doing to Spain what the other foreigners are doing to his East London. In reality Tony does have at least mild racist views, as many people do, but he doesn't even recognize that.Always an interesting series, the most recent installment, filmed in early 2012, is a winner.
scrabbler 56 Up - hard to believe. I've watched 3 or 4 of these over my 53 years, and each one becomes harder for me to watch as I get older. I was suddenly a little scared when the titles for this one started; I almost walked out of the theater. What has become of this group of kids that director Apted has been following since he was 22 years old? What new tragedies had befallen them? Whatever became of the homeless guy? Would any of them finally blow up at Apted on-camera?Probably the most unnerving thing for me was that the film would just be unbearably poignant. It seems almost god-like to be able to see how a group of 14 people's lives have progressed over a 49-year period. (Yet, as one of the men complains, viewers can't possibly know these people, even though many in Britain presume to (since this was shown on TV there, many British people have watched all 8 films). Fortunately, however, the film isn't overly sentimental or maudlin. Still, the film is very touching and can't help but make you think about your own life and trials, what advantages you may or may not have had compared to these people, and how you would have fared given their circumstances.One of the sadder aspects of these films is to see how life seems to have "beaten down" so many of these people. Some of the kids with bright, shiny eyes who seemed to have so much energy and hope now seem to be dejected and defeated adults. Yet this isn't true for all of them - some of the reserved, quiet kids turned out to be reserved, quiet adults. And it's not all sad - there are some good laughs and some inspiring successes. And two subjects who had dropped out returned for this segment - one to promote his band! There are plenty of clips from earlier segments, so you don't need to rent any of the earlier ones, but I'd recommend it. You get a more profound sense of the flow of their lives by seeing at least one other one. But whatever you do, see this one.