A Chinese Ghost Story

1988
7.4| 1h38m| NR| en
Details

Ning Tsai-Shen, a humble tax collector, arrives in a small town to carry out his work. No one is willing to give him shelter for the night, so he ends up in the haunted Lan Ro temple. There, he meets Taoist Swordsman Yen Che-Hsia, and the beautiful Nieh Hsiao-Tsing, with whom he falls in love.

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Reviews

MonsterPerfect Good idea lost in the noise
Senteur As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.
Tayyab Torres Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.
Nicolas Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies
Jill Hu After going through some reviews, I feel the need to differentiate Liao Zhai from Wuxia and (Western and Japanese)Fantasy. The awareness of Liao Zhai among audiences is far, far from enough, which partly explains why this film doesn't meet expectation from some people. This film is loosely based on a short story from Liao Zhai, which is a collection of nearly 500 strange tales dated back to 17th century, serving to implicitly criticize human society. Unlike many ghost stories, Liao Zhai portrays most ghosts as likable and humane females, and has underdog scholars(author's class stand), ridiculous government officials as well as feudal principles as recurring themes. Although the story line has been changed, this film hasn't depart from the core of Liao Zhai, mocking brain scattered officials, revealing heartless stall-keepers and crowds. Its attitude is fully exposed through lines of the Taoist:"I hate dealing with people, so I hid in this temple." "Ridiculous. I don't want to be a man, but Hsiao Tsing wants reincarnation. I don't understand all this nonsense!" "In these times, an unlucky man may fare worse than a ghost. " Those who thought it was Wuxia may find the supernatural elements corny; those who thought it was a fantasy may find it structurally and cinematically timid. With all that said, Liao Zhai as a film genre might never become phenomenal, mostly due to its own limitation. In the nihilist moment of depression and quiet anger, scholars like the author of Liao Zhai had never detected the crux of the problems nor come up with effective solutions, just like the last feudalism of China itself.Hopefully, a brief look into Liao Zhai betters your understanding!
BA_Harrison A Chinese Ghost Story stars the late, great Leslie Cheung as Ling Choi Sin, a penniless tax collector who decides to spend the night at a deserted temple, where he meets and falls for a beautiful woman called Tsing (Joey Wang). When Ling discovers that Tsing is actually a ghost who has been forced to seduce victims for an evil tree spirit who feeds on 'chi' (life force), he decides to try and free the girl by giving her remains a proper burial. Enlisting the help of Swordsman Yin (Wu ma), a crazy Taoist monk, Ling successfully defeats the tree spirit, but must also do battle in hell against the evil Lord Black, to whom Tsing is due to be wed.The first Hong Kong film that I saw which wasn't purely martial arts action, A Chinese Ghost Story opened my eyes to the incredible world of Asian fantasy horror, a magical realm inhabited by beautiful female ghosts, bumbling innocent heroes, sword wielding Taoist monks, monstrous spirits, and dark lords of the underworld; I instantly fell in love with the film's exuberance, energy, humour, inventiveness and visual excellence.Two decades later, and this amazing movie still remains one of the finest examples of its genre that I have seen—a sumptuous, breathtaking masterpiece that brilliantly blends horror, comedy, fantasy and romance. With superb direction from Siu-Tung Ching, excellent editing from David Wu, stunning cinematography, and a whole slew of imaginative special effects (including a humongous killer tongue, a many tentacled monster, and multiple flying heads!), A Chinese Ghost Story is a completely unforgettable and thoroughly enjoyable experience from start to finish.
Alise_shenle this is a great movie. i like it where ning climbs down to get his ink, and the skeletons chase him, but luckily he dodged them, opened the window, and didn't even notice them. xiao qian is very pretty too. & when he stuck the needle up ma Wu's butt, its hysterical. and when he is saying love is the greatest thing on earth while standing between two swords is great too. then also the part where he eats his buns while watching thew guy kill many people. then you see him chanting poems as he ran to escape the wolves. the love scenes are romantic, xiao qian and ning look cute together. add the comic timing, the giant tongue, and u have horror, romance, comedy, all at once. not to mention superb special effects for the 90s.
innocuous This film may have been the biggest let-down I've experienced in renting movies based on IMDb reviews. Overall, I simply found this to be a second-rate movie.Leslie Cheung is certainly passable as the antihero and Ma Wu handles his character with cheerful competence. On the other hand, Ma Wu's makeup (facial hair) is so obviously phony that I simply could not take him seriously. He looked like an overweight teenager dressed up for Halloween, complete with the $4.95 stick-on beard.The special effects were so-so, though the "undead" in the cellar were pretty good. The tree-tongue looked like something from a bad 1950s monster flick, though the POV shots from the tongue's view more closely resembled Sam Raimi's trademark shots in the more recent "Evil Dead" trilogy. The pyrotechnics were ho-hum and the final battle is about as dull as you can get. (In fact, it most closely reminded me of the "Lost in Space" episode where the Robinsons are caught in a sandstorm and....) The plot was not particularly original and has been told countless times in the form of European fairy tales. There was no suspense and no plot twists. In fact, you know right away as you are introduced to the characters who is good, who is bad, and who is going to survive.I just returned this film to Netflix and then I sat down to write this review. The very first thing I did was check the production date. Yep, it says 1987...not the 1967 that I thought it might be. And that pretty much sums it up: The production values and FX are typical of the 1960s. The plot and action seem much older, as Hollywood was actually producing some interesting and challenging films in the 60s.** out of *****