Beystiman It's fun, it's light, [but] it has a hard time when its tries to get heavy.

SeeQuant Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

Myron Clemons A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

Aneesa Wardle The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Horst in Translation (filmreviews@web.de) "A Diary for Timothy" is a short film from 1945 and the director is Humphrey Jennings, the man who made the Oscar-nominated "Listen to Britain" a few years earlier. The contents here are very different with the exception that history had progressed considerably in these 3 years. The Allies had won the war and this film tells audiences again about what life in Britain looked like around that time. It also tells about the upcoming challenges for post-war Britain and the world. For the framework here, Jennings used a little baby and explains this film by depicting the world he was born into as he did not exist yet in 1942 when he made his more known movie. This film here includes some very known British artists such as actors Michael Redgrave, John Gielgud and writer E.M. Forster. I still must say it was not really in interesting watch. I'd only recommend this to British people with a great interest in history, or even historians themselves. Thumbs down from me.

MartinHafer This is a short film about the young life of Timothy--a child born in 1944 as well as European events of this and the following year (to almost the end of the war). No mention is made of the war in the Pacific--that is a bit odd.Apparently, this short film has fallen into the public domain and I found a copy online. I would love to know more about the origins of the film--who financed it and what was the purpose for making the film. It seemed to me that the film was like an introduction to some socialist utopia the film makers envisioned for post-war Britain and the whole thing seemed to have a definite agenda. Scenes of school children singing in front of giant banners of the Soviet Union and lots of talk of Russian forces liberating Poland (though they didn't mention the slaughter of dissenters within Poland that also occurred in the process--a rather substantial omission) made me feel the film had a strong American involvement in socialist or Labor bent--very, very strong. No mention was made of assistance from the Free French and far less was said about American assistance than that of the Soviets. No mention is made of US or British assistance to the USSR (both countries fed and supplied the Russian people and military) and this does seem to show a strong bias. Perhaps the film was intended as a specific thank you and to be shown in Russia or perhaps the film makers wanted the UK to become a socialist or communist paradise as well.Now despite the leftist leanings of the film, the quality of the short was exceptional. The narration was very lyrical in a way and was almost like a long poem to the future. And, the narration was exceptional. Obtaining E.M. Forster to write it and Michael Redgrave to narrate it is quite the pedigree. It is a lovely short film--very optimistic. It's just a shame that all the wonderful notions about this utopia never really came to be and it wasn't more balanced.

Ilpo Hirvonen In the history of cinema, the history of documentary is very interesting and when talking about the subject and the United Kingdom, people cannot leave two names alone; Basil Wright and Humphrey Jennings. Basil Wright directed The Song of Ceylon, which was a shocking description of UK's colonial possessions. Then Humphrey Jennings made many propaganda films during the WWII, the most well known of them are Words for Battle (1941), which was a poetic picture of England, read by Laurience Olivier. Listen to Britain (1942), which used sound as narrative it didn't use commentary tracks at all when describing one day in London, and many see it as one of the finest documentaries ever made. Then last but not least A Diary for Timothy (1945), which is a very evocative pacifistic propaganda film.The production of Humphrey Jennings is fascinating, he never followed the same scheme. For instance in Words for Battle (1941) a famous actor read the poetic commentary for the film, in Listen to Britain (1942) he didn't used commentary at all only the sound and music. Then A Diary for Timothy achieves to bring something completely new once again. It's dedicated to a boy called Timothy who was born on 9.3.1944, the fifth anniversary day of WWII. The documentary shows the world around Timothy, what happens in it, in what kind of place young Timothy will grow up. The poetic commentary of the film is like an essay read an actor, an essay tied to emotional situation.A Diary for Timothy is pure cinematic poetry, only few have reached, and if talking about the history of documentary, only Jean Vigo and Humphrey Jennings. It is an evocative documentary, which calls us to make a change. The film is existentialistic, it highlights the experience of an individual during the time which wasn't the time of existentialism, people believed in communality. But A Diary for Timothy managed to light a new spark of hope in the people.

Dr. Barry Worthington (shrbw) 'Diary for Timothy' is that most precious thing - a snapshot in time of ordinary people, their hopes and aspirations. It is considered by many to be Jennings's masterpiece.The film is constructed around the first year of life for a baby, born in the closing stages of the war. There are two radical elements that distinguish this from his previous films. Firstly, the very literate narrative, written by E.M. Forster, no less! Secondly, the characters who appear are allowed to speak for themselves, almost in the form of soliloquy. Here are the voices of Britain, and one is reminded of Chesterton's poem in that they 'have not spoken yet'.The mood of the film is very subtle. Although not strident, it and the characters in it argues the necessity for a better world and a fairer society (anticipating the Labour landslide).What is really poignant is the realisation that many of these hopes have not been realised.