ThiefHott Too much of everything

Nonureva Really Surprised!

Afouotos Although it has its amusing moments, in eneral the plot does not convince.

Adeel Hail Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

Leofwine_draca MONDO BALORDO is one of the many mondo documentaries that boomed in Italy in the 1960s. This one's narrated by the ever-genteel Boris Karloff, whose dulcet tones add immeasurably to the viewing experience. The rest is the usual concoction of clips culled from news footage, documentaries, et al. What's remarkable about this one is just how tame it feels for the modern viewer, a film where dwarfs, transvestites, and lesbians are described as 'strange' and 'abhorrent'. Elsewhere, there are scenes of women exercising and in their bikinis on the beach; Bedouin prostitutes; debauchery in Hong Kong nightclubs; elephant hunting and turtle butchery; zoo scenes and operations on sick dogs. It's all so dated that it feels like it comes from another world.

JoeKarlosi Boris Karloff's lispy narration is spoken over "strange and bizarre" clips of absurdity. This is totally value-less tripe, but it's amazing to hear the seasoned horror actor saying words like "prosthitute" and "transvesthtite". I thought that someone might have utilized some innocent remarks that Boris may have been told to read and then play them over weird scenes with totally different meanings -- but no, it's incredible that Karloff actually reads sick and perverse words specifically intended for the material! These days the "shocking sights" are tame and quite dull; nothing as "weird" as they may have been perceived way back in the 1960's.0 out of ****

MARIO GAUCI The so-called “Mondo” exploitation documentaries weren’t the sole province of Gualtiero Jacopetti and Franco Prosperi who made the first such film, MONDO CANE (1961), and several more thereafter. This is one of their imitations and it’s actually the first I’ve watched of the latter: while I can’t say that the ‘originals’ were exactly good to begin with, or even enticing to the undersigned, the films made by other hands (at least, judging by this title) are downright mediocre. Though each entry in the genre purported to tackle specific themes, they were mostly interchangeable, so much so that some of the idiosyncrasies dealt with here (say, the 'phenomenon' of transvestism or the dubious assertion that camel waste possesses beautifying properties) were also featured in WOMEN OF THE WORLD (1963), which I watched a fortnight or so ago! Among the wackier episodes here involves a midget pop-star; otherwise, the accent is on titillation (censorship hadn’t completely relaxed as yet) and, needless to say, there are the usual insensitive depictions of animal cruelty. Frankly, however, the single most notable thing about this particular effort is the fact that the narration for the English-language edition was provided by none other than horror icon Boris Karloff (clearly making for one of the lowest points in his generally respectable filmography).

Michael_Elliott Mondo Balordo (1964) * (out of 4) Yet another imitation of the MONDO CANE series, this one featuring narration by Boris Karloff (just think from this to The Grinch!). What we basically do is travel across the world taking a look at various strange rituals mainly dealing with sex. There's some dwarf love going on but of course the big highlight is the animal violence, which was rampant during this "period" of cinema. I know many people outright hate these mondo movies simply because they see them as nothing but trash. I wouldn't go to that level because there are some that were meant to shock but also they were well made. That's not the case here as this is clearly just an attempt to make some money and there's no question that it's poorly made and mainly boring. The one "highlight", if you want to call it that, is Karloff doing the narration but I'm willing to bet that he just signed the back of a check and didn't actually see what he was putting his voice to.