Ameriatch One of the best films i have seen

RipDelight This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

Frances Chung Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Cristal The movie really just wants to entertain people.

Al Mardeuse I agree with other reviewers that this is an excellent , albeit dark, film that is well acted. I don't think that one can ignore the pathology present in the young girl. She manipulated her stepfather's situation with deliberate intent. I think, too, that she was also complicit in here Grandmother's death. She is also manipulating Young-Nam; whose own personality has defects. Donee is responsible; but the pathology is a product of her abuse. So to say Dohee is an innocent bystander; I feel is not wholly accurate. The subplots add to an understanding Young-Nam's personality point toward her strengths and weaknesses.

Reno Rangan Good to be back to a Korean movie and this time I'm happy that I picked the right one. A small budget movie produced by the Korean film board and many actors from the project did for the free. A massive victory for a debutante director July Jung after receiving a standing ovation from the audience at Cannes and the positive response from the critics, media and movie buffs around the world. From this you would know that you must not miss the film and I would say the same, but I also apprise you that it ain't masterpiece.The story follows the police officer Lee Young-nam, who is moving into a quiet small coastal town station to take a charge after the allegation of drinking problem and other personal scandal in the capital city. Her task is to lay low for a while until everything calms down to move back. She succeeds only until a girl knocks her door, metaphorically as what the title say. An unexpected relationship develops, as well seems another trouble is on the approach. Whatever happen from there is the story, especially the second half.The good thing is this film talk about the root cause of the domestic violence. Like alcohol is one of the major concerns for those. Small intake is okay, but the excessive and addiction is the worry. No matter its the good people or bad according to how they live and what they do, but the point remain same. Here in this story as well all the characters were associated with alcoholism, but differentiated with purpose of life they are in and responsibility. The child abuse, the family who treat their own child badly was the goal to expose for us. And what follows after that was beyond a proper solution. The point it ended and what might happen after that is still a questionable."Alcohol is the problem."The girl was Kim Sae-ron from 'The Man from Nowhere' fame. She's has grown up, a teenager. In the next movie probably would play a heroine. She was very good in the role. The girl with the mentality of when everybody sided her in the society except one who begin to care for her all the sudden, that might unleash the inner evil for having a support and to relocate, but the doubt is she's capable? From the girl's perspective, all are fair and square, but what society and law's take is another arguable angle. So you might know by now, the movie is not about any section of good versus bad people, but the reality of our world/civilization/society and a strategy to stay input/alive in the life between the obstacles we face.Slow narration, particularly in the first half. Took time to evolve the characters, but still confines the earlier events of each one of them that gave a strong next half. Nobody can know where the story is gonna go, the possibilities are several. I was stunned for the way it ended, especially the last 15 minutes were not typical, but tricky. Even for a real life, this kind of stuffs scares hell out of being an adult for caught between being a villain, but not an (serious/life threatening) offender. I said it because still in many third world countries that is how a child brought up and nobody care including government/law or the neighbours. Its no matter small mischievous thing or not intended to, or you did it. What I'm saying is the example of movies like 'Jagten' and 'In the House'. Anyway, a nice movie with the talented performers. Worth a watch and to suggest those we know.8/10

GyatsoLa I just caught this film at the Dublin Film Festival. I always make a point of seeing any Korean film coming up - I love the way Korean film makers simply defy any notion of genre, they seem to delight in twisting expectations.This film didn't disappoint. At first, it follows the old plot line of a disgraced police officer, forced out to a dead end town to repair his (or in this case her) reputation. In this case, Young-Nam, a promising officer has been sent to an economically dying coastal town to keep her head down after an apparent scandal as she was outed as having a relationship with another woman. The film heads towards melodrama territory as she reluctantly starts to take care of an abused local girl, the daughter of a man seen by the other officers as too important to the town to take too hard a line with - they are content to hand out endless warnings without actually doing anything to stop him. Young-Nam is clearly unwilling to get too close to the girl, but finds it impossible not to offer her a safe refuge. From here, the film twists unexpectedly into some dark and weird territory as rather predictably, her good deed comes back to haunt her. The film does go into places where most films won't thread, in particular that difficult issue of the innocence or otherwise of abused children. But it is handled very sensitively, without shying away from hard questions.The film is not perfect - the performances are a little uneven (it looks like many of the minor characters are played by amateurs). Doona Bae is of course the big name in the cast, and she is, as always, a charismatic and powerful presence. She is one of those rare actors who can hold the screen even when showing little outward emotion. In truth, although she is entirely central to the film, the character is not as fleshed out as much as I think she should be - more the scripts fault than the actors I think. She is clearly a deeply unhappy woman, but its not obvious why she rejects the possibility of a happier life with her former lover. There are also some issues with pacing of the film, it seems a little uncertain at times, perhaps not surprising as the director is a first timer (but I have to say, she shows great promise). The film rolls on to a surprisingly (for a Korean film) conventional ending, but there are enough twists and ambiguity to make it quite a satisfying finish.

GlennInWinnipeg What an outstanding movie. The cast .. wow all so strong and believable. The characters that stick with you are the police chief (Doona Bae, what a talent that boosts everyone's performance here I think), the little girl Do-Hee(Sae-ron Kim, perfect performance), and the main protagonist(Hie-jin Jang) is very strong which makes the thing work. I also thought the Indian man's strong performance made that entire part of the story work (comes in about 2/3 into the movie).You will have to watch it, but the story has so many levels of plot and surprises. When people say it keeps you engrossed from the beginning to the end they are not kidding. Every scene had me thinking and pondering how I have seen this type of thing happen, and also how I have not seen the truth of matters because my perception was being manipulated -- giving in to stereotypes and lies as if they were actually true.The other aspect is that this is a very quiet film -- even the music is quiet. I was thinking during the credit -- I'm amazed such a quiet movie kept my attention -- but the reason is that the story and people are so darn interesting.I highly recommend it. I hope it gets some theatre or DVD/BluRay release in Region 1.