Jeanskynebu
the audience applauded
MoPoshy
Absolutely brilliant
Siflutter
It's easily one of the freshest, sharpest and most enjoyable films of this year.
Lachlan Coulson
This is a gorgeous movie made by a gorgeous spirit.
begob
An affable psychopath in post-war Britain suckers in his down-at-heel acquaintances to liquidate them in acid and release ready funds. Will he be caught? Lovely Poirot-style production, with oodles of acting quality. No great psychological insight, but at least the moral brigade is kept at bay and the natural horror seeps through the period atmosphere.It refuses to creepify in the acid bath scenes - the last victim might have breathed in then gurgled out a great bubble of blood, but no - so a gentle horror, which was fine by me. I still took pleasure in the pace and performances, the setting and sound.Overall, nicely judged and a good surprise.
Drago_Head_Tilt
Martin Clunes is really quite excellent as John George Haigh, the notorious "acid bath murderer", a post-WWII serial killer in London who dissolved those he offed (for money) in barrels full of sulphuric acid, pouring the resulting gloop down the drain! TAGGART creator Chandler's fine script is done justice by Bradbeer, who uses the TV movie look to good effect, capturing the musty, dusty world in which this ghoulishness took place. Fine period detail too, one minor anachronism being NOSFERATU at the theatre (it was not re-issued in the 40's as far as i know). With Keeley Hawes, Richard Hope and Celia Imrie. It was the middle entry in a true-crime trilogy penned by Chandler, following THE LIFE AND CRIMES OF WILLIAM PALMER, and followed by THE BRIDES IN THE BATH.movie reviews @ spinegrinderweb.com
Philby-3
Martin Clunes has an amazing range as an actor; he has attempted everything from Mr Chipps in "Goodbye Mr Chipps" to Garry the Slob in "Men Behaving Badly". In this TV film scripted by Glenn Chandler, creator of "Taggart", he impersonates a dapper, cheerful, sport car driving type who is also an accomplished pianist called John Haigh who turns out to be a diabolical serial killer who disposes of his victims in acid baths.. It is a nice performance and the production values are splendid seldom has England in the 1940s been better evoked, but there is something missing. What happened is clearly conveyed. How it was done is depicted as graphically as most audiences could reasonably take. But, the question of "why" is left hanging, as it were. Was it for the money? Did Haigh, like Dr Shipman, just get a kick out of killing? Or, despite the opinion of the dozen or so experts the prosecutors and the Home Office consulted, was Haigh crazy? At the trial, not shown in this film, Haigh, represented by top-flight counsel paid for by "The News of the World", pleaded insanity. Only one psychiatrist gave evidence for the defence, to such little effect that the prosecutor didn't bother to cross-examine him.Well, it's not the film-makers' fault that Haigh was one of those bland serial killers who defy understanding. In line with his own account, Haigh's Yorkshire Plymouth Brethren parents are depicted as strict and narrow, but not as unloving. He turned to crime at an early age and had quite a record of petty dishonesty offences. For him, prison was Crime University and he hatched the idea for his body disposal method, the acid bath, while inside. He was capable of conducting an emotional relationship with the youthful "Gillian" (Keely Hawes) while luring his victims to their deaths.For what it's worth I think Haigh's train of thought went something like this: "I am an outsider, society does not value my true worth, I will be good to people who do really appreciate me (like my parents and Gillian), and the rest are fair game." At least it makes more sense than the vampire theory. Haigh is also one of those criminals who were bound to be caught sooner or later (his arrest was not a miracle of detection), which makes one ask: did he think he was invincible or did he really want to be caught? The film doesn't help us with this, but it's a good reconstruction and a fine piece of acting by Martin Clunes.
Sweenster
This TV movie was a superb historical drama about a true life murderer in England during and after the Second World War. Martin Clunes portrays the serial killer in a sincere but occasionally humourous way. The film shows how the killer gradually loses control and how he eventually is caught where he thought he couldn't based on an old law where a person could not be convicted of a murder if no body is found. I really found it enjoying and the acting of Clunes and his co-stars gave a true feeling of the times and the addition of a character being played by a person who actually met the real killer whilst she was child in London at the time make this film a very enjoyable treat