A Midsummer Night's Dream

1981
6.6| 1h52m| en
Details

Four Athenians run away to the forest only to have Puck the fairy make both of the boys fall in love with the same girl. The four run through the forest pursuing each other while Puck helps his master play a trick on the fairy queen. In the end, Puck reverses the magic, and the two couples reconcile and marry.

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LastingAware The greatest movie ever!
AboveDeepBuggy Some things I liked some I did not.
Supelice Dreadfully Boring
Tacticalin An absolute waste of money
mhk11 Most of the productions in the BBC's Shakespeare series range from good to excellent, but there are a few duds. This production falls into the latter category. It is perhaps the worst, and certainly one of the worst, in the whole series.The shortcomings arise chiefly from the inept directorial job by Elijah Moshinsky (though Nigel Davenport doesn't help with some painfully bad acting -- or, rather, expressionless reciting in lieu of acting -- in Act I). The four actors who portray the young lovers deliver excellent performances, but their efforts are undermined in Act III.ii by the director's disastrously ill-advised decision to have them speak quite a few of their lines simultaneously. Equally bizarre is the director's tendency to chop up and rearrange portions of the dialogue and to delete other portions. (Contrary to what is stated in two of the other reviews on this site, it is certainly not the case that all the dialogue is included in this production. A few of the deletions are well judged, though most of them are at best pointless.) If a director has so little respect for Shakespeare's art, why would he take on the task of directing this play at all?!The performance by Phil Daniels as Puck is quite good, but it could have been much better if a competent director had reined Daniels in when he became too brisk and shrill in his articulation of his lines. Directorial incompetence is even more woefully evident in Act V. The mechanicals' play within a play is grimly unfunny. Having seen 60-70 productions of "Dream" during the past quarter of a century, I have never come upon a worse rendering of the final Act.Helen Mirren is superb, but Peter McEnery is far too fierce in his portrayal of Oberon. He is clearly an adept actor, but he was let down by the director; a competent director would have reminded him that "Dream" is a comedy and that he ought to be striving for more humor and less ferocity.This production does not altogether obscure the magic of Shakespeare's wonderful play, but it is overall a sore disappointment.ADDENDUM: Having watched this production four more times since writing the review that appears above, I want to add a few comments. First, although I fully stand by my remark about the disastrously ill-judged directing of scene III.ii, I should note that the simultaneous uttering of lines blessedly comes to an end after Lysander and Demetrius exit cheek by jowl. Thereafter, the scene is well presented. Second, although Nigel Davenport does sometimes briefly descend into expressionless recitation in the opening scene of the play, my remark above now strikes me as too harsh. Third, likewise somewhat too harsh is my remark about the final Act. Though I have witnessed far better renderings of the play within the play, this rendering is sometimes mildly amusing. Fourth, I'm inclined to intensify my remark about the deletion of portions of the dialogue. In such a short play, there is no adequate justification for the deletions.
jonesclwyd I think reviewers like tonstant have said it all.The main point for me is that Phil Daniels is way too weird and scary.Drugs and flick knives are fine for a weekend in Briton - but Shakespeare's words aren't a bunch of rockers on a Brighton pier to be repeatedly whacked over the head by an East End bike chain.(Imagine an angry Stephen Hawkins after having his computer reprogrammed by Bill Sikes and the volume set on full).Also, hobgoblin's (I guess) do what they do, not in slavish service to a tedious inner psychosis, but simply for the fun of it.But, there are a lot of things in the play which are very good, and for that, well worth watching.
Fraser Rew Let me say first of all that this is easily my favourite of all Shakespeare's plays. The way that it interweaves the fantastical and the real is exceptional. But this production did not do it the credit that it deserves.There were a lot of good things here. All Shakespearean productions seem to have at least one actor who doesn't seem at home with the language. It looked for a while as if this one would get away from that. Unfortunately, Puck's entrance kind of spoiled this for me, and as he is a major player it was doubly disappointing. He was totally miscast, and some of his better known lines were almost painful.Having Titania's bed chamber looking like a Rubens painting was a great touch - to say nothing of Titania herself, who, played by Helen Mirren, was outstanding. Making her attendants so numerous and so young was also excellent - in theory. But again, none of them (in their, admittedly few, speaking parts) seemed in any way comfortable with the language. I realise that Shakespeare can't be easy for 10-year-olds, but surely they could have done a little better.The sets were also a disappointment, the forests clearly being indoors and the puddles therein being miraculously free of mud. I don't know what would have been wrong with just shooting that part outdoors.It must be a tough production to get right. There were certainly some good things there, but some unnecessarily bad ones as well. I enjoyed it, but the Hollywood version from 1999 is better, and probably easier to source.
artzau This little viewed BBC event is certainly worth watching if you're a Shakespeare fan. I certainly am and A Midsummer's Night Dream (or, as us buffs call it, "The Dream") is certainly one of my favorites. Most of the cast will be not well known to those outside of the ranks of the fans of British theatre and indeed, Helen Mirren, always a delight, may well be the only name that stands out.There have been many versions of this play presented in both as films to be shown in theaters and as films made-for-TV. The rewarding feature of British theater is that seemingly, no matter what the venue for showing the performance, the acting is nearly always up to the highest mark of stage standards.There is no DVD or Video of which I am aware but, if this little romp crosses your screen, be sure to check it out. It's delightful and fun.

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