A New Kind of Love

1963 "It's time for a change, it's time for a new attitude on a new kind of love!"
5.8| 1h50m| en
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A down-and-out reporter and a fashion designer fall in love in Paris.

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Reviews

Stellead Don't listen to the Hype. It's awful
Solidrariol Am I Missing Something?
Clarissa Mora The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.
Anoushka Slater While it doesn't offer any answers, it both thrills and makes you think.
richard-1787 Why the 15 others who reviewed this before me didn't much care for it I don't understand. Melville Shavelson's script is very intelligent and often very clever, and it is delivered by a cast of uniformly first-rate actor/comedians. (It's no surprise that Shavelson also wrote the script for April in Paris, another romantic comedy set in the French capital. There, however, room had to be made for a too elderly and not really funny Ray Bolger, and the movie suffered for it. Here, with no weak links and a lot of very strong ones, Shevelson didn't have to lower the level of the comedy.) One of the things I most liked about this very likable movie is that it pokes gentle fun at a host of previous movies, from Breakfast at Tiffany's to The Women to Cat on a Hot Tin Roof to .... Woodward dressed up as a parody of Audrey Hepburn in Breakfast at Tiffany's is really clever. Or is that a parody of Norma Shearer in Idiot's Delight???The one thing that won't endear this movie to feminists, and rightfully so, are the repeated pronouncements that women must get married in order to be happy and that they will be miserable until then. I suppose that was necessary to balance the implied shenanigans, but it does get old quickly. For that, try to remember that the movie dates from a fortunately bygone era.Other than that, there is lots to enjoy here. So enjoy!
bkoganbing A New Kind Of Love is another attempt by Paul Newman to do comedy. He has a part that maybe Rock Hudson could have carried off. Even playing opposite his wife doesn't do it in the chemistry department. Joanne Woodward is better at comedy than her husband.In fact for a long time you think you're watching two different films, that's how long it takes for these two to get together. Woodward is on a buying trip for her dress manufacturer George Tobias who takes her and Thelma Ritter to Paris. Woodward's a workaholic career woman who's been burned by romance and wants no more. She even dresses unattractive so much so that Paul Newman on the flight over mistakes her for a man.Now Newman's been exiled to Paris by his boss Robert F. Simon who he caught kanoodling with his wife. Well if you're going to be exiled, Paris is certainly a good place. As in all Parisian stories the boy and girl just have to get together, if not in Paris, than where in the world. George Tobias and Thelma Ritter who are usually a lot better merely walk through their parts. The best reason to see A New Kind of Love is for Maurice Chevalier's cameo as himself when he sings Mimi, Louise, and the title song which incidentally he introduced back in 1930 in The Big Pond. Eva Gabor is around to turn Tobias's head by just being Eva Gabor.Paul Newman would have to wait more than a decade for triumphant comedy in Slap Shot. He just doesn't cut it in more sophisticated material.
thoroughly_modern_hillry As far as pairings of Joanne Woodward and husband Paul Newman go, "A New Kind of Love" lacks the snappy plot and dramatic depth necessary to do its leading actors justice. Woodward steals the show as Sam, a homely and somewhat androgynous fashion designer often mistaken for a man (it's the pageboy haircut and constantly smoldering cigarette in her mouth); Newman is aesthetically pleasing (and alarmingly convincing) in the role of handsome, sarcastic Steve, a New York journalist who pursues more young women than hot story leads. After an initial awkward opening sequence, the first forty or so minutes of the film are stimulating, with intriguing color schemes and costumes, quick wit and acerbic dialogue, beautiful Parisian scenery and an escalating plot line. Beyond that, however, the plot seems to drag, and frequent unnecessary departures are made from it - the musical montage with Maurice Chevalier, for instance, slows the film down and only serves to severely date the film (not to mention alienate any viewer who is clueless as to who, exactly, Maurice Chevalier is.) Some scenes are played out far beyond their initial artistic effect (the split-screen sequences), while others are confusing and impede the general flow of the storyline (Steve's visions of bawdy tales played out like sports), giving the story an air of ridiculousness instead of credibility.All in all, this light comedy shines with the sheer romantic energy of Newman and Woodward (I found myself re-watching various parts of the film just to marvel at the undeniable chemistry between the two), but has none of the lasting impact of the pair's other films. It leaves one feeling a bit unsated, perhaps because of the overly-muddled plot that seems to have been convoluted merely to stretch the movie into a 90-minute romp - but the beautiful Woodward sparkles with natural talent, and Newman's on screen presence compliments hers seemingly without effort. Fans of Paul and Joanne will be charmed, but not moved, by this New Kind of Love.
jost-1 1963 lay somewhere between Ozzie and Harriet and Janice Joplin and this movie was raunchy "adult fare" for the time but sanitized. The characters couldn't say "virgin" but did say "maiden", couldn't even say "prostitute" but could say it in French ("fille de joie" or something). If you can imagine Paul Newman as a rakish cad who writes Beaudelaire verses on the bare bottoms of his nightly conquests and his real-life partner Joanne Woodward as a dike dress-designer turned tender hearted and vulnerable real woman posing as a prostitute after praying to St. Catherine, then you have a greater (much) ability to suspend disbelief than I do. Badly miscast leads, especially Woodward, despite one sexy scene in a teddy at the end. Otherwise, enjoy Paris, enjoy 60's color, and 60's sophistication and pretend that you are sneaking a look at the naughty movie that your parents wouldn't want you to see.

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