GetPapa Far from Perfect, Far from Terrible

Huievest Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

Sameer Callahan It really made me laugh, but for some moments I was tearing up because I could relate so much.

AnnB Just finished watching this. You get used to the grainy, hand-held camera after awhile and become totally absorbed into a story that has never been told before. The film, for me, opened doors into a secret world that I never thought I could enter. I felt like I was there with him in Mecca. Not only is this guy brave, he is also a great filmmaker. He successfully creates a story line including his very personal life into a film that could have ended up being a travelogue. This film is not a travelogue. You will be mesmerized. Even my teenage daughter was. Central to it, is a search of the spirit and it does something I like in movies, which is the ending does not answer all your questions. Its an open ending to a film that is anything but traditional.

sddavis63 Parvez Sharma (who made this movie) is a gay Muslim. That, in itself, made this interesting. It seems contradictory. However what really appealed to me was the promise that this film seemed to make to give the viewer a look at Mecca - the holiest city of Islam, located in Saudi Arabia. Saudi Arabia itself seems strange and distant enough. Mecca is actually closed to non-Muslims, which gives it a sort of "forbidden fruit" appeal even to me, as a Christian. I can't go there, but what would I find if I did? Sharma's film promised to give me a glimpse of this off-limits city.Some of the film is shot in New York, where Sharma lives with his boyfriend, and it depicts a bit of their relationship up to their marriage. I really didn't find that particularly interesting. Some of the film is also set in Sharma's birthplace in India. Some of that is interesting. But for the most part the movie is set in Mecca. Sharma travels there for the Hajj - the pilgrimmage that every Muslim is required to make to the Holy City. I assume that filming in Mecca is discouraged if not illegal, because Sharma uses only a cell phone camera and seems to be filming clandestinely. We do get to see a lot of Mecca through his cell phone. Some of it is very beautiful. I appreciated the look inside the Al-Masjid al-Haram Mosque and at the Kabbah, traditionally the first house of worship for Islam, built by Abraham. There's something transfixing about watching the ritual of pilgrims circling the Kabbah. I can understand how that could actually be a powerful spiritual experience for some. Some of the other rituals, including the symbolic stoning of the devil, are shown. This gave me a better understanding of the Hajj - what it's about and what it tries to accomplish. At the same time it's rather jarring to see the commercialism that now accompanies the pilgrimmage (the shopping centre apparently connected to the mosque struck me as very un- Islamic) and the reflections on the amount of garbage the pilgrims leave littering the street and the question of how that shows respect for Allah was interesting.I could appreciate Sharma's courage - in filming things he wasn't supposed to be filming, but also simply in being a gay Muslim in Mecca - which likely would not have been well received if anyone had known. It seemed clear that Sharma also struggled with being a gay Muslim and was trying in some ways to come to peace with his own faith. Personally, I thought there was too much filler revolving around his relationship with his boyfriend in New York. That didn't interest me at all. But I did come away from this feeling as though I had a better understanding of the Hajj.

cranstonbrian Having watched this filmmakers previous film A Jihad for Love, I was very curious to see this. Just saw it on Netflix and the film is still haunting me. This is probably one of the most morally complex and visually rich documentaries I have ever seen. The courage of the filmmaker is never in doubt, his morality as it relates to Islam is. This film takes us on an extraordinary journey through the protagonist who is also the filmmaker. Mecca and Medina in Saudi Arabia come remarkably alive through his hidden cellphone footage.There is a visceral, dreamlike quality throughout and the filmmaker is not afraid of cinematic abstraction. The film remarkably avoids self indulgence which would be easy given its nature. The love story that lies at the heart of the film is beautifully depicted. An unknown world in Saudi Arabia opens up to us and the result is like we too are clandestine viewers--we are disobediently peeping into the forbidden. The musical choices are remarkable--he even uses heavy metal at one point. Many sequences are extremely hard to watch but they are underlined by a deep dignity. Being mostly shot on an iPhone as the voice over tells us could be a distraction but the filmmaker actually turns it into one of the biggest assets of the film. We become witnesses to a forbidden journey that is built carefully like a thriller spanning New York, Saudi Arabia and India. I personally come out of this film more enlightened and with a strong feeling that I have witnessed something I was not meant to see. The Hajj of the film is visceral and brutal. But in Mecca there is also peace and completion. My only peeve with the film: he could have chosen to show more of his life as a gay Muslim man married to an atheist and living in New York.

JoshuaDysart It's pretty obvious from the low IMDb ranking overall that zealotry will be a dominating force in the discussion over this film, which is a shame. Objectively it's not as substantive a movie as I would've liked. It swings pretty haphazardly from personal home movies, to attempts at poetic visual memoir, to the hajj itself (by far the most interesting bits), all shot on an iPhone, which while necessary for the undercover filmmaking in the Kingdom, doesn't add a very strong visual presence to the other 70% of the flick. There's some very brief exploration of how Wahhabist ideas came to gain such a strong foothold across much of the faith but that takes a backseat to Thanksgiving dinner footage and other humanizing, but pretty boring filler. All and all it doesn't deserve the extremely low ranking it's sporting now, simply as an act of personal filmmaking it has some value, but it's also not really that strong a work considering how interesting the subject matter is. One thing is certain, we need more love in the world.