Libramedi
Intense, gripping, stylish and poignant
SincereFinest
disgusting, overrated, pointless
Lollivan
It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
Teddie Blake
The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
Scott LeBrun
Folks who dig car chases and car crashes will find a fair bit to enjoy here; "A Small Town in Texas" is particularly enjoyable when it gets down to the vehicular stunt aspect. As for the rest, well, it's definitely a formula script (by William W. Norton), with engaging but familiar types of characters. Actor / director Jack Starrett ("Slaughter", "Cleopatra Jones") guides it with his customary efficiency, and does the expectedly solid job of capturing life in the South. Our hero is likable enough (although, after a while, you wish he'd shut up about going to California) and our villain is very much a heel.Timothy Bottoms stars as Poke Jackson, who tangles with his sheriff nemesis Duke Calley (Bo Hopkins), the man who set him up (resulting in Poke spending five years in jail) and stole Pokes' girl Mary Lee (Susan George) in the process. Poke, who reconnects with Mary Lee and the son (Mark Silva) that they had together, ends up witnessing a crime in which the crooked Duke is involved. So now Poke is obliged to take it on the lam and evade Duke (who now wants Poke dead) and his deputies.Nicely shot in Panavision by Robert C. Jessup, this features a wonderful score by Charles Bernstein, is sufficiently rousing when it gets to its more action oriented scenes, and has some poignant moments as well as some humorous ones. The capable supporting cast includes Morgan Woodward as local fat cat C.J. Crane, John Karlen and Clay Tanner as deputies, Art Hindle and Hank Rolike as Pokes' good friends Boogie and Cleotus, and the always very amusing George 'Buck' Flower (who doesn't appear until late into the movie) as Pokes' ornery old uncle. Bottoms and Hopkins make for fun adversaries, and George is of course lovely to look at. Director Starrett has a cameo as the drunken Buford Tyler.Nothing special but still a good example of this type of "hicksploitation" entertainment.Seven out of 10.
DJAkin
This movie was a cross between BILLY JACK, DUKES OF HAZZARD and that's it. It was a fun movie. Tim Bottoms is always a good person to watch act. The ending was sudden and typical of that decade of movies.If it's on, see it.
orneryrenegade
Haven't seen this movie for well over 20 years, when I was only about 12. Even at such a young age, I picked up on the fact that the realism of the town depicted is extremely far-fetched; the police department in a town of this size (remember, this is a "Small" Town in Texas) would have a fleet of 6 or 8 vehicles at the most, yet in the big chase scene there are local police cars by the score, probably a hundred plus. That is my #1 memory of the film. A much better flick is "The Night the Lights Went Out in Georgia" with Dennis Quaid. Although the protagonist in "Georgia" is not a native of the town in which the story takes place, the basic plot of "bad-guy lawman tries to bully damsel away from our hero" is very similar to "Small Town in Texas." I recall the Dennis Quaid movie as the better of the two, and that doesn't say much!*!
sore_throat
This obscure (to me anyway) film has a lot of problems. All the characters are either one dimensional, annoying, or cliched. It's overlong, boring, and has a script that spends the first half meandering around endlessly, then gets hopelessly predictable.In its defence I will say that it is less dated than many films from the 1970s, and is occasionally entertaining or amusing (mainly me laughing at the dolts who populate this film). And its handful of action scenes are decent...though I suspect they may seem better than they really are because even the most inept stunts would seem exciting compared to the generally mundane tone of the film.You could do worse, but you could do much better too.