Micah Lloyd
Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.
Sammy-Jo Cervantes
There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.
Keeley Coleman
The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;
Staci Frederick
Blistering performances.
Red-Barracuda
Two rogues witness a train robbery carried out by Mexican revolutionaries. They try to offer their services to these men suggesting that they know how to break open a safe of money stolen in the raid, while at the same time they try to rescue a girl also abducted in the robbery.A Train for Durango is a spaghetti western that also falls under that most uneven of sub-genres, namely the comedy western. I haven't seen too many of these that were worth a second look and to be honest this film is ultimately no different, even if it is a little better than most of its kind. It's still really actually quite unfunny which kind of is a problem, given that that is sort of one of its main ideas. But I would file it under forgettable as opposed to painful. The trio of main actors were pretty decent I have to say and it did in fact end on a pleasingly decent note. Actually, come to think of it, the ending was quite funny, despite what I said earlier. On the whole, it's one for spaghetti western fans mainly but it's strictly minor fare.
Wizard-8
Though the 1970 spaghetti western "They Call Me Trinity" inspired a number of other comic spaghetti westerns, there were a few comic spaghetti westerns made before it, this movie being one of them. This one seems at times a little unsure of what tone to be, since there are several somewhat brutal killings by gunfire spread throughout. But most of the time the movie aims to be a silly experience. Though I have to admit that I didn't laugh at any time or at any gag, the light-hearted attitude makes the movie a pleasant experience if you are a fan of pasta westerns and want to see one that's somewhat different than usual. The only real complaint I have about it (other than the brutal parts) is that the movie for the longest time seems a little drawn out. Had it been shortened by fifteen or so minutes, I think it would have played out better. But the movie is all the same enjoyable.
ma-cortes
This Spanish/Italian co-production results to be a very funny Western about some roguish adventurers who attempt to rob a fortune from a safe. This entertaining film deals with two buddy adventurers (Anthony Steffen , Enrico Maria Salerno) witness a train-robbery by two groups of bandits ( led by Jose Bodalo and Roberto Camardiel , respectively) and are then chasing the robbed gold and they also took Helen (Dominique Boschero) . Mario Caiano's Western parody is packed with frantic action and silly humor . Italian-Spanish co-production full of action , exaggerated characters, crossfire and lots of humor . This Spaghetti Western concerns about robbing a valuable fortune from a train crossing Mexico to American West and the ruler Porfirio Diaz had for pay to US . Then the rogue thieves along with a cocky American (Mark Damon) team up as three unlikely heroes . This is a surprisingly low-key Spaghetti Western in which three diverse characters joining forces to find the safe and rob a lot of money .This amusing picture with Spaghetti all-star-cast contains an entertaining plot , action Western , shootouts and bits of campy and refreshing humor . It's an improbable blending of standard Western, tongue-in-cheek and continuous pursuits with no sense . A bemusing premise and interesting casting full of usual Spaghetti make this oater well worth the watching . Delightful Western satire in which three grifters Steffen-Salerno-Damon using his wits , breaking all the rules and kicking virtually every cliché in the pants , as he relentlessly deceives, plunders and robs . Amiable but sometimes lumbering Western satire goes on and on about the same premise , as a lot of minutes are superfluous ,it has half hour of excess , as it packs overblown jokes and antics and some moments turns out to be dull and tiring . Steffen and Salerno steal the show as two improbable rogues , there are very fine, they ravage the screen, , hit and run , besides receive violent punches, kicks and are ultimately buried to reveal the gold whereabout . Furthermore, appears ordinary secondaries of Spaghetti/Paella Western as Jose Luis Martin , Aldo Sambrell, Tito Garcia, Rafael Albaicin, Simon Arriga ,Manuel Zarzo, Jose Canalejas Lorenzo Robledo, and many others . The film mingles slapdash, pursuits, high body-count and it's fast moving and quite entertaining. There is plenty of action in the movie , guaranteeing shootouts, fights or stunts every few minutes . The musician Carlo Rustichelli composes a jolly soundtrack with catching leitmotif and well conducted . Mediocre cinematography by Enzo Barboni in Eastmancolor with negative badly processed . Interior filmed at Elios Studios , Rome , and outdoor sequences filmed , of course , at Almeria, Spain. The film follows in the wake of ¨ Hallelujah trail (65) ¨ by John Sturges ¨ Support your local sheriff ¨ and ¨ Support your local gunfighter ¨ by Burt Kennedy and of course ¨ Blazing saddles (74) ¨ by Mel Brooks , all of them are engaging Western satire and very fun . The picture takes part of a sub-genre in which during the period of the late 60s and 70s combined Spaghetti Western and humor with tongue-in-cheek , for example, ¨The white , yellow and black¨ (Sergio Corbucci) , ¨ My name is Shangai Joe¨(Mario Caiano), ¨The stranger and the gunfighter (Anthony M Dawson), ¨ Vivi o, Preferibilmente, morti( by Duccio Tessari , here screen-writer)" and ¨Trinity and Bambino¨ trilogy ( by Enzo Barboni or E. B. Clucher who is cameraman of ¨Train to Durango¨).Mario Caiano's direction is well crafted, here he's more cynical and humorous and less inclined toward violence and packs too much action , but especially this slapstick Western contains broad comedy . Caiano is a craftsman who has directed all kind of genres as Peplum as ¨Ulisse vs Ercole¨, ¨I due Gladiatori¨, ¨Maciste Gadiatori di Sparta¨ , Spaghetti : ¨Brandy¨, ¨Avenger of California¨ , ¨Ringo, face of revenge¨ , ¨Bullets don't argue¨, ¨Lone and angry man¨ , Terror : ¨Nightmare castle¨, ¨ Eye in the labyrinth¨ and even Pornonazi as ¨Nazi love camp 27¨. It's an offbeat , muddle and uneven Western but will appeal to Spaghetti aficionados . Rating : 5,5 , riotous Western spoof in which there's too much silly comedy and enough excitement .
zardoz-13
Despite its many shoot-outs and high body count, "Bullets Don't Argue" director Mario Caiano's "Train from Durango" is an early Spaghetti western comedy with lots of men dying. The Mario Caiano, José Gutiérrez ("The Hellbenders") Maesso, and Duccio ("The Ballad of Death Valley") Tessari screenplay resembles some of Sergio Leone's "For A Few Dollars More." In the Leone western, the outlaws hijacked a safe from a bank, but they cannot open it up without destroying the money, so Lee Van Cleef's Colonel Mortimer applied his skills as a craftsman to open the safe for a percentage of the loot. The heroic duo in "A Train for Durango" are out to accomplish a similar feat for a gang of revolutionaries. Caiano's film represents an example of those Italian westerns like Sergio Corbucci's "The Mercenary" that occurred during the Pancho Villa revolution in Mexico against the dictator President Diaz, so the appearance of an early model car driven by one of the protagonists is perfectly legitimate. The suspense evolves over whether or not this duo can survive their encounters with the gang. "A Train for Durango" contains several surprises at the outset, during the action, and at the end. Although the villainous outlaws are cretinous, they are also quite murderous and kill without a qualm. This supplements the suspense about whether or not our heroes will survive.Two drifters—an American and a Mexican with snake-bitten luck—sell their horses and their six-shooters to catch a train to Durango. Not only do they not know the train carrying a huge safe filled with government loot, but also that a gang of bandits is aboard the train. The American, Gringo (Anthony Steffen of "The Stranger's Gundown"), strikes up a friendship with a beautiful woman, Helen (sexy Dominique Boschero of "Ulysses against the Son of Hercules"), doesn't seem to mind that Gringo hasn't taken a bath in ages. She informs him that since she's come to Mexico that she has grown accustomed to the stench of unwashed bodies. She offers him a cigar, and he winds up taking the case of cigars.Meanwhile, Gringo's Mexican friend, Lucas (Enrico Maria Salerno of "The Warrior Express"), wanders throughout the train. Sneaking up on passengers, he gobbles mouthfuls of their food when they aren't paying attention or outright steals their chow. The bandits go searching for him when he arouses their suspicion. Meantime, when the train stops at a depot, Lobo (Roberto Camardiel of "The Big Gundown") and his army of bandits make their move. First, they kill all the passengers. They shoot Gringo, but the bullet embeds itself in the cigar case concealed under his shirt. Second, one of Lobo's henchmen, Heraclio (José Bódalo of "Ringo's Big Night") abducts Helen. Third, his gang of bandits transfers the government safe from the train to a wagon and hauls it away. Meanwhile, Lucas has eluded the bandit's and survived the massacre. Gringo and he find the keys to open the safe on the bodies of the murdered Americans. They decide to follow Lobo and his army of gunmen. They know that Lobo's bandits don't have the means to open the safe, and they propose a deal with one of Lobo's men to open the safe in return for splitting the booty.The dreams that our heroes have prove ephemeral. A Lobo follower takes them captive and tries to obtain the key from them. First, he plants them up to their necks in the ground and places a pot over their heads which he bangs on to drive them crazy. Second, when the first option falls through, he has his men ride over them. The American produced but Spanish lensed "Guns of the Magnificent Seven" used this form of torture. Another American, Brown (a mustached Mark Damon of "The Fall of the House of Usher"), shows up earlier driving a car. Later, he appears at an opportune moment to wipe out the group of horsemen about to ride down on our hapless protagonist while they are buried up to their chins in the ground. Brown amounts to a kind of guardian angel for them. He intervenes later on during a night-time gun battle, careening into the scene and lobbing explosives at the villains Mexicans trying to kill our heroes.Helen suggests that they use a small cannon to blow the safe open. When the cannon ball strikes the safe, it blasts it through the adobe hut that the safe was setting in front of and doesn't make a dent in the safe. Gringo and Lucas show up immediately after and try to infiltrate the gang. Lobo's second-in-command remembers that he shot Gringo and our heroes have a close shave escaping from the bandits. Brown keeps showing up and helping Helen as well as our heroic duo get out of one scrape after another with their skin. Eventually, at the ending, Caiano and his scribes shed light on Brown's reason for repeatedly popping up at the worst possible moment to rescue out heroes.Anthony Steffen and Enrico Maria Salerno make a great heroic duo. They argue incessantly with each other and their arguments are amusing. Incidentally, future "Trinity" director Enzo Barboni served as the director of photography. Talented composer Carlo Rustichelli never leaves us in doubt when a scene is supposed to be amusing or murderous. "A Train for Durango" isn't the greatest Spaghetti western ever made, but it manages to be cynical, comedic, and entertaining.