A Troll in Central Park

1994 "Believe in Yourself and You Can Do Anything!"
5.3| 1h16m| G| en
Details

A friendly troll with a magic green thumb grows one flower too many for the queen, whose laws require all trolls to be mean ugly and scare humans whenever possible. As a punishment, he is exiled to a world of concrete, where he should live a life of proper trolldom: Manhattan.

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Reviews

ada the leading man is my tpye
NekoHomey Purely Joyful Movie!
Janae Milner Easily the biggest piece of Right wing non sense propaganda I ever saw.
Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.
hilemandavid Wow! Don Bluth, what have you done? Anyway, here yea, here yea! All rise! The Animation Court is now in session! Many critics, vs. "Troll in Central Park" for ruining the career of the famous director! The right, and honorable judge David T. Hileman presiding! Though it was not the final nail in the coffin for Mr. Bluth's animation studio - that came with "The Pebble and the Penguin" - "A Troll in Central Park" certainly was the handwriting on the wall, with it's terrible reviews and a horrible box office take. It couldn't even make 0.32% of it's $23,500,000 budget, only grossing $71,368! It was known as the biggest animated box office bomb, until, suddenly, 14 years later, "Delgo" came along. Gary Goldman, Bluth's partner, blamed the distributors at Warner Bros. Family Entertainment for it, for lacking any confidence in the film, releasing it without any sign of promotion, and only giving it a limited release. I don't think ANYONE would have any confidence in the film, when it looks so sappy it makes "The Secret of NIMH 2" look like the original! I mean... Gus, he's a spoiled brat! A spoiled, rotten, rude, impudent piglet! I don't recommend this film. Don't let the good music by Mr. Robert Folk fool you.
Adam Foidart "A Troll in Central Park" looks great thanks to Don Bluth's animation style, but there's nothing else going on in the movie that's worth noting. It doesn't have any interesting characters or sequences, the story is bland and the songs are not memorable. It offers little entertainment value for anyone but the absolute youngest viewers, who will outgrow it very quickly due to its overly sappy and sugary plot and tone. Although many people will probably defend it because they liked it when they were younger, a re-watch will make you realize that all it does it churn out a lazy story. Ask yourself if you really remember this movie as fondly as beloved animated films like "Snow White", "The Little Mermaid" or even Don Bluth's own "The Land Before Time" and I think you'll find that you can't recall very much about this movie at all. I suppose the movie is harmless, but there's not much that's memorable or stimulating for children here, and nothing at all for adults. When there are other, genuinely good movies you could be showing them, I can't recommend that you check out "A Troll in Central Park". (On VHS, July 28, 2012)
Ric This movie suffers the most attacks among Don Bluth's films, and it's not hard to see why. A Troll in Central Park is childish, short, and, well, flowery. But at the same time, there's a charm to it, a sense sincerity, even inspiration, that pays off in the end. Tots movies are often filled mindlessly with clichés and treacle, but Bluth, a passionate animator, was never one to resign himself to that.The settings are a kingdom of trolls, where bad=good and vice versa, and New York city. The main character is Stanley, apparently the only good troll, who can magically grow things with his literally green thumb. He's caught growing flowers and taken to the Oscar the Grouch gone extreme villain, queen Gnorga, who sends him to a place where nothing grows; New York City. But he lands in central park, where he meets the cute toddler named Rosie and her older brother Gus, who's sorta wild. Thus the (short) plot is set in motion, with Stanley entertaining his two new friends and Gnorga deciding to just finish him off.There are a couple scenes, such as the trip on Stanley's boat that's made of "a dream", that can be a little intriguing. And the songs are surprisingly memorable. Gnorga's "Queen of Mean" has a nice beat to it, and manages to ride out her "terrible is wonderful" gag for just over two minutes with some amusing images. And Stanley's twice sung "Absolutely Green" is warm and bright. While a basic description would probably make one think "syrupy clichés", the song as a whole actually seems inspired. And when coupled with the animation of the scenes, there's little question of its sincerity. (The idea made me think "John Lennon's 'Imagine' for young kids".) But that doesn't mean it's not flawed. Sometimes it's too cutesy, mainly with Rosie, and at times it overextends the ho-hum comedy, as with Gnorga's comic relief sidekick, King Lort. It isn't breathtakingly exciting, despite some engaging moments, and there's not much beyond the environmental stance that reaches out to older viewers. I wouldn't call any of the characters deep either, except maybe Gus and Stanley. And while the climax (stepping up the intensity a bit to become a little creepy) and ending were good, the very last bit went too far with New York City itself. (I prefer to think of it as a vision, rather than what actually happens.)Overall it's a decent, worthwhile kids movie. So if you need a film to watch with kindergarteners, give it a chance. It may charm you more than you care to admit. But if I'm wrong, I'm still glad there's a movie for those seven and under that treats its audience like children, not morons.
Mr. Neutron A Troll in Central Park is not a terrible film. It's just extremely sweet and innocent and this world isn't ready for it. Anyone over six years of age will be embarrassed to watch this - even alone - but that's more of a societal problem. But there are definitely reasons to see this. The animation is amazing, particularly with the children. It's realistic but somehow completely believable in an animated world. And their movements are so fluid and realistic. You can tell every action was acted out and studied meticulously. I really wish this was done more often. The environments also look amazing, especially when the human world comes into play. As for the cute or humorous sidekicks, that's another story entirely. It's probably just a personal bias, but I hate the way Don Bluth designs his more cartoon-y characters. Their personalities aren't any better, ranging from "cute" to marshmallow-peep-flavored-vomit "cute".Anyone who loved The Secret of NIMH will be shocked to see this film. I mean, how can the same guy who made a progressive, dark and outstanding film be responsible for this? The story is very fairy-tale esquire, like a children's storybook come to life. The villains are more humorous than threatening, the characters spontaneously break into song and dance and everything is whitewashed with cuteness. This is the result of Don Bluth finally giving in to the pressures of Disney, trying to replicate their formula, losing his identity in the process and ultimately falling flat. Luckily, Anastasia would be a healthy step up. But for fans of Bluth's one-hit wonder, it's kind of depressing.