MonsterPerfect Good idea lost in the noise

SparkMore n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.

Aubrey Hackett While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

Stephanie There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

shivakumarvishwa The movie is fantastic.An excellent comeback from Madhuri after 5 years.The story is brilliant.It opens when Dia a dance teacher works in USA with her family.One day she gets a call that her dance instructor is dead.And wants her to come back to Ajanta.She comes back.The old Ajanta is being converted to a shopping mall.Its now dia turn to save this.At the end she does a few dances which attracts peoples.She wins their hearts.An enjoyable family movie.Madhuri was superb.Divvya was superb.Konkana was superb.Kunal looked hot and was awesome.Irfan was superb.Akshaye was wonderful.Ranvir Vinay add humour and were funny.Direction is wonderful.Cinematography is excellent.Chereography is wonderful.The music is faboulous and superb.The lyrics are wonderful and so is the picturisations.A must see Rating-10/10

Shruti Parikh A 'comeback' film always holds significance. Amitabh Bachchan's Mrityudatta Vinod Khanna's Insaaf Dimple Kapadia's Saagar Mumtaz'as Aandhiyaan and Kajol'Fanna are names you cannot erase from your memory since the celebrated actors returned to the big screen after a hiatus.With Aaja Nachle, Madhuri Dixit, who reigned supreme, is back to the studios with the Numero Uno production house of the country. Does the actress still possess the charisma to ignite fire in water? Also, does the vehicle she chooses to make a comeback with, have the fuel to reach the winning post?Sadly, Aaja Nachle is below the mediocre mark and doesn't meet the humongous expectations that you associate with the Yashraj - Madhuri combo. What's the problem? Without a doubt, the script! What starts off as a story that seems real and identifiable becomes a fairy tale in the latter hour. Also, with a title like Aaja Nachle and the story harping on music, the songs had to be chart busters. That's just not the case here! In short, Aaja Nachle fails in the two vital departments -- writing and music. Bearing a striking similarity to the Brazilian film XUXA REQUEBRA, Jaideep Sahni's screenplay is the biggest culprit here. The protagonist Madhuri knows that there would be hurdles galore on her way, as she embarks on a journey to realize her guru's dreams. But she hardly struggles to achieve the impossible. Even the corrupt politician Akhilendra Mishra or the shrewd businessman Irrfan, who could've proved to be tough nuts to crack, give in so easily.Besides, the goings-on get too unbelievable. The first question that crosses your mind is, how does Madhuri raise the funds to put up this spectacular event the set design in the penultimate song is marvelous? Okay, that's a cinematic liberty, but, seriously, there should have been at least some reference to where the money would flow in to fund this mammoth, lavish and extravagant event. What starts off as a 'real' film, drifts into a 'surreal' world as it moves ahead.Debutante director Anil Mehta knows the importance of frames/visuals since he's an accomplished cinematographer. But Mehta ought to know by now that it's the content that does the talking eventually. The writing is too commonplace to make any impact whatsoever. In an effort to strike a balance between believable and make-believe, Aaja Nachle falls like a pack of cards.Salim-Sulaiman's music is another minus point. You expect the songs to linger in your memory even after the show has ended… that's what makes a musical tick, right? It's not the case here. Dialogues are wonderful at places, especially the ones delivered by Akshaye Khanna and Madhuri. Cinematography Mohanan is splendid.Madhuri has always delivered qualitative performances and the fire continues to burn to this date. She's top notch, but how one wishes the script would've done justice to her talent. It doesn't offer her a pedestal to take that big leap. The loyal Madhuri fans would surely feel disillusioned and saddened.Akshaye Khanna is tremendous. In fact, it's a treat to watch Madhuri and Akshaye together, after a hiatus. Kunal Kapoor is likable; he enacts his part with natural ease. Konkona is nice, but when compared to her previous work, it's definitely not in that league.Irrfan, in a brief role, is okay. Divya Dutta too is relegated to the backseat. Ranvir Shorey is first-rate. Ditto for Raghuvir Yadav. Darshan Zariwala does a fine job. Yashpal Sharma is alright. Vinay Pathak and Sushmita Mukherjee are adequate. Akhilendra Mishra is as usual. Jugal Hansraj gets no scope. Vinod Nagpal and Uttara Baokar, as Madhuri's parents, have nothing much to do. Felix D'Alviella as Steve -- Madhuri's lover is passable.On the whole, Aaja Nachle disappoints big time. At the box-office, the film has embarked on a poor start and coupled with weak merits will only emerge as one of the major disappointments of the year.

Chandni_Lilikoi This is more than Bollywood. Madhuri Dixit is versatile as Hema Malini, Aishwarya Rai, Rekha & Sridevi. Just like in Devdas, she has performed excellent as expected in this movie after a period of R&R.The music, choreography & actors were excellent. The young love in the acting performance was excellent... Laila-Magnu. The young actors playing those characters real love was romantic in the Bollywood way & as in Romeo-Juliet way.The director showed that even when a man is "jilted at the alter", he can forgive his love even after 11 years apart.The weakest directing is that Akshaye Khanna could have been more romantically challenging. His role was very short. In the ending, it wasn't solid but dull. With the end though, it was nice to see everyone happy but making the whole villagers look gay (happy) is so unrealistic. A grumpy old man or woman should have added some real comedy.The evil man turned out not to be a strong villain. But then this movie tells you more about the society & how they think or will say. The directer showed the real dilemma of a young girl's love for her life & happiness, her best friend's obedience to her own husband, the villager's harsh branding words & insults, and a middle-aged couple whose marriage was getting boring. These are real life reflections in every country. This director showed it all in one film & Madhuri Dixit acting showed that although it looked like a defeat, you need to try your best, get up your courage & face your demons whether it be 10 years ago or 5 years ago. This is not a documentary, but read between the lines and see what the message is.Some songs were not so interesting but the best of all is the finale dance Ishq. Madhuri Dixit put the flexibility in her dancing that makes you wish you could dance like that.

Devane I don't think Aaja Nachle was meant to be a groundbreaking movie with the coolest screenplay. On a whole its even somewhat uninspired and not entirely original but its a good movie nonetheless. In the context of Bollywood however, it's actually is pretty original. Which was the last big-scale female-fronted Bollywood movie there was? Frankly, I can't think of anything in the past two decades. Nothing from of the large scale, Yash Raj fame.To the critics who think this movie wasn't even worth a watch, I think you've got the point wrong. Well sure it is a bit too polished- a bit too commercial and "safe" but what choice do the producers have? I don't think the Indian film industry is ready for something more experimental and adventurous. There had to be some trade off.Even then, some of that commercialised coat melted with Madhuri's charm. Yes, I think Madhuri played her "magic" well in this movie. She sunk her teeth into the role and exuberanted her charm so well, I think she alone added a lot more colour to the movie. She almost overshadows the second and third lead in the film- Konkona Sen and Kunal Kamar. Both of them played their roles well and did a commendable job at that.To sum it up, I think most critics of this movie expected too much from the comeback of the lady who's been hailed as Bollywood's greatest actress. As it is, she shone brightly in a movie that's decent. Its storyline may be somewhat predictable from the onset but its still an untapped genre in Bollywood.I'd say, sit back, relax, don't think too much and watch it for what its worth.I'd give it 7.5/10