Aaram Thamburan

1997
8.1| 2h47m| en
Details

Jagannathan faces several challenges when he goes to stay in Kanimangalam village. He promises the villagers that he will help in the preparations for the annual temple festival, but will his enemies leave him in peace?

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Reviews

Exoticalot People are voting emotionally.
Senteur As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.
Bumpy Chip It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
Jithin K Mohan Mohanlal's most glorified character, one of the most celebrated films in Malayalam, considered a classic and relives in peoples mind through countless imitations and pop culture references. Through all this, sure it is enjoyable with memorable one liners, great songs and stylish visuals that can only be seen in Malayalam films. But all that doesn't change the fact that it is a completely ridiculous film with a ludicrous plot and laughably on your face cheesy dialogues. How it works is how unabashedly it is a fanfare for actor Mohanlal. It is a complete ode to him with characters always praising him while he does all the impossible tasks. Another problem that I find in most old Malayalam films is the idiotic use of background music. Though I did enjoy parts of it most of it is so cringe but the iconic scenes that are always being referenced are good to watch out of context.The success of this film churned out a lot of similar films which started the dark period in Malayalam cinema where everything faltered and the industry was losing all the hope and newcomers changed the industry for good, thinking these as classics is not going to help the industry if it doesn't harm any more.
Tejas Nair For someone like me who has been widely and wildly influenced by classic as well as modern Malayalam cinema, Aaram Thamburan felt like a trite little story. A mysterious man, played charmingly by Mohanlal, arrives at a village with some ulterior motives and gains control of a historically important heirloom house. His strong and condescending ways to influence the naive yet devout villagers come off as something an evil lord would pull off, and Mohanlal does that with every single cell in his body. No doubt that the character is as charismatic as the actor who plays it, because the problem likes in the staleness and predictability of the story. Perhaps watching it in 2018, more than 20 years since its conception, may have caused this experience, but I honestly could not connect with the character. His ways are never in conjunction with his motives and that was the biggest issue for me. The periphery, however, is lit with some great performances and production. Manju Warrier may have crossed the line of overacting, but I think the blame is on director Shaji Kailas for sugarcoating her character. Supporting cast, most notably Narendra Prasad, do a very good job at keeping the viewer hooked, even if they are irritated by the 'thamburan'. With the eclectic song "Harimuraleeravam" sung with natural finesse, and a compelling soundtrack that uplifts certain sequences in the 160-minute long drama, Aaram Thamburan can very well be described as a film that you need to watch but not for enjoyment. The influence that it has on Malayalam pop culture is enough to consider it, but don't bite me if you get bored a bit. TN.
urstrulybabaji This movie is really good. Mohanlal sir is one of the best actors ever. He shows his class in every scene. Casting is almost perfect. Manju warrier is cute. Villain is very good. Direction, music, story & screenplay is brilliant. A MUST WATCH.
Arun M R Malayalaali never forgets the hero of the movie Jagannathan. Bombay's top guy who comes back years after coming to his hometown to commit suicide by suing his father. The film develops through the crisis that he faces in the name of the owner who bought the man who bought him on his behalf and when the decision is made to hold a sideline.