Iseerphia All that we are seeing on the screen is happening with real people, real action sequences in the background, forcing the eye to watch as if we were there.

Ogosmith Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

Sarita Rafferty There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Dhanu Kemathas Back in 2004 when Ayitha Ezhuthu was first released, it was widely panned by critics and didn't do well at the box office. Why? It's simple: The film was much ahead of its time that the audience didn't understand this brilliant story line and the metaphors it carried throughout the film.Ayitha Ezhuthu is a political drama directed by the genius Mani Ratnam who had previously directed movies such as Kannaththil Muttamital, Thalapathy, Bombay, Alaipayuthey, Iruvar and Dil Se. If you're asking me, I'd say Ayitha Ezhuthu is the greatest movie of all time in Kollywood's history and here's why:The film carries metaphors that are used as color symbols for the three lead characters; Inba, Michael and Arjun. The writer chose the color RED for Inba which symbolizes fire and stands for anger, power and love. Michael is given GREEN which symbolizes soil/ground/earth and stands for growth and energy, while the Arjun is given the color BLUE which symbolizes water and stands for his chilled personality. The clues for their colors are their clothes and their homes (the walls). If you've noticed in every frame Inba wears red, Michael wears green and Arjun wears blue (in Arjun's case he wears blue for the most part). If you haven't noticed there's also another hidden fact in the story. Remember the prison scene where Michael and the other students are locked up in one cell? Do you remember what Michael wrote on the cell-walls with that chalk? It was the Grand Unified Theory (GUT). This theory is also used as a metaphor for the film. The theory is based one three gauge interactions; strong force, weak force and electromagnetic force, which all helped to create earth. The strong force is Inba because of his anger and his lust for power and position. The weak force is Arjun because he always choose to avoid problems (for example when he admits Michael at the hospital he is told to give a complaint, but doesn't want to because he fears that his passport might be taken in). The electromagnetic force is Michael because of his mannerism, bravery and his guts over fear. As you all know by now, Ayitha Ezhuthu is an experimental film based on the Grand Unified Theory.The film features an ensemble cast that includes Suriya Sivakumar, Madhavan Ranganathan, Siddharth Suryanarayanan, Meera Jasmine, Trisha Krishnan, Esha Deol in the lead roles, while Bharathiraja, Sriman, Janagaraj, Praveen, Krishna, Suchithra Karthik Kumar and Kamala Krishnaswamy in other pivotal roles. All the actors have played their characters well. For your information; The character Michael Vasanth (played by Suriya Sivakumar) is actually inspired by a research student named George Reddy who was known for his controversial involvement in youth politics. He was later murdered on April 14th, 1972 (aged 25) at Osmania University in Hyderabad, India (you can google him).The cinematography and editing which were handled by Ravi K. Chandran and A. Sreekar Prasad deserve to be praised for the phenomenal job they have done. At last but not least, I have to talk about the Academy Award winner A.R. Rahman for the soundtrack and the mind-blowing score. All the songs in the soundtrack were amazing, especially the song ''Jana Gana Mana'' which is my all-time favorite song by Rahman. The BGM in the title card, the String Solo and the bit song titled ''En Jeevane'' are admirable and scores everyone should remember. Finally I have to give a BIG-TIME applause to the late Sujatha for the amazing on-point dialogues (especially in Inba and Michael's first meeting, the flirting scenes with Arjun and Meera, played by Siddharth and Trisha Krishnan, and the conversations between Michael and Minister Selvanayagam, played by Suriya Sivakumar and Bharathiraja).For those of you who were disappointed with the movie when you were watching it for the first time back in 2004, give it another try now. I bet you'll change your mind and see the clear picture!

gokula-kandaswamy Just watched this movie for the umpteenth time, since 2003. The catch of this movie would be the non-linearity with which it moves, similar to that 'Alaipayuthey'. This could give you the feeling of watching a Tarantino movie.Remember watching this movies with my folks and I had to make them digest the way the story moved with the individual perceptions of the main 3 characters.The title of the movie is a Tamil vowel, which are 3 dots, signifying the 3 of them.Some may feel parts of the movie as redundant as they are repeated time and again. But they do blend well in the course of time.Kudos to Maniji for making an actor of each one of them. Even non-performers have done their bit.Better watch the movie if you still haven't.High-Light: Of course Madhavan

vinayak20850 I didn't really know what to think of "Ayutha Ezuthu" after the first time that I saw it - I suppose I was expecting a much different movie - but after revisiting it, I really have come to appreciate and enjoy it. Mani Ratnam is really a director who understands characters and shapes them with such heart and soul. The real stand-out actor here for me is Madhavan, who portrays Inba, the street thug who aspires to overcome his low-life existence but does it in all the wrong ways. The nuances of his character really show, and the 180-degree reversal from what we are used to seeing him as makes his performance all the more appealing. And Bharathi Raja ... wow! He comes off as a cunning and very humorous villain, and the exchanges between Surya and him are certainly something to see. I would least expect Mani Ratnam to put out something with a political message, but he does it with grace and style. A big thumbs up!

ramancsv Saw ayitha ezhuthu on the second day at sathyam theatre.The crowd was unbearable and it took nearly an hour to get into the theatre. The movie was well worth the wait and the price of admission.Teasers of the story have been all over TV for a while now and i must admit i was very curious about the movie. Mani as usual has kept the story moving at a frenetic pace and the first half of the movie is exceptionally well taken. Credit must also go to the lead actors Madhavan and Surya for their performances.Madhavan as inbasekar, turns in a menacing performance and simply steals the show. He seems to have finally lost that chocolate boy look with his new haircut and added weight. While plenty of praise has been heaped on Abishek bachchan for his role as lallan singh in the Hindi version "yuva" I believe Madhavan has done a better job and if any considerations for a national award are given to abhishek bachchan without considering maddy i would be very disappointed. Surya as Michael Vasanth the do gooder is also excellent. He seems to be improving with each movie and is all set to be the next big thing Tamil Movies. What a change from the guy who couldn't even dance confidently in Nerukku ner!! The third character siddharth as arjun balakrishnan is adequate, although i don't know why he was needed in the movie. While the first half of the movie is almost perfect the second half seems to try to finish things in a hurry. Perhaps he need not have spent too much time with siddharths character. The heroines have surprisingly found adequate screen time in such a big multistarrer. The best of the lot is meera jasmine as sasi. Esha deol is OK for her first movie and trisha is also OK.The movie is easily the best movie to come out so far this year ahead of autograph, virumaandi and gilli. I give it 9 out of ten taking one point off for a slightly loose and hurried second half. Spoiler -- One thing that most people did not understand after the movie was whether madhavan was given the death sentence or not. I'm not sure although i thought the policeman said he was lucky. Not one person that i asked after the movie seemed to know for sure.