Infamousta brilliant actors, brilliant editing

ChicDragon It's a mild crowd pleaser for people who are exhausted by blockbusters.

Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Casey Duggan It’s sentimental, ridiculously long and only occasionally funny

gradyharp 'Torzók' ('Abandoned') is a brilliant Hungarian film written and directed by Árpád Sopsits that takes us back to Hungary of 1960 when the oppressive Communist rule altered the lives of everyone, especially children. The quality of the film is absolutely first rate from story to acting to filming to scoring. It may be a tough film to absorb and certainly not for the easily offended, but it is a perfectly honed gem of a film that deserves wide audience exposure.Áron (Tamás Mészáros) is a young lad whose life seems warm at first until suddenly a disease of vision impairment attacks his mother and his parents divorce: the mother is somewhere in a hospital and the father (Sándor Gáspár) beats the boy and eventually turns him over to a rigid orphanage for boys run by cruel taskmasters. Áron undergoes initiation tactics by his fellow orphans but despite the beatings he is strong enough to survive. He is befriended when he has his nightmares about his mother's blindness by his friend Atilla (Szabolcs Csizmadia) and the two bond emotionally and physically. In this bleak atmosphere a little light comes from the beautiful young housekeeper Anya (Krisztina Somogyi) but even her contributions are compromised by the cruelty of the staff. There is one 'teacher' in the orphanage school, Nyitrai (László Gálffi) who has been reduced to his position as an 'imprisoned one' by the government and his sadness is offset by his playing his cello and studying his beloved astronomy. Nyitrai offers Áron solace and introduces his 'fellow traveler' to the glory of the stars, giving Áron a map of the heavens that Áron cherishes - his window to a world beyond the dark confines of his prison-like orphanage. He gradually wins over his fellow orphans and when Nyitrai, in the pit of depression for his life situation and the cruelty of the orphanage and the government, hangs himself. This horrid incident drives Áron to organize an escape from the orphanage, an event that is ultimately fractured with a death for which Áron feels responsible. And the end of the film fades into the many possibilities that event could trigger.The atmosphere created by the stunning cinematography by Péter Szatmári defines the darkness that represents the orphanage well but also suggests the darkness in Hungary of that period. The musical score by Péter Fejcsik, Tamás Görgényi, Ferenc Toma, and Balázs Winkler is some of the most beautiful composed for the screen, making tremendously effective use of the cello and lower strings. In all, this is a brilliant piece of film-making, acted with depth in every role, and unveiling a portion of history and tragedy too often pushed to the background of our books. Highly Recommended. Grady Harp

ollie501 WARNING - CONTAINS SPOILERSSet in Hungary, this film follows the life of Aron, a young boy left to the mercy of an orphanage. A powerful and commanding performance by the entire cast will truly draw you into their stories. It would be unfair to single out the performance of Tamás Mészáros, as Aron, simply because the rest of the cast is so strong it makes this film a true ensemble piece.This is not an easy film to watch. The immeasurable cruelty suffered by the children, at the hands of their teachers is agonising to watch. You genuinely feel for them, this is so real. The teachers are played with remarkable talent, the cast never flinching from the paths that have been laid out before them. I would imagine that their roles were as difficult to enact as they were to watch, and they are due an immense amount of respect for their portrayal of cold, calculating and manipulative excuses for human beings.Throughout the film, Aron's indomitable spirit will stay with you, as you follow his woeful story, to it's conclusion.The treatment suffered by these children is brutal. The teachers are ba****ds, and I make no apology for using that word. They are not worthy of anything more. This is a harsh, eyeopening lesson that children should always be seen AND heard.There is only one benevolent teacher, whom Aron befriends, as together, they share a love of astronomy. Their friendship is doomed to a bitter end. Tortured by his conscience, the only good man commits suicide, and the impact of this is the eventual escape plan, lead by our young protagonist.At this point, one would be forgiven for thinking this is where everything will turn out just fine and dandy, and all will be right with the world. Forget it. There are no happy endings here, no winners and no justice. I will not go into the fate that awaits these unfortunate children, but I guarantee that the end of this film will bring a tear to even the most hardened of eyes.This film has an astonishing cast, who portray their respective characters with a reality that will haunt you for some time after. Emotionally draining it may be, but at the same time it is essential viewing, and as a piece of foreign cinema, offers another peek through the windows of someone elses world. This film isn't afraid to make a statement, and trust me, make a statement is exactly what it does. There are lessons in the tale which we would all do well to heed.If you buy only one DVD in the coming months, make it this one.

Carlos Martinez Escalona Arpad Sopsits directs a monumental movie in Torzok. Not the Hollywood honey- smeared teddy-bear story. Here, with a masterful skill, he tells a story that, sadly, was and is frequent everywhere in the world.Abandoned by his hating father, Aron is thrown into a world of despair and violence. Endured stoically by the children in a communist-era orphanage, their plight is fundamentally surviving.The way the director-writer casts special spells on some of his characters, makes this film incredibly unnerving, disturbing. The ominous dread of injustice just around the corner, behind every door, at the lips of the traitors, is enough to keep the children in a tense and maddening situation.What makes this film so special is that Sopsits deals with the forbidden in a way that transcends beauty. The beauty of childhood. The beauty of innocence. Against the hatred and folly of the torturers. Religion and religious spirit play a central part in this play. The story unfolds with lots of different wings. Every one of them of different colours and hues. But all of them masterfully intertwined to let the story flow.This film can leave you shattered and shivering. Maybe sobbing in frustration and anger. But the nuances of love, moral spirit and unbreakable will in the children, are more than enough to praise this work as a very deep reflection on good and evil. As a key to try solving the innermost doubts we all have some time in our lives. And to centre our motivations in thoughts of hope, that are always the flames that kindle the human spirit, no matter the age.Since my view of most films is, first, as a cinematographer, I'd like to comment on it, too.The approach to this film is minimalist. Lighting is kept to its bare minimum, pushing film to all what it can give in available light situations. The scenes are lit and photographed in such a way, that effectively conveys the mood of the story.Almost complete darkness is used in some very disturbing scenes. There's no place for joyful moods, except in some of Aron's dreams, that are ethereal and surreal, but extremely powerful. The operation of the steadicam in some scenes is perfect. Everything fits in place to tell the story. And never wanders into worlds of glamour, flashiness, silky and smooth images. The director and his DoP did a job that is almost never seen in big productions. And, from my point of view, this kind of approach leads to realistic images and straightforward story telling. The transfer on DVD is pristine. The sound is absolutely amazing, with a score that may be one of the most naturally haunting I've ever heard, relying mostly on cellos and upright bass. I think there should be a special prize for After Crying... the music is perfect.Winner of so many awards, this film has not been released in Britain and was not shown except in festivals.

mweston This film is set in an orphanage in Hungary in 1960. Aaron is left there by his father. At first the other boys abuse him, but soon they accept him. Unfortunately, the man who runs the orphanage is sadistic and cruel.While the film feels manipulative at times and seems to have the basic message that life sucks, the one word I would use to describe the film is "haunting." The performances are very good, especially considering the young age of most of the actors. The cinematography and direction are also quite good, especially in the arresting dream sequences near the beginning and end of the film. Most people will probably never have a chance to see this, but I highly recommend it if you do. Seen at Cinequest (the San Jose, CA film festival) on 2/22/2002.