Lovesusti
The Worst Film Ever
Nonureva
Really Surprised!
Softwing
Most undeservingly overhyped movie of all time??
Lucybespro
It is a performances centric movie
Daniel B
There are a couple of problems with this movie, the characters are lacking a proper backstory, the actors aren't good either, but after all it doesn't matter. Because these are minor issues in a much better story.The most surprising thing for me was that there's no right or wrong in this movie. There are no moral winners, the director let's the story flow and it's up to the viewer to decide what to think. Another positive aspect of the film is, that it's very down to earth. It's about current social issues in Europe like immigration, ethnic tensions and radical movements based on the inability of the justice. (Maybe this would make difficult for non-European viewers to connect, but it worked for me.)So if you're tired of movies about slavery and oversimplified topics that are way beyond us, here's a film about the world we're living in and the issues we have to deal with.
Pedro Grilo
I recently came across this movie. Looked it up, read some reviews and got more and more curious. Finally, this weekend, I actually watched A.C.A.B. and... well, I don't write much reviews, but decided to do so in this case. Why? Because while I was looking up this movie, I read really, really dumb, political oriented, crappy reviews. I guess left wing extremists love put down this movie, which is actually quite unfair. This is a small effort of mine in order to help the reader with a honest and simple review.The movie is intended to be a slice of the lives of four Italian policemen, who belong to a special unit with the mission of controlling mobs. Three are veterans, one is a rookie. What we see are pieces of their lives, both on the job and at home. They all are have different experiences, and they all have serious personnel problems. The thing about showing the "slice of live" I mentioned is that the movie ends when it does, regardless of the stories reaching a conclusion. I say this because the movie could easily go on for quite longer, but the director ends it when he considers we have seen enough. Its fine, it adds to the realism, which it what is intended in the first place.The cops portrayed in this film are sometimes excessive and tend to take matters into their own hands. What makes left wing extremists really mad is that, instead of showing cops as blood thirsty maniacs, the movie shows the context of their work and the environment they operate in. What the movie really shows is the deep, complex, problems hypocritical government policies produce.It is an Italian film, the action goes on in Italy, but it could easily take place in most European countries with minor adjustments. Mine, Portugal, is a good example of that.To make a long story short, it is a raw, honest portrait of police officers hard life, one that everyone with common sense ought to be able to understand and relate to. Not a big budget, not the best movie I've ever seen, but a hell of a nice one! I do recommend it!
Pedro Pedri
The movie was an excellent insight of the Italian riot police ("celere"), through the everyday lives of 4 policemen. During the whole movie the tension is always high and it's been for me one of the rare cases where I never, at any point, took the part of the protagonists. Who are, as the title says, literally mean bastards. Despite that, it's a very powerful and emotional movie that reflects how the Italian society has degraded in the last decades (racism, violence, intolerance, corruption, etc)The use of the photography and the music (great soundtrack!) is always well placed, adding more depth to many scenes. The movie is loosely based on the book with the same name, which is a reportage of a journalist based on true stories heard from real policemen.I saw it at the Love & Anarchy movie festival in Helsinki, where the director was present and answered the audience's questions. I strongly disagree about the movie being pro-police or fascist. Actually, it's pretty much the opposite. In fact, it takes an almost perfect neutral point of view, trying to show the bare facts. All the opinions come from the viewer, not from the director. He (Stefano Sollima) was also pointing that out since he didn't want to express his judgment. And by the way, he's politically left oriented but the movie has nevertheless been criticized by all the sides: Police, hooligans, right parties and left parties (meaning that he managed to reach his goal...)
cinesimon
Though it's not propaganda, given that it's not a government body trying to influence people toward their way of thinking - it's certainly the commercial equivalent. This movie is not an honest depiction of police in Italy. The beatings and killings get worse, and the accountability gets less. This is because over and over again, the brutal thugs - unhappy about themselves & their lives, take out their frustrations & self loathing on the public: those they're supposed to protect - have become untouchable. Yes, without doubt they are a tiny minority. The vast majority of cops do not engage in such brutal behavior. BUT - they will arrest those who're beaten, and help cover up assaults and even killings. They turn the other cheek when they see their thug brethren having their fun & getting their therapy. The 'good' cops do not report what they see - in fact they actively ensure that such behavior goes unreported. And they wonder why the public distrusts and despises them more every day? Do they really believe their dishonesty is believable? This is an extremely serious issue, in Italy and most western countries around the world, as corporations move to strike down democracy, & police are given free reign to brutalize those who don't like it. Yet a film like this seeks to diminish all that. Cops are the real victims, not the public. Utter hogwash, of course, and yet a further sign that police around the world have become gang and cult-like: it's them against the world. They have more in common with a cop from the other side of the world than they do their neighbors. They've separated themselves from communities, and now they seek to change how they're seen. Not by engaging with those they have power over in a positive way, but by pretending to be victims. This movies seeks to achieve that dubious perception - and it's a real shame.