Greenes Please don't spend money on this.

Sexylocher Masterful Movie

WillSushyMedia This movie was so-so. It had it's moments, but wasn't the greatest.

Nicole I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

MartinHafer Over the years, there have been a decent number of films about WWI pilots. Some of them are truly exceptional, such as "Wings", "Hells Angels", "The Eagle and the Hawk", "Ace of Aces" and "Fly Boys". Some others, such as "Aces High" are just pedestrian and offer little new and poor production values.The film is about a group of British fighter pilots stationed in France. During the war, the life expectancy for such men was often just a few weeks and not surprisingly it was a very tense and difficult job. It's also about the futility of it all. All this is to be found in this film...but not a whole lot more.As for the production values, it all depends on your perspective. The casual viewer who is NOT an airplane nut or retired history teacher (both, like me) won't notice or care that the airplanes used in the movie were mostly post-WWI vintage and many were even from the mid- 1930s. Many won't mind that the planes seem to have almost unlimited ammo (such as in scenes where they are testing their machined guns and firing them about 10 seconds each--using up about half their bullets!). And, some might not even mind that planes change into other planes in mid-flight (such as changing colors or models or having machine gun damage vanish in the following scenes). And, some might not realize that very few German planes of WWI were red--though practically ALL are in the film. But, I do--and this shows some sloppy regard for details. Plus, other films just get all this better.Also, as I am obviously a major stickler for details, the men were looking at photographs and the showing them on the screen. How could they do this as they were not slides?!

Jackson Booth-Millard I may not have paid the biggest attention to this film while it was on, but from what I did watch properly it was a good old fashioned film from director Jack Gold (Goodnight Mister Tom). Basically, it is World War I and the film focuses on the Royal Flying Corps. Flying fighter ace Maj. John Gresham (A Clockwork Orange's Malcolm McDowell) runs the base, and he has to deal with new recruits. There is some story of a particular new recruit, Lt. Stephen Croft (Peter Firth), but the film is dominated, and made fun to watch, by the many plane battles filled with roars, shooting and explosive crashes. Also starring The Sound of Music's Christopher Plummer as Capt. 'Uncle' Sinclair, Simon Ward as Lt. Crawford , Arthur's John Gielgud as Headmaster, Trevor Howard as Lieutenant Colonel Silkin, Richard Johnson as Major Lyle, Dial M for Murder's Ray Milland as Brigadier General Whale, David Wood as Lt. 'Tommy' Thompson, Christopher Blake as Lieutenant Roberts, Gilles Béhat as Captain Beckenauer, David Daker as Mess Corporal Bennett, Elliott Cooper as Lieutenant Wade, Barry Jackson as Corporal Albert Joyce, Jacques Maury as Ponnelle, Ron Pember as Lance Corporal Eliot, Johnny English's Tim Pigott-Smith as Major Stoppard and Jeanne Patou as French Singer. As I mentioned, the plane action is pretty much the only highlight of the film, well, and some familiar faces, but it's okay. It was nominated the BAFTA for Film Award Best Cinematography. Worth watching!

dl43 While, all WWI aviation flicks bear their fair share of merits and admirable depictions of warfare over the front(with, of course, the exception of the recent and insufferably cheesy "Flyboys", Aces High ranks as unparalleled champion in depicting the forbidding overall sensation of World War I aerial combat. Unlike the romantic and heroic endeavors as popularized by the recruiters (of which I suppose Tony Bill also qualifies), dogfights are portrayed as a harrowing, fearful, and thoroughly traumatic experience, thus culminating in a host of undesirable personality side-effects as reflected by the various manners in which the battle hardened veterans of 56 squadron have exhibited in order to cope with the prolongued stay on the verge of the frontline.Squadron leader Malcolm McDowell, for instance, can longer undergo combat sorties without saturating himself thoroughly with liquor beforehand, which he discloses as one of the reasons in which he's socially isolated himself from his wife in order to spare her any habitual bouts of his drunken temperament. As another pilot, Crawford's constant battle-weariness has progressively waned his psychological status to the breaking point, whereby he attempts to fabricate a medical condition in which to be relocated away from the front. Sure enough, by the film's end, Crawford's constant, as he himself characterizes, "frightful funk's" have finally driven him quite literally past the brink of insanity.As the squadron's sole replacement for the week, newcomer Peter Firth's posting to the squadron is analyzed through the film's progressive subtitles, counting the days in which he survives in order to illustrate the alarmingly brief life-expectancy of a World War I fighter pilot. Needless to say, his dreams of idealism and glory become instantly shattered within a few moments, thus guaranteeing that he himself will come to understand the grim futility of his surroundings prior to his own demise.While, potentially jarring at first, the progressive series of events begin to justify McDowell's constant sense of anguish at the sight of new recruits who arrive and perish with such intensified regularity.Indeed, like all war movies, this film suffers from a few if trivial inaccuracies, including the modified wing sections and landing gear of the SE-5a replicas in effort to render the types as more aerobatically feasible, in conjunction with Presentation of German types that, aside from the Fokker Eindekkers, don't exactly embody representations of particular aircraft type, but accurately reflect the colorful and varied assortment in which the German's utilized multiple types within individual squadron's coupled with an habitual refusal to indulge in camouflaged paint-jobs that would have otherwise augmented their fighting capacity.One aspect, which I greatly appreciated is manner in which Jack Gold accurately establishes how pilots strayed far from one another in the aftermath of an dogfight, thus relaying each pilot with the burden of navigating their own way home. ALso, the widespread devastation of the front is accurately represented as well, as exemplified by a particularly effective moment of solitude, in which Firth and Plummer indulge in picnic at a riverside, only to become flabbergasted at the sight of living fish, swimming upstream. Even within this lull in battle, this moment of relaxation features the ominous but distant rumble of artillery fire in the distance.Granted, over the past week, I've resorted to an habitual level of repeated screenings of this classic, if only to compensate for having endured the veritable cliché-ridden atrocity otherwise known as "Flyboys", a wildly inappropriate endeavor of cartoonish escapism rendered all the more offensive by its perpetual "fun'n'games" conception of war over the Front.If anything, when stacked side-by-side, "Aces High" and "Flyboys" embody the veritable epitome of opposing extremities, thus symbolizing the respective "right" and "wrong" manner in which to construct a movie about World War I aviation.Given that Tony Bill's conception of his own self-styled epic as "the first World War I aviation film in 40 years" reflects his lack of awareness of the existence of this title, I highly recommend that he issue a thorough screening of this movie ASAP. Perhaps then, Tony Bill might learn something outside of his all-too-glamorous and boyish conceptions of aerial warfare over the front, and perhaps a even significant reduction in the overall "cliche factor" to boot.Bottom line: compare and contrast, one will soon come to acquire further merit in which to conclude that "Flyboys" unequivocally sucks.

btillman-2 Despite the excellent cast, this is an unremarkable film, especially from the aviation perspective. It may be somewhat better than the egregious "von Richthofen and Brown" but not by much. "Blue Max" remains the best of a small market over the last 35 years while "Darling Lilli" is fun if not taken seriously. It's interesting to speculate what ILM could do with Zeppelins and Gothas in a new, high-quality WW I aero film.