Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Cassandra Story: It's very simple but honestly that is fine.

Janis One of the most extraordinary films you will see this year. Take that as you want.

Isbel A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

GManfred I am a great fan of WWII movies, especially the ones concerning the resistance. To me, there is nothing better than a good film about the underground - British, Dutch, French, whatever, and "Against The Wind" is a good one. It takes a while to get going; there are many scenes setting up the planned rescue in Belgium and some time is spent on character development. A team of five are in the plan, and, of course, one is a double agent working for the Nazis.As in many such movies, the Nazis are slow-witted bumblers, which always adds to my enjoyment even if a caricature. The action here is fast-paced and is in the second half of the picture and is one reason for my rating. The other reason is Simone Signoret, who I consider the best actress to ever grace the silver screen. She is aided and abetted by an able cast including Robert Beatty, Jack Warner and Gordon Jackson. If you are a fan of spy movies you should catch this one.

GUENOT PHILIPPE I did not know this film about French Belgian resistance army. I did not know either that Chuck Crichton made such non comedy features, and I am not disappointed at all. And Simone Signoret gives here one of the three French partisan character she had - and maybe more, I don't exactly know - in her career. Before Jean-Pierre Melville's ARMEE DES OMBRES and René Clément's LE JOUR ET L'HEURE. She is awesome here and I don't understand the reviews against this movie. I just discover it after decades of film passion. Later is better than never.

Alex da Silva A group of uninteresting people are sent into Belgium to blow up a records office and rescue some bloke from prison. Can they succeed?Unfortunately, there is no-one in the cast that anyone can identify with who is in the film for long enough. Gordon Jackson is dreadfully annoying as "Johnny", the schoolboy explosives expert who is out of his depth. Paul Dupuis is the best of the cast as "Picquart", the undercover Gestapo officer who sticks his neck out to help the very annoying Gordon Jackson. Simone Signoret is OK as "Michele" the radio operator but this role could equally have been played by Gisele Preville who played "Julie".Indeed the film has 3 good sections that stick in the mind. One is the shot of "Julie" lying in the field after her parachute jump, staring at the sky and obviously very dead. It's the most shocking image from the film. The second is the scene where "Michele" discovers that her colleague is a traitor while they are sharing a quiet moment in their hideout. And the third is the scene where "Picquart" is trapped in his Nazi office and has to act quickly. That's it. Most of the rest of the film is dull and unengaging. It takes an hour or so before anything of interest happens.A mention goes to Jack Warner as "Max". How on earth did England win a war with lard buckets like him in the army. What a heffalump! And what is the romance between "Michele" and "Johnny" all about? A complete nonsense. There are a few interesting sections but the film disappoints overall.

writers_reign I learned as a child - when I was taken to see them regularly by my parents - not to expect too much from British films so when I bought this DVD on the strength of Simone Signoret's star billing I was prepared to be disappointed and the film didn't let me down. Whoever cast Gordon Jackson as Signoret's 'love interest' deserves some kind of ineptitude Award; it's a bit like casting Alain Delon and Diana Dors as lovers. Lots of the usual suspects are wheeled out; Jack Warner, John Slater, James Robertson Justice, Robert Beatty et al but Charlie Chrichton is just not an 'action' director and this has to rank as one of the most woeful entries on Ealing's distinguished roster.