Alex in Wonderland

1970
5.4| 1h50m| R| en
Details

Bohemian Alex Morrison has just finished directing his first feature length movie. In its previews, the movie is considered a critical, artistic and surefire commercial success. As such, Alex seemingly has his choice of what his next project will be. As he makes the rounds both in the Hollywood community and European movie centers for ideas, he fantasizes about movie scenarios of those everyday situations he is in.

Director

Producted By

Metro-Goldwyn-Mayer

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Reviews

Colibel Terrible acting, screenplay and direction.
PiraBit if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.
Ezmae Chang This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
Cristal The movie really just wants to entertain people.
Michael_Elliott Alex in Wonderland (1970) ** (out of 4) Paul Mazursky's second feature has pretty much been forgotten about. It centers on a film director (Donald Sutherland) who scores a hit with his first film and is now struggling to make a follow-up. He has several people pitching him ideas but the director is wanting to do something personal and a film that has something to say. ALEX IN WONDERLAND is pretty much a hippie version of 8 1/2 and I guess it should come as no shock that the highlight of this picture is a cameo by Federico Fellini who plays himself. I think it's pretty obvious that Mazursky was basing this film around his own life since he had just scored his first hit the previous year and I guess this was his attempt to tell people that he wanted to say something important. Self indulgent is something that films get called whenever they try to be smart or pretend they have something to say. Well, sometimes films do have things to say and they come across as a piece of art. When film's say dumb things they become self indulgent, which is exactly what this film is. There are just so many problems with this thing but the biggest one is that we really don't care about the director, his films or his vision of what his films should be about. Nothing that he says is all that interesting and especially when he constantly asks people if they were on an island what three foods would they want. Is that really your great vision? Sutherland gives a good performance in the lead but he really doesn't have to do very much. He pretty much just hides behind his long hair and talks about race or various movie stars. Ellen Burstyn plays his wife and does a nice job but the role doesn't give her too much to do. Besides the Fellini cameo we get another one with Jeanne Moreau, which is strange to say the least. ALEX IN WONDERLAND starts off somewhat entertaining but the more it tries to say something the more boring it gets.
st-shot Fresh off of his breakout success Bob, Ted, Carol, and Alice, writer/ director Alex Mazursky made this close to the bone story of a hot new director caught up in a similar predicament. We never find out what Alex Morrison ( Donald Sutherland) settles on but this is the path Maz took and he went straight off the cliff.Sloppy, heavy handed and dull from the get go Alex in Wonderland embarrassingly stumbles along from its early tedious overlong scenes brazenly invoking Fellini along the way before actually hauling the maestro himself into a scene that is painful to watch. In between 8 1/2 references he also turns a chance meeting with Jeanne Moreau on Hollywood Boulevard into a crass Umbrellas of Cherbourg moment. Sutherland meanwhile with his liquid blue eyes reflecting in the California sun, his anti establishment hair blowing in the breeze looks dumbfounded in his tepid angst of struggling with confinement in a middle class gulag. As this unfolds Mazursky paints his backdrop with Alex's "wild" ideas, a heavy handed sloppy costume party complete with requisite dwarfs (one dressed like, you guessed it,Federico) as his nightmarish vision of Armegeddon.Ironically the best thing about Alex is Masurzky's performance as a millionaire wanting in on the movie business. Better the camera had followed him than this mediocre artist and his delusions of "far out" grandeur. As the counter culture version of 81/2 I would say it was off by 9.
Paul Weissman It is so blatantly obvious that Mazursky is gently parodying the self righteousness of the hippie movement. When discussing the black uprising movie, it's the black dude who tells him it's a rotten idea. In a more stern observation, his wife is clearly upset and his family life is clearly hitting the skids and he goes on about an acid trip he and his friend took. His wife makes the incredibly accurate observation that he wants her to do what he wants her to do not what she wants to do.Look I fly a little to the left of the left wing but to blather on about Hollywood being left wing when they want nothing more than to do movies where "things blow up real good" is kind of ridiculous.The movie is good. It's not great. But it is a keen and well observed characterization of a creative man who is trying to keep his personal and creative life together and vibrant but falls prey to his own self doubts.
Herman_Willems The worst movie with Donald Sutherland,one of my favorite actors, I ever saw. What in the world possessed Sutherland to take part in that movie. "Kelly's Heroes" was made in the same year and there he put down one of his best performances as "Oddball". There is no story in this movie. I even convinced myself to watch it twice on Turner Classic Movie channel, to find anything meaningful in this movie but I had to conclude that it is the worst I ever saw. Not even Donald Sutherland could pull this movie a little over the edge of disaster. He was,by the way, the only reason I watched the movie to the end twice.So this film will be erased from my memory as soon as possible and I stick to the rest of Donald's memorable fine performances.