Platicsco Good story, Not enough for a whole film

Beystiman It's fun, it's light, [but] it has a hard time when its tries to get heavy.

Frances Chung Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Ginger Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

amosduncan_2000 I'm not sure I completely buy Jonathan Miller's account of the book, but his interpretation (as he explains it on the commentary track) is pretty wonderful on balance. It's funny, surprising, beautiful and mostly about the nature of dreams. The cast, for fans of British movies and TV of the period, may have never been equaled. There's one from "Help", there's one from "A Hard Day's Night", there's the midget from "The Prisoner!" Wonderful. The only real question is "Where's Dudley Moore?" At any rate, I just found out about this movie, it's only been out on DVD for a year or two but it's one I think I will always treasure.

claudia_osteen Does anyone know where or how I can get this Soundtrack? I love it, but can't find it on any Ravi Shankar compilation albums. If you can tell me where to find it then I will be infinitely grateful! And I will love you even more if you email me the answer to my yahoo account...it is [email protected]..... thanks! p.s. I am a huge fan of Alice in Wonderland in general and this is by far one of the best adaptations (along with jan svankmajer's "Alice") because it gives the impression that maybe alice is the one who is going insane rather than everyone around her. The cinematography is beautifully done, and the music is perfect...not to mention there is a wonderful cast. I believe that this is suitable for children, but is very much made made for adults. It is a work of art!

seymorejl I study Victorian literature and though I have not read Lewis Carroll's book I would like viewers of this movie to understand the time period in which it is set. It was written in 1865 and during this time period England was in the midst of colonizing India--thus the Indian music. If one thinks this is a "hippy" movie because it was filmed in the mid-1960's and appears to be very dreamlike, then I suggest that he/she read up on the story and the time period a little more. During the 19th century in England, children were expected to be seen and not heard--they were not expected to be creative and/or imaginative. Victorians were to be very proper and know their place in the world. The dreamlike surrealist feel of the movie fits very well for something that is suppose to be a dream (i know this sounds obvious, but some forget to remember it's a dream). Enjoy and remember the time in which it is set.

robert-temple-1 Seeing this again after some years only made me appreciate it the more. It is thoroughly inspired, and a true work of genius by Jonathan Miller, who both produced and directed. His interpretation of the famous Lewis Carroll story is as a summer daydream. As the flies buzz, Alice drifts off to sleep on the grass, perspiring in the sun, and the visions begin. Many of her comments are given in confidential whispers, as befits a dream rather than a real drama. She rarely looks at anyone during the action, mostly tending to stare into space as if she were sleep-walking. This studied approach is successful at conveying the intended unreality of the story. It is set very firmly in Victorian times, with perfect costumes and suitably mannered behaviour by all the actors for the period. Miller uses the film to expose the hidden agenda of Carroll's fantasy, which was to use surrealist humour to attack the pomposities, bigotry, and hypocrisies of Victorian Church, state, manners, and society. (It is not for nothing that the Surrealists of Paris later adopted Lewis Carroll as their direct predecessor and Louis Aragon even translated 'Through the Looking Glass' into French.) Miller, with his wide circle of acquaintance, was able to assemble a huge number of famous actors to play cameos throughout this film. Peter Sellers was content to be the King of Hearts, Michael Redgrave was a haughty caterpillar, Leo McKern was dressed in drag as the Duchess, with a pig wrapped in swaddling clothes in his arms, and Miller's former colleagues in 'Beyond the Fringe', Peter Cook (as the Mad Hatter) and Alan Bennett (the latter of whom is still his neighbour directly across the street), were drafted in, ably supported by John Bird, old character actor Finlay Currie (as the Dodo), and a brilliant appearance by Wilfred Lawson as the Dormouse. Michael Gough is a very fine March Hare. Particularly inspired is the sequence at the seashore with Sir John Gielgud and Malcolm Muggeridge as the Mock Turtle and the Gryphon respectively. Muggeridge was not an actor, but a noted broadcaster and author, and his choice was especially inspired. At the time this went out during the Christmas season of 1966, the viewers were divided between those who loved it and those who hated it. The latter mostly had their expectations disappointed, because they thought 'Alice' should be portrayed in a more conventional way, and that what Miller did was some form of sacrilege. (A hysterical over-reaction, if ever there were one!) Miller has always had a tendency to be shockingly innovative in his interpretations (perhaps most of all in his television version of Shakespeare's 'Timon of Athens'). Miller's only commercial feature film, 'Take a Girl Like You' (1970), was not a success, and a large number of people savagely envious of his brilliance and versatility were delighted to seize upon that and stop him entering the film world. He has always had the most astonishing number of bitter enemies. People say he snaps at them. I have only ever known him to be charming and delightful. Who can say? It is all a mystery to me. But this particular achievement in black and white film will live forever, truly it will.