Interesteg
What makes it different from others?
Exoticalot
People are voting emotionally.
Tetrady
not as good as all the hype
Konterr
Brilliant and touching
hwg1957-102-265704
An investigative couple, Lee and Jane, go to an island to spy on a chemical corporation and discover they are getting rid of nuclear waste by tipping it into a local volcano, which might be a mite dangerous. He is captured but she escapes and bumps into Bob, who collects snake venom. They are pursued by the company security men. Halfway through the film an alien, presumably, from the deep, turns up with a snapping claw and starts killing everyone. There are explosions and gunfire but its mainly rather hilarious, particularly the English language dubbing in the version I viewed which doesn't make sense from one line of dialogue to the next one. The cast does include Charles Napier but even he can't do much with his part as he is reduced to shouting inane lines all the time. The other characters are mostly irritating. It might all be clearer in the original Italian but the plot doesn't really make much sense. Was the alien a result of the chemical company's nefarious activities or did it just happen to be passing by and stop off for a snack? Who knows?
roybatty-1
Oh, how I loved this movie. It is filled to bursting with everything you could want from Margheritti, and then some! Lots of exploding miniatures, plenty of running through the jungle, and a heroine who keeps finding ways to lose her pants. The real charm of the movie is trying to count the myriad other films it is trying to rip off. Obvious nods to ALIENS abound, (flamethrowers,a battle with a towering monster and a big yellow vehicle), with plenty of allusions to the first ALIEN thrown in for good measure (building the weapons, the chamber filled with hanging chains). Amusingly the first hour seems to be a curious mishmash of either THE CHINA SYNDROME or SILKWOOD with, of all things, ROMANCING THE STONE!!!! It is all daffily endearing.
nicopatrizi
...If compared to "Miami Golem","Alien 2 on Earth" and many other fanta-horror flicks from US and Europe.Dawson mixed with a certain success the war cliché with the alien cliché. More and more he threw in some environmentalist morals, as he did in Indio I and II.And all three aren't bad at all.Great shoot-outs,despite they are often useless as "Predator" 's ones.The Alien is not built by the SFX sensation Edoardo Margheriti-Dan Edwards, it we can note it immediately.The creature moves with some sort of stop-motion, so it's a bit strange that he could kill so easily its enemies. The monster, that many lovers of this film have rechristened "Big Claw" -because the remaining claw is its most seen part on this flick-, is the less valuable feature of the movie.Its end in the volcano was a worthy end. Luckily the effects of its venom are ravaging! The explosion are a must.The actors acted decently, especially Pigozzi and Napier. Marina Giulia Cavalli (Actual Italian TV movie and sit-com main actress) offered also a good acting with her great body.I still love you Mari Julia...Oh God what I would have given to see you wrapped into a topless amazon robe or a military outfit. It's entertaining and violent, very violent.It was partially filmed in Latina, inside Recordati industry.But the biggest part of the scenes were naturally filmed in the Philippines that the late,great Anthony Dawson loved so much.See this movie,and taste it. It's so funny! 8 out of 10
Michael A. Martinez
Not exactly Margheriti's shining moment on screen, but it's still loads better than a lot of his other mid-to-late 80's work like CODE NAME: WILDGEESE or INDIO thanks to some energetic editing and rich special effects. Not to say the the effects budget was all that high, it was awfully low with plenty of painfully obvious miniatures blowing up in slow motion to make them look big. The goofiest effect has to be the full-sized robotic alien at the ending, which has lots of cool tubing and steam vents all over it but looked as though the crew had little or no control over it. When the alien first pops out of the woodwork it's legs dangle limply as though a crane is hoisting it up (and that's exactly what the crew probably used too).To my knowledge, this is the only time Margheriti worked for Franco Gaudenzi, who usually worked fairly exclusively with Bruno Mattei. In comparison with most of Mattei similar work from the same period, this film seems almost classic. There's a fair amount of cheesy gore and horrendous acting. Co-star Robert Marius from AMERICAN COMMANDOS and COP GAME has to be the worst actor in the history of cinema. Aside from a pretty passive cameo by Charles Napier and Luciano Pigozzi wobbling around in his last role, the acting was all pretty uniformally hopeless. However, I don't see how this film earns the status as "Margheriti's worst film" even though it does flagrantly lift musical cues right out of Larry Cohen's Q - THE WINGED SERPENT. The film is exciting and action-packed enough so that it's never boring, and the finale isn't too big an ALIENS rip, with them using bulldozers instead of robotic lifters of course. Low budget in the extreme, but with enough amusing dialog and funny special effects to earn it a certain place in history. Not nearly as bad as Gaudenzi's other ALIENS ripoff produced the same year, SHOCKING DARK aka TERMINATOR II, which has to be an all new low.