Exoticalot People are voting emotionally.

Brenda The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Skyler Great movie. Not sure what people expected but I found it highly entertaining.

Francene Odetta It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

Bob Taylor Philippe Lioret has created some terrific roles for women: I will always remember what Sandrine Bonnaire did with her Brittany lighthouse keeper's wife who has a yen for a young stranger (L'Equipier), or what Melanie Laurent did with her head-strong teenage girl part (Je vais bien...). Marie Gillain makes us forget her early work as empty-headed women who easily turn to crime as she plays a crusading judge, a woman who tries to fight the predatory credit system in France. Not only are the banks against her, but the people who want easy credit and won't read the fine print on contracts are too.The actors do fine; I'm always glad to see Vincent Lindon in any part and here he is especially good. He's a rugby coach as well as Gillain's partner in the crusade and gives a great energy to the film. I would have cut about 30 minutes out of it, however.

brenda lee All Our Desires, is an exceptional piece of story telling, without telling the story. Dialogue is minimal and ordinarily mundane, as we all generally know it to be in real life; but it's what isn't said that tells this story. It takes a team of truly gifted people to be able to pull off a movie like this, and there are a lot of scenes where the nuances in communication are subtle and not in the least oversold by the actors or the producer. Yes, this is a story that is likely to bring a tear to your eye, and yet it has a poignant depth which makes grief bearable. If you are looking for a gentle yet gripping movie that will speak to the intellectual in you, then this is a must see.

Sindre Kaspersen French screenwriter, producer and director Philippe Lioret's seventh feature film which he co-wrote with French actor, screenwriter and director Emmanuel Courcol and co-produced, is an adaptation of a novel from 2009 called "D'autres vies que la mienne" by French author, screenwriter and director Emmanuel Carrère. It premiered in the Venice Days section at the 68th Venice Film Festival in 2011, was shot on locations in France and is a French production which was produced by producer Marielle Duigou. It tells the story about a jurist named Claire Conti who has moved in to a new house in Lyon, France with her husband named Christophe who is a sauce chef and their daughter named Mona and son named Arthur. On an autumn day, Claire goes with her children to their kindergarten where she meets her daughter's friend named Zoe's mother named Céline Hersant. She then goes to court, and during the hearing of a case regarding a loan company's lawsuit against a woman she meets Céline again. Distinctly and eloquently directed by French filmmaker Philippe Lioret, this finely paced fictional tale which is narrated from multiple viewpoints though mostly from the two main characters' viewpoints, draws a quietly compassionate portrayal of a woman whom after a crucial meeting with her doctor becomes increasingly involved in the life of a woman whom has been left by the father of her children and befriends a judge named Stéphane who lives with his girlfriend named Marthe. While notable for its naturalistic and atmospheric milieu depictions, sterling cinematography by cinematographer Gilles Henry, production design by production designer Yves Brover-Rabinovici and costume design by costume designer Anne Dunsford, this dialog-driven and character-driven story about a woman's virtuous fight for another person and for moral justice against a capitalist-driven loan company called Crefiref, depicts two heartrending studies of character and contains a great score by Danish composer Flemming Nordkrog. This charmingly humorous, perceptively romantic and reflective drama which is set during an autumn and winter in a city in Southern France in the 21st century and where a French mother and wife whom has lived most of her life without a father-figure and whom is faced with a "verdict" she decides to master on her own, finds a precious human connection with a middle-aged father and rugby coach whom is missing his adult son and a single mother whom is struggling to support her three children receives help from two jurists who for once would like to see the ethical aspects of a case within the judicial system surpass the financial, is impelled and reinforced by its refined narrative structure, subtle character development, rhythmic continuity, acute examination of its central themes, scenes between Claire and Stéphane and the empathic and understated acting performances by Belgian actress Marie Gillain, French actor Vincent Lindon and actress Amandine Dewasmes. A graceful, whole-hearted and authentic narrative feature.

Chris L Philippe Lioret is kind of the French Ken Loach, a director who best expresses his potential when he is depicting the hard reality. He proves it once again in this Toutes Nos Envies, a committed, social movie who deals with the last legal battle of a reserved Marie Gillain, resigned to dying, helped by the always excellent Vincent Lindon.The script, though relatively predictable, is well executed and most importantly it never falls into melodramaticism. Despite everything, and even if this drama turns out to be touching, it doesn't fully convinces either, due to a plot that sometimes drags on a bit too much and a direction too lazy. Too bad because if it wasn't for that, the movie would be close to a real success.