Perry Kate
Very very predictable, including the post credit scene !!!
WasAnnon
Slow pace in the most part of the movie.
Nonureva
Really Surprised!
Derry Herrera
Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.
redanhemma
I've been looking forward to this ever since I saw the first movie. It was definitely good, I thoroughly enjoyed the story (which was actually more of a prequel) and it was nicely done with sets, costumes, lighting, special effects, etc. I think it wasn't made quite as clear as it should have that most of the movie was a flashback, I got the impression that the flashback parts were just a parallel story line until near the end when it became obvious what the backstory was, although I won't go into more detail on that because it would be a spoiler. My main issue with this movie was that the music just didn't get to me. The first movie had some really catchy tunes ("Grief", "Beautiful Stranger", "Grace for Sale", etc.), as did Repo! by the same creators, but the songs in this one felt a little too... Staggered, for a lack of better words. They just didn't stand out. The only one that really appealed to me was "Hoof and Lap". Aside from that, this was interesting and I do hope they make a third one, because this really leaves you wanting more!
Kelley M Pegelow
Where do I even start? The movie looks fabulous. Costumes, sets, every detail contributes beautifully to the whole. The makeup, which was great in the first movie, somehow looks even better this time around. The music appeals to a wide variety of tastes--no wonder, with such an eclectic group of musicians in the cast--and if you don't find yourself dancing along to the Ark, you should have your ears checked. The casting is spot on. When I read elsewhere that Emilie had never done any acting, I confess that I was nervous, but her portrayal of June is lovely. It was clear that she did a lot of work developing the character. Chantal Claret and Jimmy Urine steal the show in the best way possible. I hope to see more of Lyndon Smith in the future (and that she'll get a whole song in the next installment, because her voice is angelic.) I have nothing but praise for the actors. Without any spoilers, let me say that the story is the best I've seen or read in years. Terrance Zdunich has taken Milton's sympathetic Lucifer and elevated him; unlike Milton, he hasn't chickened out and turned the Morning Star into a villain to satisfy popular opinion. At the same time, he doesn't completely polarize the characters. There is a lot of gray area in both Heaven and Hell (although we're clearly supposed to root for the latter). The movie is thick with references to history and musicals, building its own fully realized world, and rich with parallels to other works. Although the first will always be one of my favorite movies, "Alleluia" has claimed the top spot in my heart. (Sorry, "Return of the King.") Bousman and Zdunich's collaborations are always exciting. This time they've created something truly sublime.
eam-39106
A feature-length sequel to a 50-minute short, I had no idea what to expect walking into this film. It completely blew my mind at every turn - it's like an acid trip art film, yet it has EVERY ELEMENT of the classic golden-age-of-Hollywood films of legend. Old-timey color filters, silent-movie setting titles, period slang, capes on suits, catchy tunes, swing dancing, police brutality, Schutzstaffel armbands, and Adam Pascal in a dog collar.....Okay, maybe a couple of those were left out of the old classics. My point is, this film is like no other. It's Gentlemen Prefer Blondes meets Fight Club. You can't dream this shiz up. Unless you're Terrance Zdunich, of course. Then, I'd imagine, it'd be all you ever thought about.
moochqute
Like many others I have been waiting less that patiently for this movie since the release of the original. In the end after a first viewing I've come out with mixed feelings tat leave me both excited and less than pleased.When it comes to the production Alleluia blows its predecessors out of the water. The visuals are amazing an it's clear that there was a much used budget for effects this time around. The easiest example I can cite is the opening sequence on the train and the 'sky' over Hell when we return below. In that same spirit the cast is amazing. David Hasselhoff as an over the top designer was hilarious and Barry Bostwick could convey more with one bulging eye than some actors can in a whole movie. Adam Pascal's Agent I found to be oddly sympathetic for being such a theoretically unlikable character. For Terrance Zdunich and Paul Sorvino I need only give a HAIL! and ALLELUIA! My complaint is with the execution of the story. In this installment we really only got one Fable and to me it started to feel like (no pun intended) they were beating a dead horse. What's more is we really didn't progress in the overall plot for having a nearly doubled run time. Yes we needed to set up Heaven but it would have been nice to see it in a series of back stories as with Hell than one single Fable for one single character that leads to nothing more than the first shot of the war at best.*SPOILER* If you are not an Emilie Autumn/Painted Doll fan... you might be better off just skipping this one.
