ada the leading man is my tpye

GetPapa Far from Perfect, Far from Terrible

Lollivan It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Sienna-Rose Mclaughlin The movie really just wants to entertain people.

kennyli Hong Kong itself is the 3rd character in this moving and intimate story, as it gives the rich foundation and backdrop for these two characters to ignite and fall in love with one another. Believable and authentically portrayed.I don't understand the strong negative reviews, particularly those that seem to be scoring it against a criteria not relevant to this film. I make no comparison or judgment against other films in scoring this, but simply on merit and based on what I experience of this film... which is a great appreciation for the work, feeling, and authenticity that all involved in this film must have given to produce such a personable film.

ComedyFan2010 A romance which is very realistic and makes one want to watch without having much action happening.The movie is basically them just spending time together and talking. About nothing really, just like in Seinfeld. This is basically what makes the movie charming. It is the realistic view on how people get to know each other.It is hard to point out why they have feelings for each other. But there is definite chemistry. Not surprising since the main actors are a couple in real life. I guess it is the kind of situation where you feel feelings yet don't know yet what to do about them. In this situation it is even harder since the characters are in serious relationships. Should they risk what they already have for what seems to be a big love or risk having the big love for the comfortable relationships. Loved the acting, of course the chemistry shouldn't have been to hard since they are really together, but there is also all the facial expressions .The scenery is great. One wants to visit Hong Kong when seeing how beautiful it is. I usually have no issues with inconclusive movie endings, but here I wish they have done a bit more.

minbichen-29170 For most audiences, It's Already Tomorrow in Hong Kong is but a barely watchable têt-à-têt between two lifeless characters, but for those living in Hong Kong, this movie is an insufferable and almost offensive representation of the city they love. Not only is the film but an endless string of unbearable clichés, it grossly reduces every demographic that's seen to the most despicable version of itself - locals, expats, Australians, Mainlanders, Indians - did I miss anyone out? For example, must every Australian living in Hong Kong be a rugby lad, every Mainland Chinese female shallow and manipulative, and every Indian a tailor? I understand that some of these caricatures exist in Hong Kong, but to only leverage on stereotypes is grating to the viewer and frankly disrespectful to location culture.Perhaps what could have saved the film is the chemistry between the two lead actors, but the uninspiring and often cringe worthy dialogue leaves little room for anything but awkward or at best passable performances. Ultimately, It's Already Tomorrow in Hong Kong is a unsavory version of films it pays homage to (Before Sunset). Let's just hope there's no sequel to this one.

merthin I happened across this movie on Netflix. One of my favorites, "Lost In Translation" immediately came to mind. The test for me in embracing a film is whether I care about the characters. This film made it easy. Jamie Chung is mesmerizingly fetching. Yes, sassy, but her character played with an honesty. She eats up every scene. She's every guys dream date. Smart acerbic clever funny and a stunner. Any of us that have experienced the dopamine rush of meeting that special someone can appreciate the obvious infatuation shared by these characters. Watching Ruby and seeing her obvious hopeful desire to be with Everyman Josh gives shlubs like us a brief moment of joy. The film is beautifully shot, and the dialogue playful. This storyline that demands a sequel! I don't know what you want in a movie, but for me, I got the same resonant subtle melancholy joy that I felt after Annie Hall, Lost in Translation, and as far back as the Sound Of Music. Josh Greenburg is one lucky guy. We are lucky that Emily Ting made this film.