SeeQuant Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

Micah Lloyd Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

Sienna-Rose Mclaughlin The movie really just wants to entertain people.

jacobjohntaylor1 This is a great horror film. It very underrated. It is not a 3.6. It is better then Amityville horror (1979). It is better then Amityville II the possession. It is better then Amityville 3 the demon. It is better the Amityville 4 evil escapes. The Amityville cures it better. Amityville it's about time is also better. The Amityville dollhouse is also better. Amityville (2005) is also better. This movie has great story line. It is the seventh Amityville movie. It has great acting. It also has great special effects. I give it 9 out of 10. It is no 3.6. People do not like this movie because it is a sequel. See this movie. It is a great movie.

Muldwych 'A New Generation' is the third Amityville entry to base its plot around writer John G. Jones's premise of an item taken from the Long Island house that causes spectral misery and death for its new owners. First a lamp, then a clock, and now a mirror. However, this is also the first Amityville since 'The Possession' to directly tie in to the real- life events that started the whole series. This time around, Keyes Terry (Robert Partridge), an artist, is given a macabre-looking mirror by a homeless man one day. Soon enough, people around him start to die, eventually leading to his discovery that the mirror once hung in the Amityville house - indeed on the very night a man named Franklin Bronner (Sonny Montelli in 'Amityville II') murdered his entire family. Unfortunately for Terry, his discovery of the mirror isn't entirely coincidental, and he soon learns the truth about his past a truth he's kept buried since childhood.This 7th installment in the often worn-out franchise is something of a disappointment for me. Things were starting to pick up with the silly and uneven, yet entertaining 'It's About Time', and given how much this film tries to draw upon its roots - not the first episode, but the source material itself - it should have been better than it was. However, three trips to the same well with yet another evil artifact from the Amityville house with yet another explanation for the malign paranormal visitations is wearing on me, to say the least. One of the biggest weaknesses of the Amityville franchise is the steadfast determination by each set of producers to completely ignore every other episode in the series. On the one hand, it's perfectly reasonable that they don't want to be tied to someone else's continuity, but at the very least, they could maybe acknowledge story lines that have already been done and just possibly *not repeat them over and over again*.There's also something rather plodding about the way in which the story unfolds, doubtless due to the inevitability this repetition-fest brings. Since you already know what's going to happen, the carefully-paced build-up is simply slow and tedious. Or maybe it's just tedious anyway. Director John Murlowski probably could have done more to heighten the tense atmosphere associated with the mirror rather than simply having it flash red and emit chattering 'evil' voices, which lacks any kind of subtlety. There were times when characters seemed fairly unfazed by its otherworldly qualities. If they don't take it too seriously, why should we?Which is a shame, because 'A New Generation' has a more-than-capable cast. I was going to hold off on watching this until I saw the name 'Julia Nickson' in the credits. She captivated my attention just as she always does, and if anything, I was annoyed her part wasn't more extensive. Terry O'Quinn was equally charismatic and again, underused. Partridge himself in the lead role clearly fits the early 90s over-coiffed lumberjack-shirted square-jawed hero type, and while I'm not sure he really gave it the gravitas needed, it's not as if anyone here is performing Ibsen.The sets are also worthy of note, from the dramatic artwork filling Suki's room, to the claustrophobic corridors featured in flashback/supernatural sequences. Getting the look of these right is especially important given how certain sequences are repeated throughout the film to simulated fragmented memories. Clearly, Murlowski is more of a visual director rather than either an actor's director or one of horror. Unfortunately, it is meant to be a horror film, after all.'A New Generation' sees the same race being run for the third time in 4 years. Add to this the lack of direction where it was really needed and the whole effort fails to stand as tall as it should. However, it should be acknowledged for its strong ties with the source material and some good actors in not necessarily their finest hours. Honestly, the ideal person for this is someone who hasn't seen any of the sequels past 'The Possession', for whom the story won't be such a massive deja-vu trip.

slayrrr666 "Amityville: A New Generation" wasn't all that bad, but really could've been better.**SPOILERS**Struggling artist Keyes Terry, (Ross Partridge) wife Llanie, (Lala Sloatman) and friend Suki, (Julia Nickson-Soul) try to make it with an art show, and manage to take a mystical mirror home. The rest of their friends, Dick, (David Naughton) and Janet Cutler, (Barbara Howard) think it's a useless purchase until a series of accidents plague them and their friends. As the strange occurrences begin to mount, Keyes begins to suspect that the mirror might be responsible. Doing a little digging into it's past, he discovers a startling secret that puts him and his loved ones in grave danger.The Good News: There's a couple of pretty decent things about this one. First of all, the different gags done with the mirror itself are pretty good. The way that it is able to show a special image and is able to trick the participant in the mirror to kill themselves to look exactly that way is a nice trick to see. The kills are pretty cleverly done and do manage to get some shock out of them. The opening kill with the glass looks creepy, and is the best overall kill. The loft killing is the most suspenseful, as the fallen portraits, creepy in their own right, are brought in with a maze that is brought in to play is a nice addition. The final half hour is it's best part, with some nice action scenes and a little bit of suspense thrown in as well. There's the main reason for watching the film, and it makes it seem a little better than when it really wasn't.The Bad News: There's still a couple of major things wrong with this one. The fact that there's hardly any action at all in the film is a big factor. The only thing that happens is the kills, which are pretty much it. The rest is useless running around without much of anything done, and it's hardly anything interesting that happens during that time. It just makes for a boring experience. The second is that it really has nothing at all to do with the story of the first film and has no real connection at all. That only a small number of references are made and that nothing even takes place in the fabled house makes it weird how the connection is made. These are the main problems, as the major bore-ness hammers it home more than anything.The Final Verdict: Really only guilty of being a rather boring film with no real action at all, and it does have enough other moments to really give fans of the series a couple of rather interesting scenes. Take a shot on it, there's worse films out there than this one.Rated R: Graphic Language, Violence and Brief Nudity

boy_in_red Amityville: A New Generation marks a different take on the Amityville saga- focusing on the personal history and demons of our main character, the likable floppy-haired Keyes Terry played by Ross Partridge, rather than focusing solely on things that go bump in the night. In this sense Amityville: A New Generation is a more thoughtful film that its predecessors, and a bit of a slow burner.It certainly won't win any awards but it does try something different- time is taken to introduce us to characters, in this case a group of struggling artists very much in the 90210/ Melrose Place mould of attractive, living in amazing apartments but supposedly broke and angst ridden. It's endearing in its own way- right down to the fashion. The occasional self importance regarding the "artwork" can lead to some unintentional humour, all of which adds to the odd charm of this film.It is nice to see appearances from an older David Naughton (the male lead David Kessler in An American Werewolf in London) and a younger Terry O'Quinn (who plays the enigmatic Locke on the television drama Lost) Overall though the film is unlikely to set anyone's world alight it does draw you in, and you will find yourself caring for the lead. However as I've said before, expect a different pace and style from the earlier Amityville horror films. Like 1992 its focus is as much on characters changing as supernatural happenings. So be aware of what to expect if you're thinking of picking this one up.