Shot on Yokohama’s famous Cosmo Clock 21 Ferris Wheel using a telephoto lens, Japanese experimentalist Tomonari Nishikawa's film becomes a disorientingly trippy and constantly regenerating play of structural supports as filmic apparatus.
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Reviews
Kattiera Nana
I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Matrixston
Wow! Such a good movie.
Humbersi
The first must-see film of the year.
Brendon Jones
It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.