Huievest
Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.
Payno
I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Guillelmina
The film's masterful storytelling did its job. The message was clear. No need to overdo.
Jenni Devyn
Worth seeing just to witness how winsome it is.
paulclaassen
If you're a horror fan and you've never seen this film, you're missing out on a great gem of a film. To this day, the film features one of the most awesome werewolf transformation scenes ever! To think this was done before CGI, and was mostly done with practical effects. The make-up was fantastic! This is essential a horror comedy without horror or humor getting in the way of a particular scene. It blends seamlessly, bringing us a film that is funny at times, and horrific at the same time, without being gory.The film's acting was also very good, notably John Woodvine as Dr Hirsch. I've seen my share of werewolf films over the years and this remains my favorite by far. The climax at Piccadilly Circus was really great. This is a true classic.
laurieredpenfields
The doctor says that David has been asleep (comatose, in my opinion) for three weeks. My question is: where are his parents? I'm a Mom and if an embassy official told me my kid was in the hospital overseas, I'd be on the first plane out of the country. Other than that, still as good and scary as when it was first released.
hellholehorror
I would love to have grown up in America just so that I could watch this film from a true American perspective and truly appreciated it. I thought that it was a very good film but you could tell that it was an American writing because of the slightly alternate perspective on the English culture. This is a horror film with light comic undertones which I think were actually ahead of its time. The style is distinctly seventies even though it was made in the eighties. The story plays really well with solid progression and interesting sub-plots never taking attention away from the screen. Ignore the unbelievable elements and this is an amazing werewolf film. Probably the best werewolf film sandwiched between Ginger Snaps (2000) and The Howling (1981). I think that the light humour and interesting storytelling and some pertinent moments really make this a leader in the genre. I loved the detail of London conversely I hated the stuffy British people. The final scene was a climatic masterpiece probably never seen before or since to the same quality. It is not especially scary but I would still highly recommend this. Horrifically eerie, made me think that it could happen to me.
jimbo-53-186511
Two American college students are on a walking tour of Britain where they stumble upon a local pub known as the Slaughtered Lamb. They converse with the locals, but feel out of place and decide to leave early despite being warned about venturing outside on a full moon. Shortly after they leave the pub, the two students are attacked by what appears to be a werewolf and one of the students gets killed where the other one lives. The surviving college students attempts to tell his story, but it seems that no-one wants to believe him...Landis sets this whole scenario up in wonderful fashion and considering that he is an American film director he does seem to have an excellent grasp of some of the customs that we have in the UK. The whole xenophobia angle to the narrative is presented wonderfully; the Americans are received with a predictability frosty reception (and believe me this is typical of a lot of pubs in England whom are very unreceptive to strangers). However, the Americans soon feel rather uncomfortable in this close-knit public house and decide to venture out on their own despite some of the publicans advising against this...**************SPOILERS FOLLOW FROM THIS POINT ONWARDS****************However, the moment that both of the American students get killed the film ultimately becomes weaker and perhaps that is partly down to Landis as a director. Landis is used to directing a lot of comedy films and that shows here as he does give this film a kind of goofball charm to it, but part of the problem here is that this seems to be a comedy-horror which I didn't find particularly funny and was also a film that I didn't find particularly scary. The fact that it is so daft means that it works slightly better as a comedy than a horror, but I'm not entirely sure if that was Landis' intention. I'll give him some credit though as he does add some weight to the narrative by playing this out as some kind of fantasy or dream on the part of David Kessler - this is the only rational way that I could accept what was happening... Rolling with it on this basis I did enjoy it, but I have to admit that all of the scenes towards the end showing all of Kessler's dead or undead victims and Jack Goodman talking in the cinema may have come across as being profound, interesting or funny at the time now look silly, cheap and rather unnecessary and serve as more of a distraction now than anything else. Although I must admit that the moral debate that occurred in these scenes did provide a rather interesting social commentary.Whilst I found An American Werewolf in London to be reasonably enjoyable I didn't think it was brilliant as for me it didn't entirely work as either a comedy or a horror. In fact, the most interesting thing about it was trying to determine what was really happening and what was going on in our protagonists head... There is definitely a meld between fantasy and reality. This is worth a look if you're a fan of comedy horror type films (if nothing else Landis does keep things moving well and the film doesn't really hit any dull spots). However, if I'm totally honest I didn't find the story that involving and felt that Landis had made the film a little too silly at times.