Linbeymusol Wonderful character development!

Daninger very weak, unfortunately

Infamousta brilliant actors, brilliant editing

Stephan Hammond It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

lasttimeisaw Oscar Wilde's exquisite comedy/play, which is also a remake (after the 1947 version from Alexander Korda). adapted by Oliver Parker (whose filmography is noteworthy for other play- turned films such as OTHELLO 1995 and another Wilde's masterpiece, the remake of THE IMPORTANCE OF BEING EARNEST 2002). I'm quite aware of my personal inclination over the glittering cast (a combo with British, American and Australian) may overweigh the intricate screenplay and laudable wisecracks, which turns out to be that it can effortlessly appease my expectations. As I haven't read the original book, I assume it's Wilde himself who should take most of the credit. On the other hand, the dexterity of Mr. Parker's talent should not be overlooked. The satirical overtone of the British milieu is undeniably gratifying judging by the taste of a foreign audience, all the twists thoroughly converge into the pyramidical outburst and unleashes a feel-good sensibility which is smooth but hasty, running at a length of a meagre 97 minute, the sparks is penny-pinching.One sure thing is that the competent cast manipulates a wonderful rendition against the sketchy arrangement, the first time of two of my goddess Moore and Blanchett star in the same film (a second time is a sadly under-appreciated THE SHIPPING NEWS 2001, in which they are two parallel lines), the magnificent good Vs. evil collision alone worths the ticket, Moore unstoppably exudes her elegant malignancies in each frame, dominates the entire picture under her grip despite of her not-so-packed screen time. And Blanchett, on the contrary, hides her lioness prowess and accomplishes an easier job as the forthrightly guileless Lady Gerturde Chiltern. Another victory comes from Lord Arthur Goring, who is winningly played by a chiseled Rupert Everett, he is utterly suitable. But Jeremy Northam and Minnie Driver's roles are tedious and uncanny respectively, forgive my taste and frankness, the latter falls short of appeal from any respect in my humble opinion. I give the film an 8/10, a little bit overrated I must say, but I could not resist the pure charisma from the dynamic verbal battles, especially in a language which I am able to understand.

didi-5 'An Ideal Husband' comes to the big screen for the second time here as Jeremy Northam's Sir Robert Chiltern is blackmailed by Mrs Cheveley (Julianne Moore) because of a mistake in his past. Supported ably by Cate Blanchett as spotless Lady Gertrude, Rupert Everett as Lord Goring, John Wood as Goring's father, Lord Caversham, and Lindsay Duncan as Lady Markby, this version manages to be both entertaining and have a refreshing take on the play.Opened out from stage constraints as a film should be, this version is well-acted, energetic, but perhaps a little short on focus. 'An Ideal Husband' can be played seriously or as high farce; this film stumbles a bit before it decides which way to go.

Framescourer Parker's adaptation follows the tradition of source author Wilde: the glamour, grace, charm and delight of moneyed society mask a viper's pit of self-interest, and personal and political manipulation. Rupert Everett is born into roles of this period and provenance with his chiselled charm and diverting ease with women and men alike. The trio of women with whom he consorts as if they were, alternately, courtesans and diplomats, are superb. Julianne Moore and Cate Blanchett might be relied on to be delicate but deadly damsels but I was pleased to see that Minnie Driver could not only hold her own but also create and occupy a different role from the other two.This is not a one-trick picture with people simply being suffocatingly courteous and then sticking in the knife but populated with real characters creating a real sense of a fragile surface patina to their behaviour, as at risk as the more substantial lives which it represents. Parker directs with a discreet hand and the production is beautifully designed. 6/10

vitaleralphlouis Here was a chance not just to see a movie aimed at grown-ups but to see CATE BLANCHETT as well. Truthfully, I enjoy more contemporary settings for English movies and Cate was certainly more appealing covered with western grit and grime in THE MISSING than covered from head to toe in formal clothes. This Oscar Wilde comedy did not yield so much as a chuckle, but as a story it was moderately interesting. I had to keep in mind their excesses and mannerisms were part of the alleged comedy.When my mind wandered away from the inadequate storyline, I was thinking that the England and the English upper class pictured herein were not much to my liking, but it was people like this that ran the Empire at the time when England ruled most of the world. Both Iran and Iraq, as well as Saudi Arabia and Egypt, were under British control --- and life was more peaceful for us all.