Hellen I like the storyline of this show,it attract me so much

Jenna Walter The film may be flawed, but its message is not.

Tyreece Hulme One of the best movies of the year! Incredible from the beginning to the end.

Kamila Bell This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

BA_Harrison When condemned killer Duke Marco is sent to the gas chamber, his younger brother, juvenile delinquent Chet (Darrell Howe), vows to take revenge on those responsible, his hatred and bitterness gradually twisting his mind.This early '60s crime drama was going great guns for a while, Chet's revenge leading him to arson, the troubled youth burning down a judge's house, and murder, pinning the blame on Mickey (Ronnie Burns), the son of the chief witness in his brother's case. I was intrigued as to what even darker places Chet's spiral into insanity would take him; unfortunately, it takes him to court, where the film turns into a really dull legal drama, as Mickey tries to prove his innocence, and Chet watches on, hoping that witness Bobbie (Frank Killmond) doesn't crack under pressure. Yawn!At the end of the film, Bobbie spills his guts, naming Chet as the guilty party. Chet makes a bid for freedom, pursued by cop Lt. Mac (Michael Granger), but the film wimps out on a fitting demise for the young hoodlum, instead opting for a happy(ish) ending, the misunderstood lad being taken safely away, rather than being pumped full of lead.4.5 out of 10, rounded up to 5 for IMDb.

Woodyanders Hypersensitive Chet (endearingly overplayed with considerable scenery-gnashing panache by Darrell Howe) is left despondent over the conviction and execution of his hoodlum older brother. Despite the fact that his brother was guilty, Chet nonetheless decides to exact revenge by setting up the son of a witness for murder. The tepid direction by Boris Petroff and the blah script by Jane Mann and Don Devlin alas allow the meandering narrative to never pick up the steam it needs in order to really cook and be effective; as a direct result of this, the movie fails to build much in the way of both tension and momentum (for example, a major trial set piece doesn't pack any real dramatic punch to speak of). Moreover, the sudden moments of violence tend to be clumsily staged and hence unconvincing. That said, the decent acting from the game cast prevents the picture from being a total wash-out, with especially commendable work by Ronnie Burns as the likable Mickey, Pamela Lincoln as Chet's sweet sister Pat, Michael Granger as the diligent Lt. Mac, co-writer Devlin as the short-tempered Moe, and Frank Killmond as the wimpy Bobbie. Howe's occasional hilariously histrionic outbursts provide a few unintentional belly laughs. Joel Colman's snazzy black and white cinematography makes nifty use of fades, dissolves, and super-impositions. Michael Terr's overwrought score hits the rousing melodramatic spot. A merely acceptable time-waster.

whpratt1 Decided just for fun to view this film in black and white and it sure was one of the worst films I have seen in a long time. Apparently in the 1960's there was a great deal of interest in the film Psycho and this film was introduced as another Psycho thriller.This is the story about two brothers and one gets sentenced to prison for killing a man and the younger brother feels that his brother is innocent and should not go to the gas chamber and seeks revenge.There is a great deal of poor acting and this is definitely a very low budget film with unknown actors doing very poor acting. If you want to fall asleep real fast, then don't miss this so called film.

pcino1957 This is for Erzebet of Philly. What Ronnie are you talking about?? I believe it was Darrell Howe who played Chet in the film was the villian and not Ronnie. You might want to view the film once more. Anyways, the film is still a piece of poop and yes, this was not Ronnie Burns greatest hour :( Paul