beerstan
This was a great movie for me. Why? Because I've only seen it once and 20 years later I still remember the details and the disturbing impact it had on me.On the night of viewing I went to bed and had nightmares as a result of this movie.Alan Parker is one of the great directors. Rourke is a great actor. The rest of the cast including De Niro were excellent but, unlike Parker and Rourke, they were replaceable.The horror of this movie is not revealed until the climax, which makes it different to the standard fare and puts it well into the A category.The plot of a sleazy private detective being hired by a creepy and somewhat malevolent client to track down a debtor who has disappeared is soon revealed to be a mere vehicle designed to unveil the real story. What we are left with is a shocking and hellish view of the world as seen through the eyes of a psychopath.For Parker, this was an even better film than Midnight Express. For Rourke, this was better than any of his films - far better than The Wrestler or Barfly
Mr-Fusion
The only thing I'd known about "Angel Heart" before watching it was that Mickey Rourke plays a hard-luck private eye in an '80s noir. Terror noir's more like it; this thing crosses genres like nobody's business. It is a detective story, but also a plunge into the muddied waters of New Orleans voodoo culture, and the underworld plays a huge part, but to say anything beyond that is giving the movie away. A lot of this movie is creepy imagery, and its pacing is leisurely, but the draw is that you're just as befuddled as Rourke.And *then* Alan Parker hits you square in the mouth with the twist ending; unfurling in not one, but two different surprises. Words can't really describe the scares one feels when witnessing bleeding walls or a baby with Thriller eyes, but those chills are genuine. And I don't normally sit through the end credits, but I did here; til the very end.I just couldn't look away.8/10
inioi
I watched the movie back in 1987 in Madrid with a group of friends.The theater was crowded. When the movie finished and the lights turned on, nobody moved from their seats. the film was so shocking, deep, intelligent, terrifying, that simply we were not able to assimilate what we saw.This is not a usual horror movie. Is extremely psychological. Some days after watching the movie i was under the influence of this feeling: a kind of unusual fear, which lies deeply at the bottom of our subconscious . Ancestral, ancient fear. In order to cause this feeling, the director conceived a claustrophobic atmosphere, highly mysterious and disturbing: spiral staircases, shadows, opening and closing doors, intense and visceral soundtrack full of subliminal sounds, and most important: an intelligent and totally different plot from what we've seen so far.It is also a story about karma and it's remuneration. The discovery of who we really are. Fate.10/10
disinterested_spectator
One of the problems with the story of Faust, the man in the German legend who sold his soul to the Devil, is that we never understood why anyone would make such a foolish bargain in the first place. A few decades of wealth, power, fame, and sex in exchange for an eternity of suffering the fires of Hell? Evil may be fascinating, but stupidity never is, and we quickly lose interest in the fate of anyone dumb enough to do that. The story fares much better when understood in the allegorical sense, of course, but it is always better if a story makes sense literally if it is to have much value figuratively.This movie solves that problem. Johnny Liebling is a crooner who thinks he knows a way to trick Satan. He makes a pact with him, in which Satan gets Johnny's soul in exchange for fame as a singer, under the name Johnny Favourite. Having made the deal and benefited from it, he then performs a ritual that involves cutting the heart out of a soldier and eating it. By so doing, Johnny is able to substitute the soldier's soul for his own, the result being that the soldier's soul will have to suffer the fires of Hell, while Johnny's soul does not. The soldier's name is Harold Angel, suggesting his innocence, of course. As part of the ritual, the soldier's dog tags are sealed up in vase. Only if Johnny himself opens the vase will the ritual be undone. Because Satan wants Johnny's soul and not Angel's, he must trick Johnny into breaking open the vase.When World War II breaks out, Johnny is drafted and subsequently suffers an injury, which causes him to have amnesia. He spends some time in a hospital, but his friends get him out. Not knowing what to do with him, they simply drop him off in a crowd of people on New Year's Eve. As a result of Johnny's confused memory about swapping souls with Harold Angel, he comes to believe that he is Harold Angel, and eventually starts working as a private detective under that name.Ten years after the war, which is when the movie starts, this Harold Angel is hired by Louis Cyphre (Lucifer) to find Johnny Favourite. Angel does not realize it, but he has been hired by the Devil to find himself. We do not realize it either, at this point, and we are encouraged by the movie to like Angel and to identify with him. He seems to be basically a nice guy. As he starts investigating, he begins experiencing disturbing images from the past. Little by little, he begins to suspect the truth. He is horrified at the idea that he might be Johnny Favourite, and having come to like him and identify with him, we are horrified too.In his desperation to assure himself that he is who he thinks he is, he breaks open the vase, and the dog tags of the real Harold Angel fall out. The spell is broken. At this point, Louis Cyphre appears, announcing that Johnny's soul now belongs to him. Finally, recent memories that Johnny had distorted are replaced by accurate ones, and he is forced into the realization that he has murdered several people.Because Johnny thought he had a way to trick the Devil, this story works on a literal plane. And by making us like him as Harold Angel and identify with him, the movie forces us to realize that we too may not be as good as we like to think we are, that we too have something inside us that is evil.But a remark made by Louis Cyphre gives this Faustian story a new twist. Cyphre says that Johnny was doomed the minute he cut that boy's heart out. In other words, all that dabbling in black magic and making a pact with the Devil was just so much hocus-pocus. In itself, it was harmless nonsense, and Johnny would never have gone to Hell for that. It was only when he did something truly evil, when he murdered that soldier, that Johnny was damned. By this remark, Cyphre links the literal understanding of this story with its allegorical one.
