ManiakJiggy
This is How Movies Should Be Made
Laikals
The greatest movie ever made..!
Payno
I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Wyatt
There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
Marcin Kukuczka
78 years ago...the premiere of "Anna Christie" advertised by the slogan "Garbo Talks!" The film runs for 16 minutes and the viewers reach the climax of curiosity: Greta enters the bar and gets through a long awaited transfer from silence into sound: a few seconds closing her silent era and, at last, Greta Garbo says a historic line: "Gimme a whiskey, ginger ale on the side and don't be stingy, baby!" "Anna Christie" (1930) is the movie by Clarence Brown that introduced a great silent star Greta Garbo to talkies. Nowadays, we can only imagine what serious transfer it was for actors and actresses. The careers of many were bound to end - something we hardly or not at all see at present. And it was no coincidence that it was Clarence Brown who directed the first talkie with the Swedish beauty. Garbo trusted the director after two of his great silent productions, FLESH AND THE DEVIL (1926) and A WOMAN OF AFFAIRS (1928): movies that achieved a smashing success at the box office, both with Garbo in the lead. But we are in 2008 and that fact about the movie, now purely historical, appears to be of minor importance. The question for today's viewer is not what Garbo's voice sounds like but if the movie is still watchable after these 78 years. In other words, we all strive to answer the question if the movie has stood a test of time. Has it?When I recently watched it, I came into conclusion that, except for some minor technical aspects, including static camera, "Anna Christie" is still very entertaining. It's, on the one hand, a wonderful story of a life, of a reality that the young woman faces (being based on Eugene O"Neill's play), and, on the other hand, an artistic manifestation of true magnificence in the field of direction and acting. Let me analyze these two aspects in separate paragraphs.CONTENT: Chris Christopherson (George F Marion), a heavy drinker, lives a life of a sailor, on a barge. Although his days are filled with sorrows, he is consoled by a letter from his daughter Anna (Garbo) whom he hasn't seen for 15 years. She says that she will come back to him. He starts to change everything for better; however forgets that his daughter is no longer a child lacking experience but a 23 year-old woman who has got through various sorts of things on a farm in Minnessota where she lived and worked. Moreover, he forgets that she has a right to accept another kind of male love in her life... This brief presentation of the content not from the perspective of the main character but the one which is introduced to us sooner than Anna (her father Chris) makes you realize how universal it is. Simply no letter from the whole text that life appears to be has been erased after all these years. Cases discussed here in 1930 are still meaningful and valid...PERFORMANCES. There are not many characters in the movie, but there are two that really shine in the roles. It is of course Greta Garbo herself who did something extraordinary in her 15 year-long phenomenon, the presence that strongly marked the history of early cinema (something I have already discussed in many of my earlier comments on her films). But here, Garbo is slightly different. I admit that there are moments in this movie when she does not feel very comfortable with her role. That seems to be caused by her new experience with sound in English; however, her performance is, as always, genuine and unique. But that is what everyone has expected from Garbo. The true surprise of the movie for the 1930 viewers and also for us is Marie Dressler as Marthy. She is excellent in her facial expressions, in her accent, in the entire portrayal of a drinking woman who looks at life from the perspective of "hitting the bottle." Her best moments include the conversation with Anna Christie in the bar preceded by her hilarious talk with Chris. The rest of the supporting cast are fine yet not great whatsoever (here the German version makes up for it). Particularly Dressler, except for Garbo herself, constitutes an absolutely flawless choice.If you asked me what I like about "Anna Christie" nowadays, that's what I would tell you: it's a classic movie. However, there is one more thing that I must mention at the end. It is humor, wonderful wit that is noticeable throughout. Although the content is quite serious and "Anna Christie" in no way carries a comedian spirit (the only Garbo's comedy was NINOTCHKA), there are such moments when you will split your sides. Don't skip, for instance, Anna and Matt's visit in the fun park, particularly at the restaurant where he orders milk for her thinking how virtuous and innocent she is, beer for himself and where suddenly Marthy joins them by chance..."Anna Christie" is a perfect movie for classic buffs and a must see for all at least a bit interested in the true magnificence of performance. If you are fed up with many of those modern starlets, seek such movies out and you shall be satisfied. Very worth your search! Skaal Greta Garbo! Skaal Marie Dressler! Let us drink a toast to the great jobs you did in the movie! Skaal after all these years when wine tastes much better and your spirits are with us in a different sense...
romdal
The first sound movie Greta Garbo did is an adaptation of an Eugene O'Neill play, and it shows. Many scenes are way too long, especially in the beginning and end. Greta Garbo only appears after half an hour of drunken dialog, but a sparkling entrance it is, as she stands in the doorway of a bar, slowly enters and sits down – you can imagine audiences awaiting her first spoken line. She is the prodigal daughter returning to her sailor father's port. She does not know that he is a drunk, and he does not know that she has been a fallen woman. They finally meet, he takes her in, and she sails with him on his barge, where destiny takes another turn when a love interest comes aboard. Garbo is simply fantastic here, so confident, so full of life and pain. When you know it, it is easily seen that some theatricals from her silent career linger on, and she does not do much with her voice, but her face tells a million stories. Just the scene where she sees her father for the first time and tries to hide her disappointment is unbelievably good. The movie renders a good environment of the harbor and the barge, altogether a pleasant experience, but you can go boil a pot of tea once in every scene, they're that long!
MartinHafer
This version of Anna Christie is better than the earlier silent version starring Blanche Sweet, though it is not a huge improvement. Unlike the earlier film, this one has expanded the father's mistress' role into a larger and comedic one starring Marie Dressler and the production values are a bit better overall. This isn't to say that I loved this movie--mostly because the story just seems very old-fashioned and corny but also because Dressler's comedic performance in some ways detracts from the focus of the film. However, in 1930, this sort of melodrama starring Greta Garbo (in her first sound film) played very well, but by today's standards, the acting at times just seemed "over-the-top" from time to time. Despite this, the story still is pretty compelling and the film is quite watchable.This film, by the way, was a "pre-Code" film. This means that the film was very racy by standards imposed just a few years later--with plot elements such as prostitution and some minor cursing. Those not used to the pre-Code films might be surprised by all this, but films made up until about 1935 or so often had nudity, violence and plot elements that NEVER would have been allowed in later years.Oddly, the DVD version of this film offers BOTH the original American version and the German version that was made concurrently starring a German-speaking cast. In the early days of "talkies", some studios (such as MGM and Universal) often made duplicate movies by using the same sets at night after filming wrapped for the day! In some cases, they had Hollywood actors phonetically speak the lines in different languages (Laurel and Hardy made some of these--in which they spoke in Spanish along with Spanish co-stars). And, in others, an entirely new cast was used (such as with the Spanish language version of Dracula). In the case of Anna Christie, Greta Garbo made a German language version with all new co-stars that is supposedly better than the American version. HOWEVER, the DVD did include this German version but with absolutely no subtitles or dubbing! So, as long as you are willing to watch an entire movie in a language you don't understand or know German, it's a waste having it on the DVD. Why didn't they include English language captions?!? I would have loved to have seen it in this case, but am not willing to try to guess at what they are saying--my knowledge of the language just isn't good enough to understand everything that's being said!
didi-5
'Anne Christie' was Garbo's 14th film and the first in which her husky Swedish voice was heard. She plays the lead character, Anna, who has struggled with being abandoned by her father Chris (a drunken barge owner played by George F Marion), and with the misfortune of the life she has has to lead to keep her head above water.Meeting Irish Matt (Charles Bickford) may mark the turning point for her ... or does it? Garbo looks and sounds great in this drama which, although looking rather clunky and moving at a slow pace, still manages to interest and engage an audience nearly 80 years later. Marie Dressler makes an impact in the role which gave her a second flush of movie success in films such as Min and Bill, Dinner at Eight, and Emma; while Marion and Bickford are more than adequate.An interesting slice of movie history. Garbo would do better talkies in the years following, but 'Anna Christie' will always be remembered for the first time she talked on screen.
