Anna Karenina

1997 "In a world of power and privilege, one woman dared to obey her heart."
6.3| 1h48m| PG-13| en
Details

Anna Karenina, the wife of a Russian imperial minister, creates a high-society scandal by an affair with Count Vronsky, a dashing cavalry officer in 19th-century St. Petersburg.

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Reviews

Steinesongo Too many fans seem to be blown away
Micransix Crappy film
RipDelight This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.
filippaberry84 I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
romanilover THIS IS THE FIRST TIME I SAW WHO SEAN BEAN WAS. I WAS TOTALLY IN LOVE WITH HIM IN THIS FILM AND THE DANCE SCENE IN BALLROOM. I WANTED THEM TO GO ON FOREVER. I JUST DIDN'T UNDERSTAND WHY THEY PICKED AN ACTRESS WITH THOSE SILLY BANGS. ALTHOUGH I THOUGHT SHE PLAYED THE PART WELL. AS FOR SEAN..................BE STILL MY HEART.
Andrew Chapman The BBC made a serial of this in the 70's and despite the lack of funding that went into that series, they pulled it off rather well. So finally about the iron curtain had been taken down, the filmmakers could use the best scenery Russia had to offer including the Romanov palace. And you would have thought Sean Bean in a 'Sharpe' style uniform would have made it a certain winner. Afraid not. This is a story of passion and romance and forbidden love, one where you feel for the characters, get entwined with them and almost beg them to stop whilst wishing they could get away with there illicit affair. This 1997 version, I felt no connection to the characters and couldn't really care less about the 2 dimensional performance. If I had bothered to watch it to the end, instead of hanging on the edge of the seat to stop Anna from jumping on the rail tracks, I probably would have volunteers to give her a push. A wonderful Russian tragic love story, though the only tragedy here being this lot bothered to make it.
Nessa This was surprisingly good. I'm not that much a fan of the Romance genre, if truth be told, but I'll make an exception for this one. The film is carefully crafted. Every emotion, every dialogue enhanced the overall tone of the film, slowly but surely escalating in its momentum up to its tragic climax.Sophie Marceau was brilliant. As was Sean Bean. I wasn't quite sure if they would be able to possess the kind of chemistry needed to pull this off, if truth be told, considering how they (in my opinion) seem to be of different temperament artistically (Sophie being more sensitive as seen in Braveheart and Marquis, while Bean is more explosive). Nevertheless, it worked out fine although, ironically, their relationship seem to be more believable whenever they fell out of odds with each other. :)
kriddd I'm not sure how this movie slipped past me, as I try to stay on top of the period movies that come out. Nonetheless I caught it on one of the Encore channels last night, and I'm glad I did. Visually this movie is incredible! The cinematography could not have been much better, down to small details such as Levin "mowing" in the fields with the scythe in perfect rhythm with the workers.As much as I like the film, however, I'm disappointed that Sophie Marceau's portrayal of Anna was not more passionate. On the whole I thought her performance was pretty good, but I agree with the comments above that she could have exhibited a much more involved and emotional presence in the face of a love that she could not resist. Ditto for Sean Bean, although he was somewhat better at it than Sophie. It's a situation where one fervently wishes that the actors were better than they were, because you know that it would have made the movie a "10." Both Bean and Marceau did provide some excellent glimpses into the souls of their characters, but only glimpses. One would wish for more intimate looks into their motivations and their respective desolations. I was not at all put off by accents of the actors. So Marceau has a mild French accent...French was the dominant language of the Russian court up to the Revolution, so it would not have been out of place at all.The story of Levin and Kitty fares better, if only because of the stellar performance of Alfred Molina. Offhand I can't think of a more underrated actor (save perhaps Ron Perlman). Ms. Kirshner was fine as Kitty, although her journey from infatuation with Vronsky to love for Levin was given short shrift.Overall I loved this movie, but I just wish it had been two marks better.

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