Phonearl
Good start, but then it gets ruined
Freaktana
A Major Disappointment
Melanie Bouvet
The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.
dunsuls-1
Leave it to Tolstoy's people to get it right !!! Of the three versions I have now seen,and will not see any others till I read the novel,this is by far the best.It plays like a Shakespearian tragedy,but in this case its Imperial Russia instead of England.Ah,all unknown Russians to me but they all fit so very well and truly make the triangle believable.Old rich and powerful husband,middle aged beautiful wife,we would today call a MILF, and dashing young military officer.Bad news for love but great for us.Released in 1967 and running 145 minutes,it may be hard to find this film,in fact,since it was made during our cold war,I don't even remember it from back in the day. Unlike the other versions,1935 and 2012,this one does more then lip service to the other characters.Anna's cheating brother,his wife and younger sister,of which Anna stole the dashing young officer from,and later she fears is trying to steal her now husband. All wounded love affairs that perhaps are metaphors for the brutal future ahead,Set in 1876 they are but under 40 years from the end of Imperial Russia. Anyhow,I now see the selfishness of Anna,but also the child in her.Married to a much older man at 18,she never lived and now is experiencing what men call a midlife crises.The real victim here is her honorable husband that she now hates because he's so perfect.But he did "steal from the cradle"and with all the religious references,for me,he reaped what he sowed.The dashing young officer ?? Hot headed at both ends due to his flaming youth. The only sound couple was the young sister in law,but she suffered her own loss lover and "settled"on a man that she later learned to love,and he??Well he suffered doubt and the pain of rejection but his perseverance finally paid off.Anna's brother and his wife,sadly making the best of a bad situation as most do.Sad,but also sadly true to most of us.I can see the attraction to this story despite it being so aristocratic.Look for it if doomed love is your thing.
Aulic Exclusiva
This film re-creates the historical setting of the 1860s brilliantly, then spoils it all with an Eisensteinian-expressionistic style of acting and photography that gives one the giggles with its melodramatic jerkiness. Worst of all is Rodion Shchedrin's shrill, strident score. It would be too loud and insistent for an axe murder in an insane asylum; in a drawing room from the reign of Alexander II it sounds simply ludicrous and irritating.Vasili Lanovoy is handsome and romantic-looking as Count Aleksey Vronsky—his stiff bearing probably correct stylistically, his costumes wonderful. He does love to stare and lurch in that "I-am-Ivan-the-Terrible's-kid-brother" manner of Soviet film. His hair piece is not very good, either.Lanovoy does at least very much look his part, which is more than can be said of the woman playing Anna Karenina. She looks a lot more like Anna Magnani, complete with black moustache. Mme Karenin is supposed to be an extraordinary aristocratic beauty, a being from the highest society. Here she looks like she has strayed from a film by Pietro Germi. The actress likes bombastic reactions right out of Mexican television drama, which the camera captures with Shchedrinesque careenings.That great acting was possible, even in this school of film, is witnessed to by the master player of the role of Aleksey Karenin, Nikolai Gritsenko (1912–1979). He is quite unforgettable and detailed; he helps one understand Tolstoy better.Most of the film is the other way around: one would hardly understand anything if one had not previously read the novel. The abrupt and disconcerting editing doesn't help.No film could ever hope to do justice to such a literary masterpiece, but Clarence Brown's 1935 version is incomparably more satisfactory. Too bad. This could have been wonderful.
Galina
I think that Aleksandr Zarkhi's adaptation of Leo Tolstoy's famous novel "Anna Karenina" is one of the best screen versions of the book. It was filmed on the locations where the novel's events took place, its characters speak in the original language, and the spirit of the book was successfully transferred to the screen mostly due to the performances and the cinematography by Leonid Kalashnikov. Tatiana Samoylova (radiant Veronica of "The Cranes Are Flying") plays Anna exactly as Leo Tolstoy had intended her to be, a victim of overwhelming passion, a woman who had lost herself to love, for whom the whole world had concentrated in her beloved Alexei Vronskiy, and once she felt he had became tired of her, she simply could not and did not want to live. The world famous Soviet ballerina, Maya Plisetskaya took a role of Anna's friend, Princess Betsy Tverskaya and just to see her walk is worth watching the movie. There is much more in it. Some scenes are unforgettable after so many years. Among them, the Vronsky's horse race with the rapid cuts from the faces to horses' heads scene that has to be seen to believe; the first dance of Anna and Vronsky - during the dance the lives of many people had changed forever, or the scene in the theater where Anna dared to show up after she had left her husband and moved in with Vronsky. For a woman of her social position, it was absolutely shocking and totally unforgiving. She was crucified with the looks of the St. Petersburg's Aristocracy but she was standing on the balcony all alone, beautiful and smiling and no one knew what she was going through.The original music for the film was written by Rodion Shchedrin who would write later the ballet based on "Anna Karenina" and his wife, Maya Plisetskaya will be dancing Anna - but it is a different story altogether
alyona-m
Alexander Zarkhy's "Anna Karenina" is the best Karenina in the world. May be it's even better then Leo Tolstoy's romance :)) I've seen a lot of films on this romance, but no one of them, IMHO, compares to this one.Anyway, Tatyana Samoylova is great actress, and Anna's meeting with her son Serezha is one of the most touching and heartbreaking cinema episode I've ever seen.Tatyana Evgenyevna, ya ochen' Vas lublu :))
