Libramedi
Intense, gripping, stylish and poignant
Grimossfer
Clever and entertaining enough to recommend even to members of the 1%
Philippa
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
Skyler
Great movie. Not sure what people expected but I found it highly entertaining.
vincentlynch-moonoi
I quite disagree with the comments of several reviewers here. It's not that this is a great movie. It's not. But it is a good movie, particularly when seen from a perspective of the time.This is not prime Errol Flynn, but after all, it was filmed when he was still quite new to starring roles. So this is an opportunity to see the early Errol Flynn, and I think he does rather nicely.Kay Franics had been Warner Brother's biggest star, but regrettably they handed her a number of projects that were just plain stale. A year after this film she was labeled box office poison, but not due to this film. Here, she proved once again what an appealing actress she was when she had a good script.The third "star" of the film was the story. This was another of the the sun never sets on the British Empire films that were so often popular (after all, Flynn had starred in "The Charge of the Light Brigade" just a year earlier). Those films don't set quite so well in our era, but at the time, this was a box office success.Three supporting actors are worth mentioning here. As time goes by, I am more and more impressed by Ian Hunter, who here plays Flynn's commanding officer. I don't think I'm familiar with Frieda Inescort, but as Hunter's sister here she is quite good. And Herbert Mundin...not that impressive, but her quite likable and one feels sympathetic toward his plight.As I said, it's not a great film, but it is a good film. You could do lots worse.
JLRMovieReviews
Errol Flynn and Kay Francis star in this movie about love and adventure. Ian Hunter meets Kay first and promptly falls in love with her, even though she admits she doesn't love him. But he does convince her to marry him and move to where he lives and works, a British outpost in the desert. By this means, she meets his second-in-command and right-hand man Errol Flynn. At first she doesn't take to him, even though most of the female viewers have already at first sight. (But he took to her; that's without saying.) But his hearty laugh startles her as it's similar to someone she loved very much and lost. Then, she begins to see him in a new light and spends a lot of time with him, as husband Ian has to travel to trouble-shoot, etc. Therefore, Kay and Errol, well.... Errol and Kay's good looks and chemistry and the movie's mysterious and menacing locale uplifts the material. And, their love scenes together are very exotic and romantic, with them walking hand in hand and getting caught in the moment, kissing.... Even if you don't consider the leads your favorites, I think you'll agree that Errol Flynn and the lovely Kay Francis do make a very passionate couple, and that you'll enjoy 73 minutes of them.
oldlady7
I agree with comment #2. It is a story and film from another era and, as such, it was great to have on while I sewed and did wifely work! The people were gorgeous to look at, Kay Francis was excellent, and the idea that people could restrain their emotions and behave like "grown ups" was pleasant. There were a lot of things unsaid and that added to the overall story as the viewer could fill in from their own life experiences. It also means that a child watching it would not get all of the underlying meanings. And that's a good thing. Almost everyone in the cast is a familiar face if you watch old movies. Watch it when it is on and see what they meant when they said "it's a woman's picture."
lorenellroy
Stodgy and over talky movie that falls between two stools--being neither satisfying as a romantic tale or an action movie.It largely unfolds in a British army outpost in Mesopotamia commanded by Ian Hunter who ,while holidaying in England ,falls in love with and marries a vivacious American widow,played by Kay Francis.On returning to the outpost a relationship develops between her and the second in command-a dashing Errol Flynn.This being the age of the stiff upper lip nobility and self sacrifice rule the day. There is one brisk desert fight between the British and the rebel Arabs but otherwise this is a picture that unfolds in drawing room chat and trembling lower lips are the order of the day.Flynn was always at his best in action rather than dialogue and while looking suitably dashing is simply dull, a state Francis is not good enough to attain being largely inert. The strong point of the movie,and the reason for my heading of this review is the striking score by Erich Wolfgang Korngold who used its themes in his majestic and still unduly neglected Violin Concerto When a score carries its main emotional weight then you have a movie which is sadly lacking in other departments Ignore the movie--track down the Concerto instead