Matcollis This Movie Can Only Be Described With One Word.

Peereddi I was totally surprised at how great this film.You could feel your paranoia rise as the film went on and as you gradually learned the details of the real situation.

WillSushyMedia This movie was so-so. It had it's moments, but wasn't the greatest.

Micah Lloyd Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

Horst in Translation (filmreviews@web.de) "Antares" is not only a term from astronomy, it is also a Götz Spielmann movie from over 10 years ago. It rose a bit more to prominence lately again because Susanne Wuest plays one of the main characters and she also stars in the pretty popular recent Austrian horror film "Ich seh, Ich seh" by Ulrich Seidl. Anyway, Spielmann is known for this film here, but also for "Revanche", a 2008 drama movie that scored an Oscar nomination and turned Spielmann into one of the most important German-language movie makers if the 21st century."Antares" runs for almost 2 hours and is set in Austria as well. Almost all the actors are from this country and we watch stories about violence, lust, disappointment etc. The focus is really strong on love relationships as the lives of the protagonists are intertwined by (un)happy coincidence. I have to say I don't know any of the other actors, but I thought they all did a solid job, even if there were no real standouts and this description also fits the film as a whole. I never really felt for any of the characters, but maybe that's the idea that they have weaknesses and strengths and yet a truly unique personality and flaws. All in all, I would say that this is inferior to "Revanche", but it is still worth the watch. It is as bleak as most Austrian films these days, but this is by no means a negative characterization, just a description of style. A style that works. I recommend "Antares".

maurice yacowar The interlocking sexual relationships here find their unifying metaphor in a minor incident shown in long shot, without emphasis. A man trains his dog to fetch, to heel, to leap up and wrestle for a stick. The man's relationship with his dog replays the issues of control in the three human stories. But the human relationships are all complicated by the power of sexuality. That's why — as the old man with a mysterious disease remarks — people make fools of themselves.The nurse's husband finds his passion in classical music. So she's ripe for a wild affair with a traveling salesman, where they experiment with blindfolding, exhibitionism and an increasingly daring pleasure. Both lovers are overwhelmed by heir sexual connection; they hardly speak. The lover's pleasure in his erotic photos of her contrasts to her husband's walls of classical CDs. They are symptomatically different collectors. His control threatened, the husband erupts when her ostensible night duty interrupts their planned concert, then when a real estate agent stands them up. Their young teen daughter has her own music, to which she practices sultry dancing, exploring her approaching womanhood. The young blonde cashier exercises a different power, faking pregnancy to win her Yugoslavian boyfriend's commitment to marry her. Her fits of anger and jealousy appear to bring him to heel. In fact, he walks her dog as a way to meet his more amenable mistress. But the girl is more damaged and controlled by her moods than her fiancé is, even if he does return after her suicide attempt. His mistress is herself struggling to remain free from her violent, obsessive ex. Swaggering, boastful, pleading love and claiming superior understanding, the real estate agent forces himself on her and punches out his rival. Mercifully, he kills himself in the traffic accident that pulls the separate stories together. He's destroyed by his delusions of manly power, as the blonde is by her manipulative moods that damage her more than her guy. Only the nurse succeeds because — as a healer — she has found what she needs to live fully and follows her prescription. Like her dancing daughter, the nurse uses her sexuality to fulfil herself. The stories are set in an ugly dense housing complex in Vienna. All the stories of animal vitality and the struggle for control play against that dehumanizing setting. Indeed the classical music fan wants to move out, perturbed by the genital graffiti on the elevator walls. His wife finds at least an emotional escape. The violence in all three stories is limned in the title, which suggests the anti-Ares, the opposition to the god of war, the passion of sex and love, which can be as destructive yet more fulfilling. Beats having an obedient dog.

someonesmart21 I watch this flick to explore the erotic genre , and its not bad at all you can give it a try , the movie is about three parallel stories running simultaneously and some how connected to each otherThe film offers some real sex scenes , there are two of them in the beginning which are really erotic and you will enjoy totally after that the movie started to turn as drama is added in it.So if you are looking for a movie with complete erotic genre then that's not the right one and if you are looking for a film that have drama with some romance then its the right one.In a nutshell Antares is a terrific drama/erotic movie and I was pretty much surprised after watching this.

kenjha This film tells three intertwined stories of the residents of an apartment building. This style of filmmaking has become popular of late, following the early success of Robert Altman ("Nashville" and "Short Cuts") and Alejandro Inarritu ("Amores Perros" and "Babel"). This one, however, falls far short of those films. Of the three episodes, the first one is the most interesting, featuring a nurse in a loveless marriage having a brief affair. The other two episodes concern low-lifes making each other's lives miserable. Neither the characters nor the stories are particularly interesting. Of course everything comes together in a predictable finish.