Karry Best movie of this year hands down!

Matrixston Wow! Such a good movie.

Patience Watson One of those movie experiences that is so good it makes you realize you've been grading everything else on a curve.

Lucia Ayala It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

Red-Barracuda The found footage film continues to be the go-to-guy when it comes to low budget horror film-making. A lot of people are fed up with the sub-genre and it is easy to understand why as, aside from the shaky-cam being capable of inducing headaches, there is also a certain over-familiarity about a lot of them. I consider myself to be fairly forgiving of these types of films myself though and do think the general set-up is one which can result in effectively sinister films when approached correctly. It would probably be fair to describe Apocalyptic as a bit of a mixed bag though. As it never escapes from a certain predictability inherent in found footage and does wind up with the kind of ending that an awful lot in this genre have. But it was still nevertheless a film which was successfully creepy and did keep me interested. Set in Australia, the story has documentary film-makers travel deep into the country to meet up with a religious cult to make a film about them. As could be predicted, these people prove to be very strange and some troubling events follow.As is common with horror movies, character decisions here are often somewhat illogical, with the film crew hanging around for longer than they should and letting some things slide which they shouldn't. But I guess this is part and parcel of these types of movies to some extent. What was more of an issue for me was the central figure of the cult leader, who unfortunately was fairly badly acted by David Macrae, ensuring that this pivotal character had no charisma at all. I think it was quite damaging, as this is a leader whose actions are so extreme that they require some charisma in order to explain others going along with them so readily, such as the nightly ritual in which he chooses a different woman to sleep with every night, including a (very) young girl. These creepy details, along with the odd behaviour of the women cultists and what is discovered in the woods in the dead of night, are the kinds of things that make this one stand-out though and ensure that it does make some impact. It's a bit too basic and limited overall to be regarded as anything great but it does still offer some off-centre elements and ideas, and it never outstays its welcome.

Nigel P This is one of the more convincing films in the found footage genre, and features two main characters.This is an example of what makes a successful found-footage picture. Two likable film-makers Jodie and Kevin (Jane Barry/Geoff Pinfield) visit a 'doomsday cult' populated mainly by women and lead by Michael (David MaCrae). They appear unnaturally happy and contented. Something is clearly wrong, but answers aren't forthcoming in any great hurry. When they come, they are covered in a subtle way – strong hints of necrophilia, murder and a not unpredictable final outcome are covered in a solid, entertaining manner. Solid is one thing, however, and I found myself wishing the excellent performances (Barry and Pinfield have great chemistry, and MaCrae succeeds in making Michael a thoroughly convincing, unhinged monster) and mood of unease could have been embellished with a few more genuinely frightening scenes. What we had, even at the end, was fairly repugnant, but not terribly frightening.As is sometimes the case with found-footage projects, the ending is open to interpretation. Although events certainly appear to be heading in a certain direction, I didn't expect things to end as they did. (Spoilers) There were four different endings shot, and this is the one the crew were most happy with. I'm not sure I wouldn't have preferred the character of Kevin, who disappears towards the end, to reappear. Still, with the ending as it is, the earlier prophecy of 'apocalypse' might well have come to fruition … A mention too for the tremendous cinematography. Misty early mornings and sunrises certainly make the idea of the isolated cult seem an appealing one, even if their methods were a lot less wholesome.

chrismackey1972 A camera crew - Jodie and Kevin - visits an AA meeting n Australia where they meet a lot of substance abusers. One of the recovering addicts tells them he was in a cult because he thought the leader - Michael - was a prophet. The camera crew is intrigued enough to go on a roadtrip to try finding the cult. Along the way, they talk to locals to get their view of it, who pretty much laugh it off.In a hotel room, while on the phone, Jodie discovers their AA lead is missing. She and Kevin don't pay much attention to it since he was a druggie, and they feel he probably just wondered off.The next scene shows they are in a forest, and - cliché time lol - there is no cellphone reception. They meet two young girls who come wandering from behind the trees and they tell the crew to leave behind any communication devices. They are blindfolded and taken to the cult's encampment, which is made up of a few small houses, where they're greeted by many others in the camp, who are all women and young girls. Then they meet Michael. As Jodie interviews him, Michael starts sounding weird. He says "Once you join us, you are bound to us for life." Weirdo alert. During dinner, Jodie finds out that Michael takes a different one of "his" women to his bed every night.The next day, while interviewing Michael's wife, Jodie discovers the prophecy that Michael mentioned the day before. Part 1 is the moving of the men. She tells Jodie that the men - 9 of them - have already left their earthly bodies and ascended to the new world to prepare it; cue the Twilight Zone theme. Part 2 is the screaming of the girls. Part 3 is the crossing into the new world.Pervert alert. At dinner, Michael takes one of the little girls - Amy -to his bed :( That night, one of the girls has a screaming attack, which Michael takes as being part 2 of the prophecy. He slaps her across the face and stabs her in the arm with a knife. He and the women then tie her to a tree. This is where the movie really picks up. I can't tell you anymore without spoiling it. I will say that they find their AA lead.The acting was great, as was the buildup and the story. It's filmed primarily through camcorders, so if you don't like that...well, don't let that dissuade you. The movie was very well done, especially for a low-budget indie.David Macrae (Michael) was great as the cult leader. He was very believable in the role, as were the rest of the cast. I didn't really expect much from this because, let's face it, it's a low budget indie. However, it was a gripping and thrilling movie. I highly recommend it. I can't really say the story's original since it's been played out in real life, hello Jim Jones. Still it was done in a serious and realistic manner. I do have to say that the ending disturbed me, and I don't get like that very easily.I gave this a 7-star rating. I might revisit that decision in a few days' time, but it was very well done. And NO, I had nothing to do with this movie, nor did anyone pay me to write a good review. However, if the producer wants to throw some money my way, I'll be grateful. :D lol Seriously, if you look at my reviews, I generally review indie films. Some I give good reviews to. Others, not so much.

GlennTriggs APOCALYPTIC.Local film maker Glenn Trigg taps into the aesthetics of the found footage genre for his fourth feature film Apocalyptic, which takes its cues from The Blair Witch Project and its like. Apocalyptic deals with a television news crew that venture into an enclave to film a cult and get caught up in a bizarre and terrifying suicide pact. While it is nowhere near as graphic and violent and shocking as Safe Haven, the Gareth Evans directed episode from the recent VHS 2, this is still an unsettling mood piece. Learning about the presence of a mysterious doomsday cult, the intrepid film crew head off to a remote forest to try and find out more about the organisation and its charismatic head Michael Godson (David Macrae). At first the small group seems like a devout bunch who practice their religion with an eye to the simple things in life without the modern trappings and technology of contemporary society. But soon it appears that there is a more sinister side to the cult. Every night Godson sleeps with a different woman, and even the youngest girls are not safe. As events begin to spiral into madness, the film moves towards a horrifying climax. The mood grows more unsettling as it becomes clear that even the youngest children in the cult are in jeopardy. Trigg uses the tropes of this subgenre effectively, from the jerky hand held camera to the shots of the microphone boom in the frame, and he even has the camera passed around amongst the cast so that events unfold from a number of different perspectives. The largely unknown cast deliver quite naturalistic performances, while a suavely sinister Macrae oozes evil. Apocalyptic is Trigg's fourth film, but it is easily his most accomplished in terms of style and ambition.