AniInterview Sorry, this movie sucks

Breakinger A Brilliant Conflict

Tayloriona Although I seem to have had higher expectations than I thought, the movie is super entertaining.

Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

bensonmum2 Japan and the rest of the world are under the threat of attack from the mysterious underwater kingdom known as Mu. Their plan is to turn the land into their colonies and enslave the surface dwellers. The people of Mu fear only one thing – Atragon, a super-secret (so secret in fact that no one knows about it) flying submarine that has the potential to defeat the Mu. But Atragon is being built by a Japanese officer from WWII who is unaware of his countries surrender. He's reluctant to use his new submarine for anything but the greater glory of Japan. But when the Mu kidnap his daughter, he softens his stance and finally agrees lead the charge against the Mu.Overall, I can't help but be very disappointed by Atragon. The movie sounded so good – a flying submarine, a mysterious underwater kingdom called Mu, and a giant snakelike creature named Manda. What could go wrong? Well, the plot is what went wrong. Nothing much happens during the first ¾ of the movie. I don't know how many times I found myself waking up and reversing the movie. There's not enough flying submarine, Mu kingdom, or Manda to make Atragon exciting. It's not until the finale that something exciting finally happens.And it's a shame because I find I usually go for the more offbeat of the Toho movies that stray from the usual Godzilla storyline. For example, movies like Matango or The Mysterians are among my favorite Toho films. And Atragon had Ishiro Honda directing and a cast that included several familiar and solid actors. Atragon also features the standout Toho miniatures I always enjoy. But in my opinion, everyone involved was letdown at every opportunity by a less than stellar screenplay. I just expected (or at least hoped for) better.

mabuse786 This movie is unbelievably good - regarding the time it was made. The SFX are really spectacular and everything looks visionary and good. Sure you can see that their capabilities were limited and they worked with drawings or matte paintings which is also well visible. But the story is quite straight forward and contains no flaws. YES, there is a story. The movie focuses on the post WW II world of Japan and how it changed from the end of the war until the mid sixties. It also discusses the issue of war orphans and interweaves it with the story of a - presumably - lost captain who handed his daughter over to his former admiral, she works now for. The 'lost captain' secretly build a hidden base where he has constructed the ultimate submarine to be used to restore 'Japans glory' after the lost war. But his former admiral and his now adult daughter can change his mind to fight for the world against the thread of the MU people - something like Atlantis, just located in the Pacific. As you may notice, this is pretty much of a story, you might not expect with such kind of movie. The movie also lives from many atmospheric shots on the tropic island. Don't forget, this movie was made during the sixties. I own the DVD from Tokyo Shock and I can only recommend it, transfer and sound are very good for an over 40 years old movie. For people interested in this kind of story plus some SF action, I can highly recommend this movie.

r-c-s This movie succeeds where many typical Japanese monster movies fail. The plot is thick and evolves into some sort of spy story about a renegade, long lost naval officer, whose daughter is in the custody of his former commanding officer who -in turn- has kept silent about him for 20 years. On top of that, some mysterious submarine empire wants to conquer earth, and demands that said lost officer be handed over, in addition to the latter's brainchild, a powerful submarine. The renegade is now assembling his submarine on a remote island with a garrison of left over soldiers & natives, hoping to win WWII in the 60's. Such submarine ( the 60'ish version of GOTENGO in final wars, again coming in the 70's Tsuburaya production "I-zenborg" ) is the last hope for humankind. The plot -as said- is unexpectedly solid, a cut above most monster movies, and adds drama and spy story in a credible fashion. Of course that's from the Godzilla crew, so we have to adjust our expectations period & genre-wise. Trademarks abound, EG the submarine invaders look like the "savages" on the Mothra island: they just wave spears & dance around pseudo-Egyptian monuments.Overall a cut above the usual man-in-suit smashing cartonbox miniatures movie and without too many bond movie cloned moments.

ebiros2 This is one of Toho's gem that has gone unnoticed for many years. The original story was written by a Japanese science fiction writer Oshikawa Shunro in 1900, which was then heavily modified for this movie adaptation by Shinichi Sekizawa. Casting is good, and the plot is very original. During WW II, Japan created three largest submarines in the world the I 400 class which housed 3 bomber planes with plans to covertly bomb the Panama Canal. The story's premise is that a 4th variation of this sub I 403 was made by the Japanese, commanded by Capt. Jinguji (Jun Tazaki). It was thought that this sub sank off the coast of Saipan with all hands lost, but Jinguji and his crew survived and created an underground base in an uncharted island. There Jinguji also being an engineer, puts into action his plan to build a flying battleship/submarine called the Gotengo. The year is 1964 and there're few mysterious kidnapping of scientists in Japan and sitings of a strange submarine. The culprit (Akihiko Hirata) tries to kidnap ex-Lt. Admiral Kozumi (Ken Uyehara) and Jinguji's daughter Makoto (Yoko Fujiyama) but fails, and reveals that there's a plan for the Muans from the lost continent of Mu to return to the surface for world conquest. Kozumi now aware of Jinguji's survival and his creation the Gotengo, is asked by the UN to convince Jinguji to use it against the Muans. During their excursion to Jinguji's island, Muan spy (Kenji Sahara) kidnaps Makoto and her fiancée Hatanaka (Tadao Takashima). Jinguji's original idea was to use Gotengo to win the war (WW II that is) for Japan, but is now convinced he will have to fight the Muans. The star of this movie is the outrageously cool looking flying battleship/submarine (Designed by notable Japanese science fiction artist Shigeru Komatsuzaki) that's armed to its teeth. This submarine comes with a drill at its nose and can drill through earth where the enemy has their lair. The Muans who are the race of people from the legendary continent Mu which sank in the pacific 12000 years ago (There are three lost continent legend if you're not familiar with Mu. One is Atlantis, other is Mu in the Pacific, and third is Lemuria in the Indian ocean which all sank around the same time ) are planning to return to the surface, and take over the world. Gotengo (the name of the sub) challenges Muans in their world to stop their invasion plan. As director of special effects Shinji Higuchi once said, Japanese might be the only people who have fetish for a flying battleship. This story, and Uchu Senkan Yamato is a prime example.The American title of this movie "Atragon" which is also the American name for Gotengo is an abbreviation of the words "Atomic Dragon".When I first saw the picture of this submarine, I long waited for the day I could see the movie. I saw a badly dubbed version on TV which was disappointing, but now a DVD is available with original Japanese dialogs. This is a movie worth watching.