August Underground's Penance

2007 "Today is the day that our sins will be over"
3.5| 1h25m| NR| en
Details

August Underground's Penance is the personal home video of two sociopathic killers on a murder spree. Again two killers videotape their bloodthirsty madness, but Penance also shows their slow decline.

Cast

Fred Vogel

Director

Producted By

Toetag Pictures

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Reviews

ThiefHott Too much of everything
Spoonixel Amateur movie with Big budget
Helloturia I have absolutely never seen anything like this movie before. You have to see this movie.
Staci Frederick Blistering performances.
Tim Wambolt The shock film, August Underground's Penance, is the pinnacle of holiday filth. I suggest using your Christmas stockings once you run out of barf bags, you'll definitely need them for this movie! T'is the season for child molesting and baby killing! The August Underground trilogy is a collection of snuff footage filmed by the murderers, one male and one female, themselves. The first August Underground is disturbing in the way that it depicts a snuff film so accurately. August Underground's Mordum, as far as I am concerned, is the most disgusting and upsetting movie ever made. So what does the latest installment have to offer? Pure unabashed gore! Blood, guts, intestines, nails through the head, disembowelment, cigarette burns, limb sawing and heads being opened like Christmas presents! Thanks to the special features section in Penance we learn that real pig intestines were used in the film making the actors sick to their stomachs! Yes, these poor psychopaths actually got immortalized vomiting nearly constantly during the taping. The effects in this gore-fest are so realistic that the Toe Tag crew decided to use a better quality camera then in their previous movies to show off their skills and attention to detail. This film shows the character development of the killers and adds that touch of humanity to contribute to the realism to this movie. And, while Penance may not be as disgusting as Mordum, it does manage to supply a generous amount of its own sickness to the trilogy.Which brings us to the only thing worse than Christmas carolers; home invaders! Focus on a standard suburban family. Let's call them the Cleavers. Each of the Cleaver family is beaten, raped and killed all on Christmas day. It's better to give then to receive! Of all the atrocities committed on this family the worst by far is done to sweet baby Jane. After the killers viciously beat and rape the sweet lass, her butcher delivers one of the cruelest lines in cinematic history: "Kill it." Did you get that? Not her - "it." Another offensive scene which actually triggers the emotion of one of the killers highlights a very realistic looking fetus being ripped from a mother's womb. The female slayer finally breaks down and cries once she realizes they've finally go too far. The dead mother-to-be experiences the one instance where it's not better getting your present too early! Taking violence to another level all together. It is chilling the way these serial killers are portrayed so believably. August Underground's Penance also has an ending that has to be seen to be believed! The final scene might leave fans a little choked up.August Underground's Penance is a shockingly gruesome movie filled with anger, torture, and ejaculation. It looks like it will be a White Christmas after all! This film is a holiday must own for any true gore-hound like me!
Rod Reguez So what's the message in Penance then? A guy brutally murders people because he hates himself? Well f**k me what a revelation! This bombshell aside, there appears, not surprisingly to be no valid reason whatsoever for this incredibly crapulent and nauseous creation. If it's purely infamy Vogel's looking for he's gone about it the right way, but hey Vogel, why not surprise people and at least try to make something remotely intelligent, then you can throw in as much filth and degradation as you like and still get taken seriously? The thing is, Vogel doesn't have the minerals to create anything of any quality or depth, and Penance is a hollow exercise in pushing the boundaries of what is watchable. It's utterly devoid of any subtext whatsoever.Ironically the only thought provoking element in this film is Fred Vogel himself, who co-writes, directs, produces?, and stars. In much the same way as Argento used to perform the stabbings himself in many of his films, Vogel has a vested personal interest in the violence displayed here. Writing, directing and playing the central character seems to be giving Vogel the closest experience possible to fulfilling his ultimate fantasy without actually having to get arrested, although one could argue that even the inclusion of such a young girl in the filming of this offal is worthy of a stern ticking off. Has she seen it yet? I wonder. Charming. Now don't get me wrong, I'm a lover of extreme violence in cinema when it is in context. Henry, Portrait of a Serial Killer, Man Bites Dog, Peeping Tom - these are all violent films - Henry especially, but they also deal with serious themes such as alienation, voyeurism, the boundaries between audience and spectator, and in particular, audience complicity. Vogel's film, on the other hand is designed purely to shock and/or titillate. The only comforting thought one should be drawing from this experience is that you're not turned on by imagining yourself sexually and violently abducting people. If you are, then perhaps you should be applying for a job at Toetag films. In Penance, Vogel seems, more than anything to be exploring his own psyche - his own capacity for the kind of behaviour he's mimicking, and it really does look like he's ready to take the plunge.Beware Vogel - when you're staring into the abyss, the abyss is staring back at you!
xth566 August Underground: Penance both sequentially and quality wise comes in third within the faux snuff video series (and I say series not trilogy simply because I know it in my gut that another one will follow in the future most likely out of necessity.) The digital video is clear this go around as opposed to the previous entries which sought to recreate the degraded bootleg VHS aesthetic. In all reality, the budget wasn't there for even average quality digital video hence the artistic reasoning behind the video's look. Reading previous reviews inspired my need to clarify some points. First, TTP has a loyal following who attempt to spread the sickness as it were, but the rest of the civilized world isn't buying the mantra or the videos for that matter. These non-conforming conformists worship at the altar of Vogel and his crew therefore the reviews are incredibly skewed as such.I bought the previous two videos and each one brought something new to the table. The first seven minutes of August Underground seemed interminable for all of the right reasons as any good horror video should feel. August Underground: Mordum brought the gory excess to a new level, but its major drawback was the excessive rantings and ravings of its participants. Participants rather than actors, because in the scenes that required emoting you can easily tell the limits of such were very small as opposed to the moral ones which were non existent, in all actuality. Penance suffers greatly from this huge shortcoming since it is essentially a two character study of derangement.Another glaring weakness of Penance is the insistence to continue the home video footage look rather than a cohesive narrative structure with steadicam shots. Penance gives the viewer headaches not only visually but also conceptually. You would think the depravities shown in the third and final video in a faux snuff series would be taken to Mephistophilian levels unseen before within the gorenography genre, but this is just not the case here. Real animal death and dismemberment? Done to incredibly superior effect in "Cannibal Holocuast." Child murder? This was done even better within its own series in Mordum. Fetal death? This centerpiece of shock was undermined by the utter lack imagination within the scene. There was no build up to the moment. The camera did not follow the mother around a store as she shopped for her baby. It didn't portray her absolute joy about this time in her life nor did it display her horror during her final moments as she realized the impending end to both her own and her unborn child's life. It seems Vogel and company simply ran out of ideas which is shocking considering the repugnant reputation we are dealing with.The whole supposed finale has the feel of a quick dash for cash rather than a true artistic conclusion about the faux snuff phenomena the series explored. Perhaps in this way it truly is a throwback to the exploitation films of yore.
theNomad Man uses video camera to shoot 2 underground snuff films August Underground Pt1 & Pt2.Man meets girl and goes about making a 3rd only this time messes the formula up and spends the bulk of it filming himself in various redneck/trailer park trash pursuits. See as man acts like a gangster, as he feeds a gator & lion, as he rides a quad, as he does a few lines yawn yawn ...Intercut all this with a few gore moments and yawn some more before the end credits roll. Fred and the toetag team have a way with fx this still can't be argued, but its all pointless unless its alongside narrative.To sum it up I gave it a 3/10. If you want sex go rent a porno, if you want gore rent a slasher movie. If you want to feel like you've wasted your money or time rent this.Watch this if you dare and you'll feel you've suffered as much as any of the victims...