Diagonaldi Very well executed

Comwayon A Disappointing Continuation

Aedonerre I gave this film a 9 out of 10, because it was exactly what I expected it to be.

Dana An old-fashioned movie made with new-fashioned finesse.

Rainey Dawn Baby Needs a New Pair of Shoes AKA Jive Turkey This is one of the films in the Drive-In 50-pack Collection. As we all know the 50-packs will contain films you like and films you dislike. This is one of the films I dislike - I found it rather boring.I love crime thrillers. But this one is not my cup of tea. I found myself extremely bored with the film. Maybe I would like it better with a cast that I like -- I was not very happy with the casting they couldn't hold my attention.About the only half way interesting character in this film is the man-girl that everyone wants to have sex with and kills people. Otherwise the rest of the characters bored me to tears.1/10

Red-Barracuda Black gangsters and the Italian mob embark on a turf war in 1950's Harlem.Jive Turkey seems to be the retitled name for this film which seemingly went under the insane original title of 'Baby Needs a New Pair of Shoes'. It's a typically low-budget bit of Blaxploitation that starts out claiming that it is based on a true story, only to then hilariously state that despite this it contains different names, places and events! So I initially thought this had to be a comedy, yet it never actually plays out like one at all, so have to imagine these opening lines were intended with no irony whatsoever. One definite defining feature though is the fact that it's a period piece given that it's set in the 50's. The trouble with this approach, however, is that the low budget hampers this quite drastically and it never feels very much like the 50's at all. It would've been far more sensible if it had been set in the present day as period detail costs money – something of which there was clearly not an abundance of here. But you have to at least give the film-makers credit for having the nerve to try to execute something so ambitious though.Overall, despite certainly having interesting things about it, this is not truly a very successful movie. It really lacks focus and doesn't tell its story in a particularly engaging way, despite the fact that the plot elements have a fair bit of promise. There isn't even too much action either to make up for this. One definite standout aspect though was the inclusion of a transvestite psychopath hit-man character that killed people with spiked stilettos and a sharpened ring. I was interested to read here that the movie intended the fact that this character was a man to be a bit of a major surprise twist in the plot, yet I thought it was so obvious this was a guy in drag I just kind of assumed we were all meant to know this up front. On the whole, this is certainly one mainly for fans of Blaxploitation cinema; it's a bit rough around the edges and not especially good but it still has enough of that sub-genre's energy and attitude to ensure it has some interest level.

Uriah43 "Pasha" (Paul Harris) is a black mobster who has a lucrative setup running the numbers racket in Harlem back in 1956. Additionally, an Italian mobster named "Big Tony" (Frank DeKova) also deals heroin in the same location which doesn't bother Pasha because their interests don't conflict with each other. Unfortunately, Big Tony gets a little greedy one day and decides that he wants to take over Pasha's gambling operation which will leave Pasha out in the cold. A turf war results with Big Tony using his influence with the local politicians to stake his claim while Pasha is forced to utilize his connections within the black community. Anyway, rather than detail the entire story and risk spoiling the movie for those who haven't seen it I will just say that this was a cheaply made low-budget "blaxploitation" movie which manages to entertain to a certain degree. Although the acting was somewhat adequate the biggest problem was that the film was clearly low-grade and the lack of quality clearly shows. Overall I rate it as slightly below average.

Scott_Mercer *** YO MAN! LOOK OUT FOR THE SPOILERS!!! *** I saw this under the reissue title of "Jive Turkey." This MUST have gotten some play at the inner-city grindhouses back in the 1970's. And those poor souls that sat in a theater and watched it must have wanted their $2.00 admission back.Where to begin? This is a crime action flick with a mostly black cast, released in 1974. So far, so good. But it is also a PERIOD PIECE that takes place in 1956. Whoa. And they don't pull it off successfully. The costumes are not right, everyone's hair is just too big, and you can see 1973 cars driving by in the background of most of the exterior shots. Okay, I know, it's low budget. But the producers clearly bit off more than they could chew here.As far as the plot, here it is: Italian mobsters try to muscle in on the racket of the iron-fisted "Pasha", big daddy of the numbers rackets in The Hood. (I think it's filmed in Cleveland, but it's never specified. I saw an Ohio license plate at one point.) He'll let the Eye-Ties sell heroin, but Pasha doesn't sully himself with such things, 'cause only some people shoot smack, but EVERYBODY runs the numbers.But once the Mafioso (played by F-Troop's Frank DeKova!) starts messing' with the Pasha, some heavy duty s*** is gonna go down. There's a few hits, stabbings, shootings, some time at the local cathouse, and a drag queen hit man (not revealed as a man until the end of the film -- although I've seen much uglier transvestites, it was no big shock that she was a man). Some highly bloody murders here, with the psycho hit queen laughing maniacally as the camera lens is covered in fake blood.In the end, "Pasha" kills the Mafioso (just strangles him to death, that's kind of lame), wipes out the "rat" in his own organization, and blows town with a butt load of cash before the cops can get at him (it's an election year and they can't be bribed right now). Our "hero" survives yet again.The writing is okay, with a few good zingers here and there. The acting is not bad (if you want some really bad acting in a movie like this, check out THE GUY FROM HARLEM), but no great shakes either. The direction is acceptable, but the poor execution of the 1956 setting is highly distracting. Didn't allow me to suspend disbelief for a second. One more thing I should mention is the music by ERNIE BANKS! Is that Mr. Cub, or a different Ernie Banks? There is some entertainment value here, and the whole effect is quite shlocky, so I give it a 4. You could do worse. Of course, if you're a fan of this genre, you need to check this out. Definitely a rare item, and probably one of the few period pieces from the classic Blaxploitation period. Available on a 50 Movie DVD box set called "Drive-In Classics," but I doubt this played at too many drive-ins. This same box set also contains THE GUY FROM HARLEM among other treats of bargain basement celluloid.