Bam Bam and Celeste

2005
5.2| 1h25m| en
Details

Celeste and Bam Bam escape their Midwest hometown for New York, and take on their high-school nemeses - the dictators of the world-famous Salon Mirage - while discovering that true beauty lies within.

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Reviews

LastingAware The greatest movie ever!
Peereddi I was totally surprised at how great this film.You could feel your paranoia rise as the film went on and as you gradually learned the details of the real situation.
CrawlerChunky In truth, there is barely enough story here to make a film.
Aneesa Wardle The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
Marian_typepad_com I LOVE this edgy flick and I'm here to tell you Celeste & Bambam is gonna be a CULT Classic. YOU HAVEN'T SEEN A FILM LIKE THIS BEFORE! The kinda wild combo of a funky Korean-American girl, Celeste Chun (MARGARET CHO) and hip, gay Black American guy, Bambam (BRUCE DANIELS) teams up to escape "in your face" white racism in the U.S. Midwest. While they work their way cross-country to overcome their past, Celeste tells Bambam "Someday people are gonna wanna hear what WE have to say!" Right on, Celeste! Then there's Margaret's spot-on interpretation of a goofy yet loving Mom, also played by HERSELF. "Who is this?" Mommy asks Celeste on the phone, "I'm sorry, I have to ask everyone for security reasons." There's so much going on in this film and there are more memorable lines & quirky characters. Brit actor ALAN CUMMING plays nice guy Eugene: "High school is the natural habitat of dictators," while JOHN CHO (Harold of "Harold & Kumar Go to White Castle") plays the host of a TV show called "TRADING FACES." I love JANE LYNCH, too, as "Darlene Dawson" - "Just a leeettle bit'a in-breedin'. Just-a touch." And later to Celeste: "I think you're even more beautiful-er in the mornin'." Darlene's the white "lesbian Lone Ranger" with a sweet heart of gold. Later Celeste has a run-in at a gas station where she tells off a racist store attendant calling her ALL kinds of names. "If you're gonna be racist, get a 'neo-Nazi to English' dictionary!" You go, Celeste! I'm not giving away anymore, but mark my words: CELESTE & BAMBAM IS a whole new Cult Classic. If you can handle it check out this flick. Thanks Margaret and Bruce!!
jess I really like Margaret Cho, I think she's awesome.But this whole movie was in total contrast to the intelligence, wit and actual humour which make her standup so great.It was boring, unoriginal and totally stereotyped. I'm not from America, so I don't know, but are there really *that many* racist/homophobes? That would be that horrible outright? It just seemed contrived. In my experience people tend to be racist/homophobic behind your back, not right to your face.And I normally like Bruce Daniels, but why is his voice so high? I think it's as another member said, to make him sound gayer *rolls eyes*.Overall: Bad script, bad directing, pretty bad acting.I don't know what Alan Cummings was doing in this movie, he is far more talented than the material allows for.
MFilip-1 This film is a comedy but it also has Cho's style of fresh brashness and honesty. There are a great number of racial slurs in the script slung at characters throughout the film. I found the non-comedy dialog to be painfully direct. i personally found this difficult to deal with because I am extremely aware of the levels of prejudice in our society. The intensity of the slurs, obviously based upon reality, brought tears to my eyes. But the necessity of people facing the reality of this on-going problem can't be and isn't ignored, even in a comedy loaded with sweetness and clever fun. Still, the cast and actors are established and do a fine job with an interesting script. The direction by Loraine Machado is good too. No film is flawless but this one has a lot to give. The surface may be primarily comedy but there's so much more underneath, a message of unconditional acceptance and caring.
thirtysense Horribly directed. I'm going to assume that this is why Margaret looked like she couldn't act her way out of a paper bag but even the director couldn't ruin her turns as her mother, which were the film's highlights.Who told Daniels to talk like that? He had to raise his voice so people would believe he was a fag? Oh please. It's kind of insulting if you think about it.I was really looking forward to Margaret's first narrative film but was so disappointed. I've read her books and have seen most of the concert films. I find it hard to believe she actually thought this was funny but supposedly, she wrote the script. Perhaps she should stick to stand up.