CommentsXp
Best movie ever!
Roxie
The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;
Cassandra
Story: It's very simple but honestly that is fine.
alexanderdavies-99382
"Band Waggon" marked the cinema of vaudeville entertainer Arthur Askey and his comedy partner Richard Murdoch. The title of the film is taken from a successful radio comedy from the B.B.C, staring Askey and Murdoch.
The plot is absolutely non-existent as this vehicle is merely a way of advertising new talent from "Gainsborough" studios.
The whole thing has dated badly and the comedy is outnumbered by those bloody music numbers - with less than successful results! Every time someone begins singing, I immediately fast forward my DVD of "Band Waggon."
Moore Marriott makes another appearance as Harbottle but is thoroughly wasted, as is Peter Gawthorne. Both actors were put to FAR better use in Will Hay comedies.
The subplot about a group of Nazis hiding out in a supposedly haunted house is both lame and poorly handled. It was only added into the film as an afterthought.
The only remotely positive thing I can throw in the film's direction, is that at least Arthur Askey and Richard Murdoch are able to communicate on the same wavelength as each other. In hindsight, they should have stayed together for more films after 1941.
A curious museum piece but nothing more.
JohnHowardReid
George Formby's nearest rival was small-in-stature but loud-of- voice, Arthur Askey. Askey always introduced himself as "Big-Hearted Arthur" on his radio program. Needless to say that Askey's movie appearances were strongly supported by this hit BBC radio program, "Band Waggon", which was itself turned into this wonderfully daft musical comedy (featuring Jack Hylton's band and a round dozen musical numbers) in 1940. In the West End, the movie "Band Waggon" ran 85 minutes, but it was cut to 80 minutes for general release. ITV claim their DVD is the original 85 minutes version. It's possible, even though the present master negative itself is only 7,163 feet (= 79.5 minutes). TV airings have always used this version. As I say, it's possible ITV managed to get hold of an original 35mm or 16mm print. I'd be pleasantly surprised if this was the case, but frankly I'm not prepared to spend $16 or so to find out, even though the 7,163 feet version definitely belongs on any list of Britain's top musical comedies. In short, "Band Waggon" is a most amusing free-for-all of satire, one-liners, slapstick chases, comic cut-ups and lavish production numbers, all expertly rendered by a gifted cast directed by Marcel Varnel.
Spikeopath
Directed by Marcel Varnel and starring Arthur Askey, Richard Murdoch, Patricia Kirkwood and Moore Marriott, Band Waggon is based on the hugely popular BBC radio show of the same name. Band Waggon is very much a British throwback to a time when comedy was almost chaotic in execution, where malarkey ruled the wave. To that end the film is a sure fire hit, performances are hitting the right notes and direction from the fabulous Varnel is suitably breezy. Within the running time of under 85 minutes, film is chocked full of enough set-ups to fill out another movie as well, there is no doubting the value for money given to British cinema goers back in 1940. Sample songs, shenanigans, spies and spirits along the way, and film closes with an elongated song and show routine as a time bomb cheerily ticks down to potential detonation.It's hardly great comedy and it's far from being Askey's best film, but it has some solid laughs and it remains eternally silly for all the right cinematic reasons. 6/10
Spondonman
This was a spin off from a pioneering BBC musical comedy radio series with Arthur Big-Hearted Askey and Richard Stinker Murdoch as the stars which ran for 55 episodes in 1938/39. Sadly as usual very little survives of those broadcasts, but we can get a flavour of the madness from this film. I taped this on 7th February 1987, in the days when BBC TV used to show Golden Age films at reasonable hours without reason or introduction, and my daughter and I must have seen it more than umpteen times since.Big and Stinker are discovered after months of living on the roof of Broadcasting House with their chickens and Lewis the goat, waiting for their chance at stardom. On their subsequent aimless travels in their overladen car, the Askeytoff II, they end up renting the haunted Droom Castle for the princely sum of £3. The perfectly natural explanation for the ghost is that Nazis are at the bottom of it all (in the basement), using a TV hook-up to Berlin of course. Arthur has a much better idea: put on a pirate TV station and broadcast a music show that night in competition with the stuffy old BBC. Jack Hylton (and Louis Levy!) and his band plus the then 18 year old Pat Kirkwood were used well in The (very long) Melody Maker, Band Waggon, Heaven Would Be Heavenly, The Only One Who's Difficult Is You, A Pretty Little Bird Am I and Boomps-A-Daisy. It must have seemed a little strange when released in March 1940: BBC TV had closed down 2 days before War with Germany was declared in September 1939 and Band Waggon had ended its radio run in the November. Favourite bits: Big and Stinker waking up to another day's idling on the BBC roof; entering the castle for the first time; the Old King Cole oratorio; Pat Kirkwood in pirate costume; Arthur on a dusty organ reprising his Big-Hearted theme song. A few of his routines can sound very camp this side of WW2, but there won't ever be another like him. Jack Hylton's recording career began in 1921 but he only made a dozen more recordings after doing the 78's for this - the vibrant British Dance Band scene had shifted to flat foxtrots, American Swing and Latin American rhythms and the War seemed a good time to change jobs too. Pat Kirkwood died Christmas 2007 as the last survivor of this film, indeed of pre-War British musical comedy. In these days when the Queen showers honours like confetti on rugby players and myriad chancers alike Kirkwood's 60 year career was rewarded with a 60 year grudge.This was one of Arthur's best films with Ghost Train and Back Room Boy still to come and well worth the price of the budget DVD to see what made him and Murdoch tick, along with plenty of pre-War humour and a rather quaint view of television.
