AnhartLinkin This story has more twists and turns than a second-rate soap opera.

Neive Bellamy Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

Hattie I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

Freeman This film is so real. It treats its characters with so much care and sensitivity.

imbluzclooby I remember seeing this on TV many years ago. Although it's not the type of subject matter that would appeal to many people it is nonetheless important. Roger Baxter is a teenage boy who has a personal problem causing him embarrassment and grief: His problem is a speech impediment where he has trouble pronouncing his R sound. Roger seems more tormented by this problem than others, but he manages to deal with it in a humorous and mature manner, constantly making references and jokes to put others at ease. But we soon learn his personal speech problem may be an underlying effect of his dysfunctional home life. After his parents divorce, he moves to an upscale flat in London with his cold and inattentive mother. They don't have a very supportive or warm relationship as they bicker and make personal barbs at each other. The movie offers us flashbacks of his previous home life when dad was around. The turmoil between the three of them was enough to put this family over the edge and split apart. Fortunately, Baxter is befriended by a warm and friendly couple, Chris ( a gorgeous model) and her boyfriend, Roger (a reputable chef and author of cookbooks). They take little Baxter on a trip and a heartwarming friendship trio ensues. We get a glimpse of Roger's school life where he seems awkward and out of place among the bigger kids his age. The British teacher is a pompous ass who gets satisfaction out of humiliating Roger. After being ridiculed for his baby-talk he is sent to consult the services of the school Speech therapist (Mrs. Clemm). Their initial meeting is informal as she addresses him in a genuine and cool manner. But they hit it off and another friendship ensues. We don't see them interacting so much in speech therapy, but rather she becomes more of a confidant and personal counselor. Baxter also is befriended by a British girl (Nemo) where he learns about her carefree behavior and permissive parental relations. We are seeing several key factors in this movie: an American boy whose character seems to jar against the European people's character, dysfunctional and abusive parental relations, a boy's inability to cope with his problems and the tragedy of losing a dear friend. This movie does touch upon some very poignant issues and some of the scenes are underlined in progressing the overall pathos of his situation. Baxter is certainly not dealing with anything extraordinary or even insurmountable. These problems are pretty common among families and youth of today. But what makes this movie so special is how it presents them and treats them with compassion. It's rare, if not nonexistent, in movies today. The manner in which this couple befriend and show love for this boy will truly warm your heart. And Britt Eckland was definitely a sight to behold. Patricia Neal is convincing and correctly dominant in her role to protect this young man from his mother and put him under her care and supervision. The climactic ending has a physical confrontation with the boy's mother and his Mrs. Clemm as Mrs. Clemm fights the boy's abusive mother over gaining rights to have him hospitalized due to his acute anxiety that has stricken him. a series of disappointing events including the death of his model friend, Chris, is what has put him over the brink of mental breakdown.This movie is quite dated with its production values. The director uses echoing sound effects during Baxter's moments of fear and psychosis as we have extreme zoom in and out close ups of adults talking at him. This is supposed to magnify how often people are unable to connect with those who are under severe mental breakdowns. There's also a couple of charming scenes where (Chris) strikes fashionable modeling poses while Baxter mimes camera shooting, and another where Baxter and (French Roger) prepare a Lobster feast for his girlfriend. We don't see this type of bittersweet drama anymore and perhaps it may not be marketable in today's pop-culture. I also doubt that this obscure film will resurface in any way except for nostalgic people who have a faint memory of Baxter! and find this on youtube. But Baxter is something that remains in the recesses of my mind.

hawked-off First of all, the (valid) complaint of some of the other reviewers has been remedied -- this film has now been released on DVD (PAL, Region 2, for the moment). Second, and most important, this film could enter the human development curriculum as a primer on how to treat young adolescents as human beings about to enter and make their contribution to the world, as opposed to mindless sleeping-and-eating robots who need to be sheltered and isolated for as long as possible. Of course, the parents and one of Roger's teachers try the latter approach, but the boy has a mind of his own and finds friends and allies in his neighbourhood and school who accept him as he is -- a bright and resourceful human who is twelve -- and accept him into their social circle. The adult characters are "drawn" a bit one-dimensional, probably so that Roger's friends and allies can contrast clearly with his parents and English teacher. For example, the speed and ease with which Roger is accepted by the romantic couple Chris (Britt Eklund) and Roger T. (Jean-Pierre Cassell) seems a bit contrived, but it doesn't matter. Neither does the fact that a school speech-therapist (Patricia Neal as Dr Clemm) can spend so much one-on-one time with one of her students. What really matters is Scott Jacoby's portrayal of Roger. It is, quite simply, a marvel to watch, and the whole film rides easily on his still-boyish shoulders. (In the same year this film was released, Jacoby won the Emmy for his portrayal of the son of a gay father in "That Certain Summer". One can see his award-caliber acting in this film, as well.) One last point: don't look for a remake of this film any time soon. In my humble opinion, today's society could not deal with a twelve-year-old who makes his own decisions and leads his own life outside his home, in spite of his (crazy, control-freak) mother and absent father, even if he is ready and able to do so. Kids today are "property", and involvement by outsiders, however benevolent, can easily be seen and condemned as a threat to the parent's authority.

tightjeansdude Baxter is Roger Baxter, played by Scott Jacoby who later starred in cult classics such as "Bad Ronald" & "The Little Girl Who Lives Down The Lane". Roger lives with his mother in London. They're American, but his self-absorbed socialite mother likes living in London because "it's a beautiful and civilized city". Mrs. Baxter doesn't quite understand her son and is cold and insensitive to his needs. Roger seems to get along very well with older people- a neighbor girl named 'Nemo', a couple living nearby (a French chef & his Swedish model girlfriend) and Roger's speech therapist, Roberta (Patricia Neal). Roger struggles with his inability to pronounce his "R"'s but his speech therapist gives him the love and nurturing that he never had from his own mother. Roger does have a couple emotional breakdowns in the film, and upon returning home from a hospital following one such breakdown, he learns that his neighbor friend Chris, (played by Britt Ekland) has died of pneumonia. This news puts Roger into a near nervous breakdown. Thankfully, his speech therapist is with him and explains to his mother that Roger must return back to the hospital immediately, which climaxes into a physical confrontation between the therapist and his mother. I won't tell what happens in the final scene, but it is indeed very moving and very beautiful.

geoffkerry This movie has never been released on video at all and is unfortunately a largely forgotten minor masterpiece. The movie is called "Baxter!" -- not to be confused with the other movie about the dog from the early 90s. This film is an actor's show case with child star Scott Jacoby, Patricia Neal, Britt Eklund and Jean Pierre Cassell. It was directed by the British director Lionel Jeffries and had a brief release in the U.S. in 1973 and has played on television a few times but has never had a video release.The plot centers around a preteen boy with a speech impediment who goes to live with his abusive mother in England. He makes friends with the beautiful model (Britt Eklund) who lives upstairs and her French boyfriend (Jean Pierre Cassell). The boy suffers a psychotic break when he learns of the model's death and ends up in a catatonic state in a mental institution where his speech therapist (Patricia Neal) tries to reach out to him. The ending is one of the greatest emotional triumph when he finally is able to express his grief with the help of his fellow sufferer, Jean Pierre Cassell.It could be dismissed as a three hankie "weepfest" except that the performances are all stellar and the tears in the final scene are all earned by genuine feeling for the plight of this lost soul.I would be overjoyed to be able to experience it again if it ever came out on DVD or even videotape for that matter.