Twilightfa Watch something else. There are very few redeeming qualities to this film.

Yash Wade Close shines in drama with strong language, adult themes.

Brennan Camacho Mostly, the movie is committed to the value of a good time.

Kayden This is a dark and sometimes deeply uncomfortable drama

underwaterhate This must be one of the most disturbing films I have ever seen. I can not for the life of me understand how a bunch of un-related unintelligible pictures and words can be considered by anyone as a film, and even appreciated in some cases. Well, on the other hand, people do appreciate minimalist conceptual art... So, yes, here you have another pile of french pseudo-philosophical conceptual noir **** completely inaccessible and worthless to anyone who isn't a very "progressive" film critic, or a cinema-appasionado sophisto freak. In any other case - save your money, time and nerves. I understand now why they didn't even bother to translate the title into English.

nycritic Every so often a movie comes out that conflicts me, and these are the movies that take me quite a while to analyze. Sometimes it will take a second view to see if I missed some vital element, or it will dawn on me later, and thus I will have grasped what it was that at the moment seemed rather inconsequential. BEAU TRAVAIL, Claire Denis' 1999 film, is one of these movies. It is an adaptation of Herman Melville's "Billy Budd" -- although adaptation should be expressed in a loose term. It tells the story of an army troop stationed at Djibouti, training endlessly under the firm hand of a nearly expressionless Denis Lavant, himself a training machine, and the arrival of a young soldier played by the very beautiful Gregoire Colin who becomes the catalyst that triggers a response from Lavant. Colin, as Sentain, is the young rookie everyone loves and admires; he has great beauty and is the epitome of masculinity. This ticks Lavant's Galoup to approach Sentain at an oblique angle, and a scene in which both men face off resembles that of two lions about to attack and is a sequence of immense beauty because you see the hardened expression on Lavant's leonine face pitted against Colin's frightened yet set facade. This is what cinema is supposed to do: tell a story without too much dialogue, maybe a voice-over here or there as BEAU TRAVAIL does, and then get to its denouement, which in this movie is made more ironic than tragic. Where it falters a little is in its portentous score with a male chorus which is lifted from the opera version: it's too intrusive and is reminiscent of the score used for 2001: A SPACE ODYSSEY, but there it had a purpose; here, I didn't see it. Frequent incursions into dance music also distract a little from the meat of the story. What I do admire is Denis' approach to the material. In bringing a strong homoerotic element to the scene, she also manages to do what few gay directors have done: create a visually mesmerizing work of art where male passion is expressed through what is appropriate of the gender: physical activity. It's what I've always wanted to see: an aggressive ballet of masculine energy which unfolds a deceptively simple story of attraction, repulsion, and envy. Highly recommended.

alibis claire denis portrays the French Foreign Legion from a feminine viewpoint. the result is a beautiful, sensual, almost sexy movie, i especially liked the way the bodies of the men were depicted. it is absolutely necessary to watch this movie in the cinema, on the small screen it loses its most important factor, that is the visual aspect. the dancing is poetic, but not at all realistic. the degree of artistic abstraction concerning the army leads to some irritation for some people which have actually been to the army, because they know that it is far from reality. the problem altogether is that beau travail is probably not going to make a lasting impression on most people, because it plays with superficial emotions.

gftbiloxi Introspective and subtle, Claire Denis' BEAU TRAVAIL offers a modern retelling of Herman Melville's BILLY BUDD, transposing the tale of an officer who self-destructs through his jealousy of a new recruit to an outpost of the French Foreign Legion. And although the film is elegant in both its simplicity and purity, I myself found it a shade too simple and pure to be completely effective.Still, BEAU TRAVAIL has two things going for it: director Denis' cinematic eye and superior performances throughout. One truly senses the location in all its elemental nature, and the cinematography is remarkable for its restrained elegance. The cast follows suit, with direct and underplayed performances that fold seamlessly into both Denis' atmosphere and the story itself, and the result is often quite stylish.But for all its elegance and style, I found BEAU TRAVAIL too introspective and subtle for its own good; to me it lacks any significant substance, with both story and characters slipping through my attention as easily as sand slips through my hand. While this is doubtlessly part of director Denis' intent, and while I have admired many a film with a notably elusive touch, my ultimate reaction to BEAU TRAVAIL is that it is a rather superficial exercise in style over substance, and I cannot say that it leads me to interest in the director's other work.In passing, I also note that BEAU TRAVAIL is often marketed as a film with homoerotic context and imagery, but I personally did not find it so. Final word: worth a look, but not greatly memorable for all that.Gary F. Taylor, aka GFT, Amazon Reviewer