Supelice
Dreadfully Boring
SpecialsTarget
Disturbing yet enthralling
Hadrina
The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
Stephanie
There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
SnoopyStyle
Ned Kendall (Ben Mendelsohn) has come back to the family home with young wannabe actress Toni (Maeve Dermody) after 20 years of absence. He must come to terms with his dying father Bruce (Bryan Brown), and resolve the death of his twin sister Kate (Sophie Lowe). There he finds his sister Sally (Rachel Griffiths) dutifully taking care of their mean spirited father in their old crumbling farm that is soon to be lost to the bank. Much of this movie goes into flashback mode. It's a much more compelling story in the past due mostly to Sophie Lowe's enigmatic performance. The present story is much more depressed, and it struggles under the weight of buried anger. There is a mystery of the family's past. There are deaths not talked about. The present day needs some more energy.
spinoza42
Set in the Australian outback, I found Beautiful Kate to be a moving experience and one of the best films about family relationships. The film is based on a book by Newton Thornburg. Unfortunately the book is out of print but hopefully the film's success will lead to it being reprinted. Kudos to Rachel Ward for bringing this to the screen and for transforming a book set in the USA seamlessly into an Australian setting. Ben Mendelsohn is superb in this challenging role. Frankly I cannot understand those who have criticised the characters and the plot as clichéd. This movie goes places others fear to tread. My spoiler alert is that the movie does contain material which some people will find disturbing or offensive. One person walked out during my session and I know that others have too. If you want to know exactly what I am referring to look up the name Alexandra Maryanski or Robin Fox on Amazon.
unreadpages
There are many good things about this film. It unsentimentally depicts the harshness and bareness of outback farm life in Australia. It has some highly creditable performances from some top Aussie actors. The cinematography does justice to the setting.The problem is the story. Instead of following through on a psychological exploration of some forbidden desires and their roots in this remote community, which is invited so longingly by the scenario, it contents itself with yet another portrayal of the struggle between a tyrannical old bastard of a father and his surviving son, whom he devalues. Both father and son conspire to turn their backs in denial of what could have been a revolutionary turn of events to match, gee, I don't know, Who's afraid of Virginia Woolf or The Homecoming.A missed opportunity.
Tim Johnson
Beautiful Kate is a beautiful movie albeit a difficult, challenging movie but one that will remain with you long after leaving the theatre. Diane and I saw this film yesterday at SX Luna and as we waited to enter a lady exited and said she did not like anything in the film and we thought she had seen another film. Now I realise what she meant although I would vehemently disagree with her. Beautiful Kate takes place in a 30s house on a small farm with South Australia's Flinders Ranges as a backdrop: it is kind of dilapidated, very dry and probably hugely depressing to people coming from more salubrious surrounds. Bryan Brown who plays a pivotal role has been made-up perfectly to fit his part as the father of his family that must live out the mental re-enactment of long past deeds. I mention Brown because his appearance (a wonderful tribute to the makeup artist's skill) is, to me at least a metaphor for the lives of the children gathered at their families' farm. This film is raw; the title may have given the woman who so disliked it the wrong idea of its substance because the movie is exactly opposite of beautiful. Personally I thought Rachel Ward, director and writer, examined the emotions of the players brilliantly. I cannot speak highly enough about this film. We have developed a movie genre that is unique to Australia and conveys ranges of nuanced emotion that can only be dreamed about in other countries. Hollywood came close with The Last Picture Show but that was almost 50 years ago and they seem not to want to return to the genre. Make every attempt to see this movie but be aware when you walk in that the vehicle is not fancy.