DipitySkillful an ambitious but ultimately ineffective debut endeavor.

Numerootno A story that's too fascinating to pass by...

Brendon Jones It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Ginger Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

bkoganbing Because Of Him casts Deanna Durbin as the most winsome young ingénue seen on screen since Katharine Hepburn in Morning Glory. Durbin is determined to succeed on the stage and is willing to use some extralegal contrivances to get there. But as this film is light she's not as ruthless as Eve Harrington.What she does do is pretend to be an autograph seeker and seeks out famous stage actor Charles Laughton's autograph on a folded piece of paper which opened up is a letter of introduction to a famous producer. It costs her a job at the restaurant she works at as Charles Halton her boss fires her. But it does work and Laughton is intrigued by her even with her deception.Also intrigued is playwright Franchot Tone who has a role similar to that of Douglas Fairbanks, Jr. in Morning Glory. Therein lies the triangle, but I don't think anyone expected Laughton to get Durbin.In fact the final scene of the play within a movie is Laughton's best as he changes Tone's dialog and the play itself to get the two of them together.Durbin has three songs and why she wasn't after a musical career is beyond me. Still fans of Laughton, Durbin, and Tone will like this.

mark.waltz Charles Laughton plays John Sheridan, a legendary Broadway actor who is playing his final performance of "Cyrano De Bergerac". Desperate for a vacation, he eludes inquiries about who his next leading lady will be. But a waitress named Kim Walker (Deanna Durbin) already has her eye set on Sheridan, and fools him into getting his signature (which he thinks is an autograph) on a letter of introduction. Soon it is believed that middle-aged Sheridan and young Ms. Walker are an item, and when Sheridan finds out about the scheme, he pretends to get along with it, only so he can get out of it gracefully. But Kim's pal Nora (the always delightful Helen Broderick) has a trick up her sleeve to keep Kim's name in the papers linked to Sheridan. Soon, Kim is cast as his new leading lady, finding a disgruntled playwright, Paul Taylor (Franchot Tone), out to sabotage her.For one thing, the storyline seems totally forced. Today, Durbin's Kim Walker would be considered a celebrity stalker and social climber, but here, she's a media darling. Other than a pretty version of "Danny Boy", Durbin's few songs are rather forgettable, and she really doesn't seem like someone who might be the new Jessica Tandy of Broadway. The play within the movie also seems rather corny, and the forced romance between Durbin and Tone is false as well. As with "Nice Girl?", they seem totally wrong for each other, he a bit long in the tooth for her, and she too immature for someone of his sophistication. Donald Meek adds some funny moments as Laughton's valet, but for the most part, the supporting cast (not including Broderick) can't rise above the material. What really lowers my rating for this film is the really unbelievable ending that is out of place even in the golden age of Hollywood.

clarabelledowns-91-319174 Deanna Durbin has perhaps the most beautiful singing voice in the history of this planet. I never leave reviews but had to say something upon reading the review of the ignoramus who spoke of her singing in--to put it politely--disparaging terms. To you, sir, madam, or whatever else you could possibly be, do the human race a favor and please resign from it. That act alone would probably bring peace and sanity to a world sadly in need of it.There's a reason she alone saved Universal Studios from bankruptcy. Because 60 years ago, people actually had ears, eyes, and brains. God save us all.

Neil Doyle The fact that credibility is strained to the limits is not unusual in most of the Deanna Durbin films of this period. "Because of Him" is no exception--with a charming performance by Deanna and an excessively hammy one (intentionally so) by Charles Laughton. Both prove they have a way with comedy--as does Franchot Tone as a playwright who does not want Durbin to star in his new show. While the thin plot hinges on whether or not Deanna is successful in seeking the patronage of famous actor (Laughton) and starring in the theater, there is an air of mirth in the proceedings with just the right light touch to keep the story spinning to a happy ending.Deanna, as usual, is in fine voice and gives a lovely rendition of "Danny Boy" and tosses off an operatic aria under most unusual circumstances. Her voice is showcased here and so is her comic timing. Easy to see why she was such a popular favorite in the '40s.