Bedhead

1991
6.5| 0h8m| en
Details

David defaces his sister's doll. In the fight that follows Rebecca falls and hits her head. When she comes to, she discovers that she has telekinetic powers, and uses them to take revenge on her brother David.

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Reviews

Brightlyme i know i wasted 90 mins of my life.
MonsterPerfect Good idea lost in the noise
Blaironit Excellent film with a gripping story!
PiraBit if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.
bob the moo It was a typical Saturday morning. Rebecca is easting breakfast with her little sister (as ever done up in high fashion). The arrival of her noisy and aggressive brother at the table ruins the peace of quiet as, on top of having the worst bed-head in the world, he is also a typical pain in Rebecca's life. Later in the day, the bullying and annoyance continues, with Rebecca falling to the ground and knocking herself out cold. She comes to quickly but instantly she finds that the knock has given her powers that she could either use wisely for the benefit of mankind, or to take revenge on her brother. What a choice… A curio piece that I found from early in the career of Robert Rodriguez, using his own family as his cast and his own home as his set. The plot is simple and the idea is that it sets up lots of physical comedy as Rebecca's powers come into play. Unfortunately the limitations of the film prevent it being hilarious because the material is not that inspired; if it weren't for the presence of Rodriguez then it would probably not be worth seeing. As it is, it is interesting to see the way that Rodriguez's hyper style was there from the start. Here it needs refining but it is there none the less.The main positive factor in the film is from Rebecca herself. She is cute and charming, with great charisma and she does drive the film forward by her personality. David has less of a character and is not as good because of his role within the film. Overall though, it is quite an amusing short film but it is not as strong as many have said and does benefit from the curiosity value of being an early short film demonstrating the distinctive hyper/cartoon style of Rodriguez.
TBJCSKCNRRQTreviews I don't believe I knew of this short film before I got El Mariachi on DVD and found it among the special features. Rodriguez did it all by himself, with the cast consisting entirely of his siblings. The plot is simple and silly, but you find yourself watching it all, never particularly wanting it to end, and when it does, it hardly feels like any time has passed at all. Granted, not an awful lot of time *has* passed, but still. The pacing is perfect. The cinematography is great. The story-telling is relatively simple, but it works very well. Instead of giving up on having sound, or limiting it, on account of not having a camera that could record sound(I'm going to assume he did, as he describes having and using one such camera in making his feature debut, El Mariachi, which was made not long after this), Rodriguez creates all of the sound in post-production, and gives it a rather cartoon-y feel, one that is present in every facet of this production. The difficulty of dialog(as it must all be recorded separate from filming) is a problem he solves by making the dialog off-screen, and, whilst it is arguably a story-telling crutch, the narration works wonderfully well, and helps tell a story that could easily have taken far longer than 8 short minutes, ensuring a tight little short that does not overstay its welcome. The acting varies, but always works. The lead enunciates reasonably well, and good enough for all she says to be understood. The score, editing and camera angles create drama, and cheap effects sell the supernatural idea. There is some gross-out comedy, but very little. There is also some violence, and it is shown without the realistic outcome(not unlike, say, a Tom & Jerry cartoon). This short is undoubtedly created mainly for children, but adults can enjoy it too. You'll find the minutes flying by, and you may very well enjoy Rodriguez doing what he does best. I recommend this to any fan of Rodriguez, as well as children who have the sense of humor for it. 7/10
tmphaedrus This movie can also be found on the Special Edition DVD of El Mariachi, along with his 10 Minute Film School on how he made El Mariachi on a budget of $7,000 (USD). Good, fun, silly movie that shows the early genius of Robert Rodriguez. Rather frenetic at times, it represents a prime example of what has become "stereotypical" camera work by Robert Rodriguez. Using his brothers and sisters in the cast, it's perfect for those who have always dreamed of revenge on our siblings for whatever "crime" they committed against us or our toys, and for all those little idiosyncrasies our siblings have that drive us crazy. Don't take it too seriously and have fun with it. Whether a fan of Rodriguez' work or as an instructor in film technique, this movie is worth watching.
Michael DeZubiria As an amateur filmmaker myself, I can tell that this is exactly the kind of film that more talented young aspiring filmmakers come up with when they're attempting to break into the movie industry. Robert Rodriguez cuts every corner imaginable, as he also brilliantly did while later shooting El Mariachi, and comes up with a witty and technically impressive short film. The sheer simplicity with which Bedhead was made is perfectly clear from beginning to end, but it is still an impressive and entertaining film, which is a testament to the fact that big budgets do not equal good movies. There are so many people in this world who think that the bigger the budget for a movie is, the better the movie itself is, and that's one of the most foolish things I've ever heard. Listen to the director's commentary for El Mariachi and Rodriguez explains perfectly clearly why this is not at all true, and there are so many filmmakers that need to learn that (yeah that's you, Jerry Bruckheimer). Rodriguez casts a few members of his immediate family in what looks like a film that could have been carelessly filmed in an afternoon before dinner, but if you've had experience in filmmaking and know what goes into it, it's clear that there was much more put into the film than that and it says something about Rodriguez's filmmaking talent that he was able to make something so complex look so simple. Bedhead is a very short film but it tells a story, keeps you entertained, and teaches you something about filmmaking all at the same time. It's so refreshing to see a director who cares so much about the medium of film and who wants to spread that knowledge. If you take the time to watch the extra features on the El Mariachi/Desperado DVD, such as the director's commentaries and this short film and the 10 minute film school, it's clear that Rodriguez wants to get rid of a lot of the stupid, unnecessary fluff that's so prevalent in the movies. If there were more directors who made up for filmmaking difficulties with their own creativity, as Rodriguez does, rather than covering their shortcomings with sheer financial purging, the movie industry would be in much better shape right now.