Scanialara You won't be disappointed!

Redwarmin This movie is the proof that the world is becoming a sick and dumb place

Inclubabu Plot so thin, it passes unnoticed.

Yazmin Close shines in drama with strong language, adult themes.

Charles Herold (cherold) Bedlam is an odd and interesting film. Anna Lee is Nell, a witty young woman who functions as a sort of court jester for a noble. She is goaded into visiting Bedlam, an insane asylum that holds tours so the rich can laugh at the insane. Nell affects the air of a cynical, frivolous wit, but she is disturbed by the treatment of the inmates at the hands of Boris Karloff's psychopathic George Sims. Karloff and Lee are both terrific, and the atmosphere is beautifully created, both in the lush homes of the elite and in the chaotic Bedlam. While producer Val Lewton was known as a horror movie producer, his movies were always more complex than that, and this is a movie of psychological horror. The story is compelling and the movie does a good job of showing the power of both hate and love to affect people.

GManfred Actually, "Bedlam" is billed as a Drama first, then a Horror and then a Thriller movie. there is very little horror and it's not very thrilling, but you get to see Boris Karloff as a villain, but he's not very scary. This is a Val Lewton production, which means it gets the most value out of a very small budget, and from that standpoint the movie is fairly interesting.Anna Lee is lovely as the crusading Nell Bowen, who tries to expose Karloff's Mental institution as unhealthy and unsanitary and houses political prisoners as well as certifiables. The Institution suffers from a lack of ambiance, and not such a bad place as the original Bedlam. I think that's due to the restrictive budget, since Lewton worked miracles with other under-budget pictures. I suppose if you are a fan of Boris Karloff you might enjoy this film more than I did, but I can't recommend it otherwise.p.s. The website will not take my corrected spelling of ambiance (an e in place of the second a), just so you know.

AaronCapenBanner Mark Robson directs Boris Karloff as Master George Sims, who runs the notorious St. Mary's of Bethlehem asylum(known as Bedlam). He is a glib but ruthless man who runs it like his own private serfdom, unconcerned with the patients in his care, and will kill anyone who tries to stop him in his power. One such person is Nell Bowen(played by Anna Lee) who is the consort of Lord Mortimor(played by Billy House). This offers her some protection, since the cowardly Sims wont risk angering anyone in power over him, but cleverly sets about undermining her credibility, to the point of having Nell committed to his asylum! Can she overcome this cruel ordeal? Last film in the Val Lewton horror series is quite good, with fine performances by all, especially Karloff, playing Sims the same way he would later voice the Grinch!(sneaky and deceptively charming) A bit slow at times, but leads to a satisfying end.

tomsview I remember seeing "Bedlam" on television in the late 1950s. One scene in particular stayed with me – a man walking down a dark corridor in the asylum with inmates hands reaching out for him from their cells – the stuff that nightmares are made of.Has "Bedlam" travelled well over the years? That depends on your expectations. In the intervening 67 years since it was made, we have seen all kinds of horror movies. After 1968, when the ratings system was introduced, much of the last four decades were with the gloves off – just about anything could be shown. As a horror movie, "Bedlam" can't compete with all that, but it is a film full of ideas, features a subject almost unique to cinema, and still manages to deliver a chill or two.The film is set in London in 1761. Nell Bowen, played by Anna Lee, is a woman associated with Lord Mortimer, an administrator of St Mary of Bethlehem Hospital, more commonly known as Bedlam.Nell becomes upset when Mortimer allows Boris Karloff's character, Master George Simms, the Apothecary General of Bedlam, to use the inmates of the asylum as amusements for paying customers. Nell has a conscience and befriends a Quaker stonemason named Hannay played by Richard Fraser. Together they attempt to better conditions for the inmates. However Nell insults Lord Mortimer in the process; she finds herself certified as insane and committed to Bedlam. Hannay attempts to save her.Many of the leads in Val Lewton films have been described as expressionless, a nicer way of saying wooden. It was often the supporting players in Lewton's films who received the juiciest parts and gave the most animated performances. However, in "Bedlam", Anna Lee gives a spirited and engaging performance – possibly the best in any Lewton film. I say this because of the shades of light and dark the performance called for. By contrast, many Lewton heroines seemed to be in a state of clinical depression from the beginning to the end of their roles – often with good reason. Boris Karloff as Simms is also particularly good, projecting malevolence in an understated performance. Only Richard Fraser as Hannay is more true to form.Lewton's team uncovered an obscure piece of history to create this story, complete with authentic sounding dialogue – no hint of modern vernacular creeps in to jar the ear. "Bedlam" also has scenes crammed with detail, capturing the feeling of "The Rake's Progress", the Hogarth paintings that inspired Lewton to make the movie.Once the film enters the asylum, it gains considerable edge. There is great contrast between life on the inside with tattered inmates barely visible in the shadows of the cavernous asylum, and life on the outside with ornately dressed people inhabiting brightly lit rooms. Nell encounters the different layers of society within the asylum – based not surprisingly on mental competence. At first she is afraid, but then she does her best to ease the suffering of the inmates. Eventually this saves her from the excesses of Simms when the inmates rise up to protect her.Even after 67 years, "Bedlam" still offers something different … a little known slice of history, a good story, compelling performances, and that corridor of reaching hands.