paul2001sw-1
The persecution of gay people in the 20th century had some strange side-effects. Take the career of Liberace, the celebrity pianist, who styled himself according to the most outre social conventions of the gay community, but sued anyone who mentioned his sexuality. Liberace also had a series of semi-contractual relationships with much younger men, which one can see as the sort of thing a certain type of rich person might chose to do, but which surely seemed more natural in a world where a more orthodox relationship was socially prohibited. Steven Sodebergh's film shows us scenes from Liberace's life, but also portrays a very odd person and it doesn't really manage to make us feel sympathetic at a personal level, however much one acknowleges the potentially hostile world he had to navigate. Perhaps a full biopic, showing how he became the man we see in this movie, would have been more revealing.
Jackson Booth-Millard
I had been meaning to see TV made biopic movie for a long time, I knew the celebrity being focused and the lead actor playing him, so I made the effort and finally watched it, directed by Steven Soderbergh (Sex, Lies, and Videotape; Erin Brockovich, Traffic, Ocean's Eleven, Magic Mike). Basically in 1977, Scott Thorson (Golden Globe nominated Matt Damon) is working as an animal trainer for films, then he meets Hollywood producer Bob Black (Scott Bakula) in a gay bar in Los Angeles, Black urges him to leave his adopted home and search for better paying work. Black introduces Thorson to flamboyant entertainment giant Wladziu Valentino "Lee" Liberace (Golden Globe winning Michael Douglas), who takes an immediate liking to the handsome younger man. Liberace invites the two men backstage, then to his luxurious home in Las Vegas, Throson observes one of his dogs is suffering from a temporary form of blindness, with his veterinary experience he offers to help the pianist, the dog is treated. After this, Thorson becomes Liberace's "assistant" at the performer's request, Thorson is also hired as his chauffeur, driving a Rolls-Royce limousine, he moves in, and they become lovers. Thorson confesses to Liberace that he is bisexual, he is attracted to both men and women, Liberace is sympathetic, informing him he tried to love women, but was exclusively attracted to men, but he believes that God still loves him. It gradually becomes clear that Liberace is trying to mould Thorson into a younger version of himself, he asks his plastic surgeon Dr. Jack Startz (Golden Globe nominated Rob Lowe) to transform Scott's face to resemble his own, and he unsuccessfully attempts to formally adopt him. Thorson becomes increasingly angry and frustrated with Liberace trying to control, and his obsession to publicly hide their romance at any cost, he turns to drugs. In 1982, Thorson and Liberace's relationship is ultimately destroyed, by Thorson's increasing drug abuse, and Liberace's interest in younger men, including dancer Cary James (Boyd Holbrook). Thorson gets his attorney (Whiplash's Paul Reiser) and attempts to sue Liberace for over $100,000,000 of his assets, this results in their formal partnership ending, the lawsuit starts in 1984, but Liberace flatly denies any sexual relationship with Thorson. In December 1986, Thorson receives a call from Liberace that he is very sick, later diagnosed as AIDS, he wishes Thorson to visit him again, he agrees and visits him at his retreat in Palm Springs, there they have one last emotional conversation. Liberace dies in February 1987, Thorson attends his funeral, in which he imagines Liberace performing on stage for one last time in his traditional flamboyance, before being lifted to Heaven with a stage harness. Also starring Dan Aykroyd as Seymour Heller and Debbie Reynolds as Frances Liberace. Douglas gives a powerhouse performance as the blatantly gay, peculiar and charming entertainer, Damon is equally good as his lover, and there is great support from the likes of Lowe and Aykroyd. This is one of the few occasions that a TV made movie could easily have gone to the big screen, the production is fabulous, the costume design is brilliant, the use of colour is splendid, the feel is both eccentric and glamorous, and it is not afraid to be controversial with the subjects of homosexuality and addictions, a most watchable biographical drama. It won the Golden Globe for Best Miniseries or Motion Picture Made for Television. Very good!
Kirpianuscus
not only for mixture of kitsch and opulence, costumes and careful recreation of atmosphere. but for the art of Michael Douglas to recreate the isolation, selfishness, vulnerability of Liberace. for the admirable job of Matt Damon, victim in fascinating spider web. for the musical moments and for the gay air. and, sure, as parable about glory and the fall. a great show. this is its basic virtue. and the heart of a splendid story about a meeting, a trip and a love story who has all the ingredients of soap opera and little more. the good point - realistic picture of a career who seems be eccentric and fake and strange today but who defines the taste of public more than the life of Liberace.
